Skip to main content
Add video to a playlist

Title

Choreographer

The description is limited to to a length of 500 characters


Your playlists

The video has been added successfully.

The video is already in this playlist.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist The description is limited to to a length of 500 characters


Embed the video Embed the video on your website
Index
See the video
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
Information Your submission has been sent
Video information

Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.

For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.

offers

PRO Offer

Exclusively for artists/companies, directors.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support
offers

PRO Offer +

Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support

+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)

advantages

Promote your video collection

Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.

advantages

Guaranteed access to an exclusive video collection

Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.

advantages

Share your account

You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.

  • Add to playlists
  • Remove from your favorites Add to your favorites

Le sacre du printemps

Le sacre du printemps

Le sacre du printemps

« It was dawn, Stravinsky premiered Le Sacre du Printemps (The Rite of Spring), something completely unexpected, unheard of. We heard a hymn, an ode to Nature, the music of a world, of life, of something growing green again. We know now he was composing a song, the voices of the forces inside the spiral of the unescapable darkness. Spring after spring, one war vomits out the next - and the soft green-ness of the new leaves does not last.
It is the beginning of a new dawn.
Le Sacre has been performed a thousand times, unforgettable yet always new, with the same shocking joy overflowing out of time, out of the ages, an edge, the alliance of the arches, the high sound of the grass being cut by a scythe, stalking an animal, its charge, a stream running over and under the earth, the inexplicable rhythm of fires burning at night, a line of shrieks blotting out a whimper. Unstoppable violence. How we would have liked to not have heard the death knell of the old drums, their power, their deep vibrations which encourage the idea: animate, then kill.
Our dawn finds us enmeshed in the process of recognizing the forces knotting our bodies, we are dancing. To the same chord, united in complete dis-harmony to celebrate this Sacre, dancing what is dead, what lives again and will die. Show the ritual, that which mixes death with life, bones and ash. To say again what a man does to celebrate the gift of such a terrible joy. To breathe this rhythm for the first and last time, when the veil drops before our eyes.
And Africa – a whole continent contained in the space which separates the day as it ends, from the beginning of the next one, daybreak. The end and the beginning of the world, a world on its knees when Stravinsky saw Red suns coming up in the East. A continent from which springs – at the same time as a promise – the thickening anguish of spring.
An earth withstanding the great leap forward of the universe, the force of Tomorrow ever present.
A last kingdom where we are now walking »


Source : Heddy Maalem - June 2003

Maalem, Heddy

Heddy Maalem is sometimes rather withdrawn, a man of silence. 

He is wary of fakers, pretenders, those who fiddle with things that should be exact. Like him, his dancing is simple, blunt, seeking interior change without ostentation or ornament.
The secret tension simmering beneath the surface can be felt both in his work and in his person. A man who technically is from two countries, France - he clarifies: from Languedoc - and Algeria, Heddy Maalem prefers to think of himself as a son of the Mediterranean, this sea trying valiantly to fill the gap separating the two peoples. You have to nudge him, and when you do, Heddy Maalem actually tells us one of his boyhood memories, precise, emblematic: “In Algeria, we lived in the Aurès, in Batna. We lived in the ‘black quarter,' where the black Africans lived. The country was at war, and we were constantly hearing drums playing, accompanying the dances of the immigrants from the South. Since then, war and dance have always been linked in my mind.”
The choreographer emerged from this violence, this separation. He came to it rather late, after several years studying Oriental languages, traveling, odd jobs and especially amateur boxing, until he was 28. His encounter with dance was accidental, achieved mostly through teaching aikido for many years. He perceived dance as something unexpected, clear, a way of moving, of being, of working with his memories, historic, ancestral, personal.
“Having survived the tearing apart of my two countries, I sometimes feel like a stranger. In dance I am not borrowing from any existing school of thought, I must invent my own language, an ‘unmarked' language.”
Heddy Maalem spent a great deal of time researching the workings of his own body, asking himself simple questions: why and how to move? How do I use the floor? How do I run, walk? Little by little he found a style, movements which begin from the center of the body or from the floor, movements which cut into space or touch a partner, without lyricism but with a certain aesthetic, a pure physicality.
His approach also deals with time, using the body as a poet uses language, as material. His intent to stand apart from the current frenzy is his commitment to a kind of radicality.

Source : the company Heddy Maalem 's website 

More information

heddymaalem.com

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
  On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
      - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
      - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
      - He started «présentations de saisons» in pictures.
      - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Le sacre du printemps

Choreography : Heddy Maalem

Interpretation : Simone Gomis, Hardo Papa Salif Ka, Eveline Gomis, Marie-Pierre Gomis, Marie Diedhiou, Shush Tenin, Serge Anagonou, Awoulath Alougbin, Rachelle Agbossou, Alou Cissé, Niama Diarra, Qudus Onikeku, Kehinde Awaiye, Taiwo Awaiye

Additionnal music : Igor Stravinsky, interprétation par le Cleverland Orchestra sous la direction de Pierre Boulez

Costumes : Agathe Laemmel

Sound : Benoît De Clerck

Duration : 60'

Our videos suggestions
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:05

Tricksters

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:01

Pléiades

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:10

Et mon coeur a vu à foison

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:57

Let me change your name

Ahn, Eun-Me (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:57

Hu(r)mano

Da Silva Ferreira, Marco (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
16:18

Wunsch

Biondi, José (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
20:49

Haru no Saïten, un sacre du printemps [remontage 2015]

Murobushi, Kô (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:46

So Schnell

Bagouet, Dominique (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:27

Act

Act (Germany)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
15:17

Le Sacre du printemps, Sacre #2 [remontage 2018]

Nijinsky, Vaslav (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:57

BROTHER

Da Silva Ferreira, Marco (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:00

Drumming / Fragment #3

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:24

Drumming / Fragment #2

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:30

Drumming / Fragment #1

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:40

Undici Onde

Carlson, Carolyn (Italy)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:13

ETM : Double Down

Dorrance, Michelle (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:19:53

Undici Onde

Carlson, Carolyn (Italy)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:16

Le Sacre du Printemps arabe

Saldana, Marlène (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
19:51

Cher Ulysse [remontage 2014]

Gallotta, Jean-Claude (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Write the movement

Webdoc

Julie Charrier

Write the movement

Webdoc

A myriad of methods have been invented for analysing dance and putting it into perspective and for accompanying the ‘tool’ that is essential to its memory, the dancer’s body. This webdoc presents the challenges of movement notation.
Discover
Know more

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Maison de la Danse de Lyon

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Discover
Know more

LATITUDES CONTEMPORAINES

Exposition virtuelle

Numeridanse.tv

LATITUDES CONTEMPORAINES

Exposition virtuelle

Discover
Know more

40 ans de rock et danse

Exposition virtuelle

Maison de la Danse de Lyon

40 ans de rock et danse

Exposition virtuelle

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus...

Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)

Discover
Know more

La Biennale de la danse

Exposition virtuelle

Biennale de la danse

La Biennale de la danse

Exposition virtuelle

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la Danse de Lyon

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa

Discover
Know more

Rituals

Parcours

Anne Décoret-Ahiha

Rituals

Parcours

Discover how the notion of ritual makes sense in various dances through these extracts.

Discover
Know more

The committed artist

Parcours

Anne Décoret-Ahiha

The committed artist

Parcours

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Discover
Know more

Genres and styles

Parcours

Anne Décoret-Ahiha

Genres and styles

Parcours

Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.

Discover
Know more

Hand dances

Parcours

Julie Charrier

Hand dances

Parcours

This parcours presents different video extracts in which hands are the center of the mouvement.

Discover
Know more

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Discover
Know more

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

Céline Roux

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Discover
Know more

Contemporary Italian Dance : the 2000s

Parcours

Ada d’Adamo

Contemporary Italian Dance : the 2000s

Parcours

Panorama of contemporary dance practices in Italy during the 2000s.

Discover
Know more

The contemporary Belgian dance

Parcours

Philippe Guisgand

The contemporary Belgian dance

Parcours

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Discover
Know more

Dance and percussion

Parcours

Camille Rocailleux

Dance and percussion

Parcours

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Discover
Know more

Dance at the crossroad of the arts

Parcours

Anne Décoret-Ahiha

Dance at the crossroad of the arts

Parcours

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Discover
Know more

Scenic space

Parcours

Anne Décoret-Ahiha

Scenic space

Parcours

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Discover
Know more

Reinterpreting works: Swan Lake, Giselle

Parcours

Anne Décoret-Ahiha

Reinterpreting works: Swan Lake, Giselle

Parcours

Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.

Discover
Know more

Female / male

Parcours

Anne Décoret-Ahiha

Female / male

Parcours

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more