Skip to main content
Back to search
  • Add to playlist

Hora

Numeridanse 2009

Choreographer(s) : Naharin, Ohad (Israel)

Present in collection(s): Numeridanse

Video producer : Batsheva Dance Company

en fr

Hora

Numeridanse 2009

Choreographer(s) : Naharin, Ohad (Israel)

Present in collection(s): Numeridanse

Video producer : Batsheva Dance Company

en fr

Hora

The Gaga technique lies at the heart of this new piece. This marks a new phase in Obad's personal journey exploring the inherent possibilities of the new choreographic language he has invented.
To display this language as clearly as possible, he places his 11 dancers in a closed space lit with green light. There is a bench at the back on which the dancers sit at times while awaiting their turn, and from which they get up to participate in this celebration of a movement whose intimate limits they are trying to discover.

Source: Per Diem & Co

Naharin, Ohad

Born in 1952 on Kibbutz Mizra, Ohad Naharin began his dance training with Batsheva Dance Company in 1974. During his first year with the Company, guest
choreographer Martha Graham singled out Naharin for his talent and invited him to join her own company in New York. Whilst in New York, Naharin studied on a scholarship from the America-Israel Cultural Foundation at the School of American Ballet, The Juilliard School, and with Maggie Black and David Howard. He went on to perform one season with Israel’s Bat-Dor Dance Company and Maurice Bejarts Ballet du XXe Siecle in Brussels.

Naharin returned to New York in 1980, making his choreographic debut at the Kazuko Hirabayshi studio. From 1980 until 1990, Naharin has presented his works in New
York and abroad and was invited to create works for different companies, including Batsheva, the Kibbutz Contemporary Dance Company, and Nederlands Dans Theater. Simultaneously, he regularly worked in New York with a group of dancers on different projects, together with his first wife, Mari Kajiwara. Naharin and Kajiwara worked together for many years, up to her death from cancer in 2001.
 

Naharin was appointed Artistic Director of Batsheva Dance Company in 1990 and has served in this role until today. During his tenure with the company, Naharin choreographed over 30 works for Batsheva and its junior division, Batsheva - the Young Ensemble. Alongside his work as a choreographer, Naharin developed Gaga, an innovative movement language intended for everyone. The dancers of Batsheva Dance Company train with Gaga on a daily basis, and it is also taught to dancers and the public worldwide by certified teachers.

Source: Batsheva Company 's website


More information : batsheva.co

Batsheva Dance Company

Artistic direction: Ohad Naharin

Creation: 1979


Batsheva Dance Company has been critically acclaimed and popularly embraced as one of the foremost contemporary dance companies in the world. Together with Batsheva - The Young Ensemble, the Company boasts a roster of 34 dancers drawn from Israel and abroad. Batsheva Dance Company is Israel's biggest company, maintaining an extensive performance schedule locally and internationally with over 250 performances and circa 100,000 spectators every year. Hailed as one of the world's preeminent contemporary choreographers, Ohad Naharin assumed the role of Artistic Director in 1990, and propelled the company into a new era with his adventurous curatorial vision and distinctive choreographic voice. Naharin is also the originator of the innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company’s training, and emerged as a growing international force in the larger field of movement practices for both dancers and non-dancers. The Batsheva dancers take part in the creative processes in the studio and even create their own works in the annual project "Batsheva Dancers Create" supported by The Michael Sela Fund for Cultivation of Young Artists at Batsheva. Batsheva Dance Company was founded as a repertory company in 1964 by the Baroness Batsheva de Rothschild who enlisted Martha Graham as its first artistic adviser. Since 1989, Batsheva Dance Company has been in residence at the Suzanne Dellal Centre in Tel Aviv.


Source: Batsheva Dance Company 's website


More information: batsheva.co.il/en/home

Hora

Choreography : Ohad Naharin

Set design : Avi Yona Bueno (Bambi)

Additionnal music : Isao Tomita (musique originale : Catacombs composée par Modest Mussorgsky, Aranjuez composée par by Joaquín Rodrigo, Space Fantasy: Theme from "2001: A Space Odyssey" composée par Richard Strauss; Die Walküre: Ride of the Valkyries, Tannhäuser: Overture composée par Richard Wagner; The Unanswered Question composée par Charles Edward Ives, Peer Gynt/Solveig's Song composée par Edvard Grieg, Star Wars - Main Title composée par John Williams, World of Different Dimensions composée par Jean Sibelius, Prélude à l'après-midi d'un faune composée par Claude Debussy, Suite Bergamesque, No. 3: Clair de Lune composée par Claude Debussy) et Ryoji Ikeda pour Data

Lights : Avi Yona Bueno (Bambi)

Costumes : Anna Mirkin

Settings : Amir Raveh

Sound : Maxim Waratt, Nir Klajman

Other collaborations : Hora est dédicacée à Zofia Naharin

Production / Coproduction of the choreographic work : Coproduction Montpellier Danse 2010, Lincoln Center Festival, New York

Production / Coproduction of the video work : Batsheva Dance company, 2009

Duration : 60'

Our videos suggestions
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
01:16

The art of Ohad Naharin

Naharin, Ohad (Israel)

  • Add to playlist
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
57:18

Cribles

Huynh, Emmanuelle (France)

  • Add to playlist
46:49

Cribles/live

Huynh, Emmanuelle (France)

  • Add to playlist
30:33

Leïla "the night"

Lagraa, Abou (France)

  • Add to playlist
02:02

The Spectator's moment (2016): Tao Dance Theater

Ye, Tao (France)

  • Add to playlist
11:26

Passages

  • Add to playlist
11:58

Carte blanche of Talia de Vries (2010)

  • Add to playlist
01:30:03

Fragments

Bouvier, Joëlle (France)

  • Add to playlist
01:02:20

Furies

Bouvier, Joëlle (France)

  • Add to playlist
01:33:50

L'Effraction du silence

Bouvier, Joëlle (France)

  • Add to playlist
02:45

Suits for two pianos

Scholz, Uwe (France)

  • Add to playlist
01:38:49

Still waters

Carlson, Carolyn (France)

  • Add to playlist
04:55

Slow, heavy and blue

Carlson, Carolyn (France)

  • Add to playlist
04:46

Still waters

Carlson, Carolyn (France)

  • Add to playlist
02:57

BROTHER

Da Silva Ferreira, Marco (France)

  • Add to playlist
Our themas suggestions

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times


Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.


Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

Dance in Quebec: Collectivities in motion

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Parcours

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

fr/en/

Dance and percussion

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Parcours

fr/en/

“Dansons Maintenant”! A contemporary dance festival in Benin

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

Genesis of work

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more