Skip to main content
Back to search

Madâ'a (La)

Lamoureux, Éric

Héla Fattoumi and Éric Lamoureux founded the Compagnie FATTOUMI/ LAMOUREUX in 1988. Their first work Husaïs was awarded the prize for best first piece at the Bagnolet International Choreographic Competition in 1990, then their trio Après-midi  received the “New Talents” prize from the SACD in 1991. These two  pieces placed them as leaders of the new generation of contemporary  choreographers and brought them international renown.

A space for research whose source is the intermingling of their individual features.    From piece to piece, they mine the intrinsic intelligence of the body,  its power to reveal meaning, which can also be thought as a part of  movement.    Several other important pieces were created in the same vein as Husaïs: Si loin que l’on aille (at the Théâtre de la Bastille and the Théâtre de la Ville, 1992); Fiesta (commissioned by the Avignon Festival, 1992); Asile Poétique (at the Théâtre de la Ville, 2000) based on texts by the poet Antonio Ramos Rosa; Wasla, ce qui relie… (at the Lyon Dance Biennial, 1998); Vita Nova (at the Grande Halle de la Villette, 2000) with the 11th graduating class of the National Center for Circus Arts.    These pieces show choreographic work linked to the ideas of mastery/  nonmastery, strength/ fragility, minimalism/ performance, a dance whose  expressive weight is charged by a “graphic energy.”

They were appointed directors of the CCN of Caen/  Basse-Normandie in 2004, where they continued their work with pieces  focusing on societal issues.    These works were La Madâ’a (at the Arsenal in Metz, 2004) with the Joubran brothers, Palestinian virtuosi on the oud; Pièze (a “pressure measurement”) and La danse de Pièze  (at the Festival Dialogue de corps, Ouagadougou, 2006 and the Théâtre  de la Bastille), about the idea of “homosensuality” in the Arab-Muslim  world; Just to dance… (the Espace des Arts in Chalon-sur-Saône, 2010), a piece about the idea of “creolization” developed by Édouard Glissant; MANTA,  a solo created at the Montpellier Festival in 2009 and performed on  tour (Tokyo, Séoul, Berlin, Tunis, Brussels, Stockholm, Oslo), based on  the problem inherent in wearing the niqab; Lost in burqa, (at  the Festival danse d’ailleurs, 2011) a performance for 8 dancers, based  on the “clothing-sculptures” by the Moroccan plastician Majida Khattari;  Masculines (at the Arsenal de Metz, 2013) and on the representations of the feminine on both sides of the Mediterranean.

They are reactivating a choreographic research recharging itself with the expressive and poetic potential of dance. Une douce imprudence co-signed with Thierry Thieû Niang (at the  Festival Ardanthé 2013, and the Théâtre National de Chaillot, 2014) on  the idea of “Care”; Waves, a commission for the Swedish opera  company NorrlandsOperan and its symphony orchestra, under the auspices  of Umeå 2014, European cultural capital, for which they are associated  with the Swedish singer and composer Peter von Poehl.

They also chose to step outside theatres to work in situ in other reactive contexts.    In February 2009, they created the performance Stèles as part of a special “Nocturne”, a commission from the Louvre Museum.    In 2008 they created Promenade at the Grand Palais, imagining a dialogue with the monumental sculptures of Richard Serra.    In January 2012 they created Circle, inviting the audience into  the center of a circular structure where dance goes wild with the  massed collective energy of 26 professional and amateur dancers.    In 2013, as part of the Normandy Impressionist Festival they stepped  inside the exhibition “Summer at the water’s edge” at the Beaux-Arts  Museum of Caen for a choreographic Flânerie (wandering).

Creation of the Festival Danse d’Ailleurs (Dance from Elsewhere) (2005)    Beginning in 2005, they founded the Festival Danse d’Ailleurs whose  vocation is to put back into perspective the idea of universalism while  questioning referent frameworks for modernity in art, relating to  cultural horizons.    The first four editions focused on artists from the vast, diverse  African continent and brought international recognition to the event,  and the following editions opened as far as Asia, linking with the Hot  Summer Festival in Kyoto, Japan.

Héla Fattoumi and Éric Lamoureux are fully committed to the promotion and the defense of choreographic art.    From 2001 to 2004, Héla Fattoumi was the dance vice president of the  SACD (Société des Auteurs Compositeurs Dramatiques). She was also in  charge of programming the section called ”Vif du sujet” at the Avignon  Festival.    From 2006 – 2008, she was the President of the ACCN (Association of the  National Choreographic Centers). From 2010 – 2013 Éric Lamoureux took  over the Presidency; he is now the vice president.    From 2013 to 2015, Héla Fattoumi has been the president delegated to long-term planning at the SYNDEAC.

In March 2015 Héla Fattoumi and Éric Lamoureux were named  Directors of the Centre chorégraphique national de Franche-Comté in  Belfort, for which they are developing their VIADANSE project.

Fattoumi, Héla

Héla Fattoumi and Éric Lamoureux founded the Compagnie FATTOUMI/ LAMOUREUX in 1988. Their first work Husaïs was awarded the prize for best first piece at the Bagnolet International Choreographic Competition in 1990, then their trio Après-midi  received the “New Talents” prize from the SACD in 1991. These two  pieces placed them as leaders of the new generation of contemporary  choreographers and brought them international renown.

A space for research whose source is the intermingling of their individual features.
  From piece to piece, they mine the intrinsic intelligence of the body,  its power to reveal meaning, which can also be thought as a part of  movement.
  Several other important pieces were created in the same vein as Husaïs: Si loin que l’on aille (at the Théâtre de la Bastille and the Théâtre de la Ville, 1992); Fiesta (commissioned by the Avignon Festival, 1992); Asile Poétique (at the Théâtre de la Ville, 2000) based on texts by the poet Antonio Ramos Rosa; Wasla, ce qui relie… (at the Lyon Dance Biennial, 1998); Vita Nova (at the Grande Halle de la Villette, 2000) with the 11th graduating class of the National Center for Circus Arts.
  These pieces show choreographic work linked to the ideas of mastery/  nonmastery, strength/ fragility, minimalism/ performance, a dance whose  expressive weight is charged by a “graphic energy.”

They were appointed directors of the CCN of Caen/  Basse-Normandie in 2004, where they continued their work with pieces  focusing on societal issues.
  These works were La Madâ’a (at the Arsenal in Metz, 2004) with the Joubran brothers, Palestinian virtuosi on the oud; Pièze (a “pressure measurement”) and La danse de Pièze  (at the Festival Dialogue de corps, Ouagadougou, 2006 and the Théâtre  de la Bastille), about the idea of “homosensuality” in the Arab-Muslim  world; Just to dance… (the Espace des Arts in Chalon-sur-Saône, 2010), a piece about the idea of “creolization” developed by Édouard Glissant; MANTA,  a solo created at the Montpellier Festival in 2009 and performed on  tour (Tokyo, Séoul, Berlin, Tunis, Brussels, Stockholm, Oslo), based on  the problem inherent in wearing the niqab; Lost in burqa, (at  the Festival danse d’ailleurs, 2011) a performance for 8 dancers, based  on the “clothing-sculptures” by the Moroccan plastician Majida Khattari;  Masculines (at the Arsenal de Metz, 2013) and on the representations of the feminine on both sides of the Mediterranean.

They are reactivating a choreographic research recharging itself with the expressive and poetic potential of dance.
Une douce imprudence co-signed with Thierry Thieû Niang (at the  Festival Ardanthé 2013, and the Théâtre National de Chaillot, 2014) on  the idea of “Care”; Waves, a commission for the Swedish opera  company NorrlandsOperan and its symphony orchestra, under the auspices  of Umeå 2014, European cultural capital, for which they are associated  with the Swedish singer and composer Peter von Poehl.

They also chose to step outside theatres to work in situ in other reactive contexts.
  In February 2009, they created the performance Stèles as part of a special “Nocturne”, a commission from the Louvre Museum.
  In 2008 they created Promenade at the Grand Palais, imagining a dialogue with the monumental sculptures of Richard Serra.
  In January 2012 they created Circle, inviting the audience into  the center of a circular structure where dance goes wild with the  massed collective energy of 26 professional and amateur dancers.
  In 2013, as part of the Normandy Impressionist Festival they stepped  inside the exhibition “Summer at the water’s edge” at the Beaux-Arts  Museum of Caen for a choreographic Flânerie (wandering).

Creation of the Festival Danse d’Ailleurs (Dance from Elsewhere) (2005)
  Beginning in 2005, they founded the Festival Danse d’Ailleurs whose  vocation is to put back into perspective the idea of universalism while  questioning referent frameworks for modernity in art, relating to  cultural horizons.
  The first four editions focused on artists from the vast, diverse  African continent and brought international recognition to the event,  and the following editions opened as far as Asia, linking with the Hot  Summer Festival in Kyoto, Japan.

Héla Fattoumi and Éric Lamoureux are fully committed to the promotion and the defense of choreographic art.
  From 2001 to 2004, Héla Fattoumi was the dance vice president of the  SACD (Société des Auteurs Compositeurs Dramatiques). She was also in  charge of programming the section called ”Vif du sujet” at the Avignon  Festival.
  From 2006 – 2008, she was the President of the ACCN (Association of the  National Choreographic Centers). From 2010 – 2013 Éric Lamoureux took  over the Presidency; he is now the vice president.
  From 2013 to 2015, Héla Fattoumi has been the president delegated to long-term planning at the SYNDEAC.

In March 2015 Héla Fattoumi and Éric Lamoureux were named  Directors of the Centre chorégraphique national de Franche-Comté in  Belfort, for which they are developing their VIADANSE project.

Silvestre, Benjamin

Graduate from the Ecole Nationale des Arts Décoratifs, Benjamin Silvestre works as filmmaker. His work explores the body, and his gesture as language, and way of narration.

He made experimental and narrative films and videos, shorts documentaries on Choregraphers and dance films.

Since 2003, he makes many videos recordings of contemporary dance performances.

He also made severals projects of videos installations for Museum (Forteresse Royale de Chinon, Musée de la résistance et de la déportation, Limoges)

He is actually ending the writing of a feature film and a documentary.


En savoir plus : www.benjaminsilvestre.com

Madâ'a (La)

Choreography : Héla Fattoumi/Eric Lamoureux

Interpretation : Philippe Chosson, Hafiz Dhaou, Héla Fattoumi, Anne Foucher, Eric Lamoureux, Laura Simi, Moustapha Ziane

Set design : Frédéric Casanova

Original music : Samir Joubran

Live music : Samir Joubran et Adnan Joubran

Lights : Xavier Lazarini

Costumes : Sophie Heurlin

Sound : Isabelle Surel

Production / Coproduction of the choreographic work : Production Centre Chorégraphique National de Caen/Basse-Normandie, Arsenal de Metz, le Grand Théâtre de la Ville de Luxembourg, l'Espace des Arts, Chalon-sur-Saône Avec le partenariat du Centre National de la Danse et le soutien de l'Association ADITI

Our videos suggestions
02:48

Questcequetudeviens ?

Bory, Aurélien (France)

  • Add to playlist
01:46

Grand final

Shechter, Hofesh (United Kingdom)

  • Add to playlist
06:36

L'après-midi d'un faune (1965)

Jooss, Kurt (France)

  • Add to playlist
09:30

L'après-midi d'un faune (1912)

Nijinsky, Vaslav (France)

  • Add to playlist
05:30

Folias & Jacaras

Yepes, Ana (France)

  • Add to playlist
00:00:54

Teaser de "Grito de Pelao" Rocío Molina et Sílvia Pérez Cruz

Molina, Rocío (France)

  • Add to playlist
02:11

Improvisation Carolyn Carlson et Michel Portal

Carlson, Carolyn (France)

  • Add to playlist
03:00

Correction

Havelka, Jiří (France)

  • Add to playlist
02:13

ETM : Double Down

Dorrance, Michelle (France)

  • Add to playlist
02:59

El Callejón de los pecados

Guerrero, Eduardo (France)

  • Add to playlist
02:43

bal.exe

Nguyen, Anne (France)

  • Add to playlist
02:45

Miscelania onírica

Pericet, Olga (France)

  • Add to playlist
10:54

Carolyn Carlson et Michel Portal

Carlson, Carolyn (France)

  • Add to playlist
06:51

Square

Benne, Bruno (France)

  • Add to playlist
18:23

DéBaTailles [remontage 2014]

Plassard, Denis (France)

  • Add to playlist
01:55

Carnaval à la Havane

Carnaval à la Havane (Carnaval à la Havane)

  • Add to playlist
03:01

Dans les plis du paysage

Dans les plis du paysage (France)

  • Add to playlist
02:59

Eins Zwei Drei

Zimmermann, Martin (France)

  • Add to playlist
04:39

Hans was Heiri

Zimmermann, Martin (Switzerland)

  • Add to playlist
08:04

Motus Anima

Miazzo, Claudia (France)

  • Add to playlist
Our themas suggestions

40 ans de rock et danse

Exposition virtuelle

Maison de la Danse de Lyon

40 ans de rock et danse

Exposition virtuelle

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus...

Et mettons-nous tous nus 

> Chanson de l’Affaire Louis Trio (1987)

Discover
Know more

The “Nouvelle Danse Française” of the 1980s

Parcours

Francis de Coninck

The “Nouvelle Danse Française” of the 1980s

Parcours

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Discover
Know more

les ballets C de la B et l'esthétique du réel

Exposition virtuelle

Numeridanse.tv
Université Lyon 2 - Arts de la scène et du spectacle vivant

les ballets C de la B et l'esthétique du réel

Exposition virtuelle

Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse. 

Discover
Know more

Black Dance

Webdoc

Julie Charrier

Black Dance

Webdoc

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.
Discover
Know more

Strange works

Parcours

Centre national de la danse

Strange works

Parcours

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more

Meeting with literature

Parcours

Centre national de la danse

Meeting with literature

Parcours

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Discover
Know more

Round dance

Parcours

Olivier Lefebvre

Round dance

Parcours

 Presentation of the Round’s figure in choreography.

Discover
Know more

Do you mean Folklores?

Parcours

Sarah Nouveau

Do you mean Folklores?

Parcours

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Discover
Know more

Dance in Quebec: Collectivities in motion

Parcours

Geneviève Dussault

Dance in Quebec: Collectivities in motion

Parcours

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Discover
Know more

Dance in Quebec: Untamed Bodies

Parcours

Geneviève Dussault

Dance in Quebec: Untamed Bodies

Parcours

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la Danse de Lyon

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.

Discover
Know more

Improvisation

Parcours

Philippe Guisgand

Improvisation

Parcours

 Discovery of improvisation’s specificities in dance. 

Discover
Know more

Female / male

Parcours

Anne Décoret-Ahiha

Female / male

Parcours

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Discover
Know more

Dance and music

Parcours

Anne Décoret-Ahiha

Dance and music

Parcours

The relationship between music and choreographic works varies throught dance history.

Discover
Know more

Dance and percussion

Parcours

Camille Rocailleux

Dance and percussion

Parcours

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Discover
Know more

Hand dances

Parcours

Julie Charrier

Hand dances

Parcours

This parcours presents different video extracts in which hands are the center of the mouvement.

Discover
Know more

Hip hop / Influences

Parcours

Anne Décoret-Ahiha

Hip hop / Influences

Parcours

This Course introduce to what seems to be Hip Hop’s roots.

Discover
Know more

Outdoor dances

Parcours

Julie Charrier

Outdoor dances

Parcours

Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more