Phia Ménard is an author, performer, scenographer, director and juggler. It was in 1991 that she began to train to the Arts and especially to the juggling and the actor’s movement. She became a student with Jérôme Thomas, learning the techniques of juggling and composition. She integrates the company on the creation « Hic Hoc ». With this team she traveled to several continents, learning to be an interpreter, improviser and creator of several shows of the company until 2003: « Le socle » (The base) choreography by Cécile Bornes, « Le banquet » (The banquet), "Hioc", « 4 », « qu'on en finisse une bonne fois pour toutes… » (Let's finish it once and for all…).

Meanwhile, she meets Hervé Diasnas and Valérie Lamielle, follows the teachings of her dance practice and interprets two pieces: "The tattooed page" and "Badaboum".

She founded the Non Nova Company in 1998 and began to write her own plays. It was with the solo, «Ascenseur, fantasmagorie pour élever les gens et les fardeaux », created in 2001, that she will be recognized as an author and supported for her singular and personal approach. His company became associate artist for three seasons at the National Scene Le Carré at Château Gontier (2003/2006). She develops with the teams of Non Nova and the Scène Nationale, a work on the visibility of the artist's approach and various experiments. The « Zapptime, the awakened dream of a zapper », will take place during this period, the "Jongleur pas confondre" show with Jean-Michel Guy (sociologist), "Fresque et sketches 2nd round", and off-piste events: « Est-il vraiment sérieux de jongler ? » (Is it really serious to juggle?), « Ursulines Dance Floor », « Ursulines Mushroom Power ». In 2005, she was invited by Jean Blaise to the Lieu Unique, Scène Nationale de Nantes for « Zapptime # remix ». Follow « Touch It » and « Doggy Bag ». From 2008, it develops the concept of I.C.E. (Complementary Tangibility of Elements) with the creation of "P.P.P. "At the Subsistances de Lyon and « L’après-midi d’un foehn Version 1 » at the Museum of Natural History in Nantes. She collaborates and performs the "Iceman" performance with Collectif La Valise for the film « Coyote pizza ». In response to the invitation of the SACD and the Festival d'Avignon 2010, she wrote « Black Monodie » with the sound poet Anne James Chaton. In 2011, she creates the wind parts, « L’après-midi d’un foehn » and « VORTEX ».

Source: Biennale de la danse de Lyon

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