Skip to main content
Add video to a playlist

Title

Choreographer

The description is limited to to a length of 500 characters


Your playlists

The video has been added successfully.

The video is already in this playlist.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist The description is limited to to a length of 500 characters


Embed the video Embed the video on your website
Index
See the video
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
Information Your submission has been sent
Video information

Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.

For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.

offers

PRO Offer

Exclusively for artists/companies, directors.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support
offers

PRO Offer +

Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support

+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)

advantages

Promote your video collection

Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.

advantages

Guaranteed access to an exclusive video collection

Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.

advantages

Share your account

You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.

  • Add to playlists
  • Remove from your favorites Add to your favorites

Haru no Saïten, un sacre du printemps [remontage 2015]

Haru no Saïten, un sacre du printemps [remontage 2015]

Haru no Saïten, un sacre du printemps [remontage 2015]

Choreography by Carlotta Ikeda and Ko Murobushi
A choreographic extract remodelled by the amateur dance workshop of the Conservatoire de La Roche-sur-Yon, artistic and technical coordinator Dominique Petit, administrative coordinator Ludovic Potié, as part of the “Danse en amateur et repertoire” programme (2014) (a programme created to assist and promote amateur dancing).

The group
Dominique Petit leads an amateur dance workshop at the Conservatoire de La Roche-sur-Yon. The weekly sessions are attended by adults of very varying technical levels and ages (twenty-three to sixty years for the current project), some of which have been present ever since its creation fifteen years ago. The group presents in public its choreographic works derived from workshop practices. However, the transmission of Carlotta Ikeda and Ko Murobushi’s Haru no Saïten is the first time it has been confronted with an already existing 100% professional script. This is proof of the positive trace of the impact left in 2012 by the hosting of the “Danse en amateur et repertoire” national meeting at the Grand R, the town’s national theatre.

The choreographers
The entire artistic life of Carlotta Ikeda, born in 1941 and who died in 2014, is inseparable from butoh, of which she was one of the major initiators in France, at the turn of the 1980s. First collaborating with Ko Murobushi, she then created in 1974 her own company Ariadone, an all-female troupe. In the following decade, she developed most of her career in France, practicing what would be characterised as “free butoh”. In 1999, six female dancers interpreted Haru no Saïten, un sacre du printemps (a rite of spring). Freed from the bonds of Stravinsky’s music, this piece engages the powers of chaos, eros and the cosmos, not without impregnation by death, transcending the figure of the young girls dancing on the stage. 

The artist
Valérie Pujol spent almost all her professional career as an interpreter with the company Ariadone. Haru no Saïten (1999) was the first creation in which she participated. She appreciates the mature age of the female amateur dancers to whom she transmits an extract today. Indeed, the practice of butoh dance leaves no-one unscathed, with the states of letting go, laying bare, and even close to trance, that it induces, not to mention an expressivity that must be mastered. All the weekly workshops also touch on this quest for a tension never to be let go, that must be kept just right at all times, although in a state of continuous transformation. In this instance, transmission is understood as a putting back into play, far more than a re-creation. 

Murobushi, Kô

Born in 1957 in Tokyo, Ko Murobushi is one of the best known and acclaimed Butoh artists in the world, and is recognized as a leading inheritor of Hijikata’s vision of Butoh.


He studied with Hijikata from 1968 and after a short experience as a “Yamabushi” mountain Monk, he founded a Butoh group Dairakudakan together with Akaji Maro and others. In 1974, he created a Butoh magazine “Hageshii Kisetsu (Violent Season)”, and in the same year, he founded a female Butoh company Ariadone with Carlotta Ikeda and also choreographed them.   In 1976, he founded a male Butoh group Sebi, and as a co-producer of those two groups, he introduced Butoh to Europe with big sensation.


Le dernier Eden -Porte de l'au-dela succeeded in Paris in 1978, and was followed by a big tour throughout Europe with Ariadone in 1981/82. From 1985, he concentrated on duo-productions with Urara Kusanagi and toured in Europe and South America in the following years. While he continues to open his dance and Butoh to the worldwide influences, he tries to research his work much deeper into its Japanese roots.


With his solo productions “Edge 01”, “Edge 02” and a group production “Edge 03”, he was invited by several international dance festivals; ImPulsTanz Festival, Montpellier Dance Festival, London Butoh Network Festival, and more. He has received numerous awards for residencies worldwide, including Mexico, India, and the U.S. He is also in great demand as a workshop facilitator and an artistic director of the ImPulsTanz Festival in Vienna. Through his workshops, many dancers got stimulated to find their own ways of dance. In 2003, he formed a unit called Ko&Edge Co. with three Japanese dancers and presented “Handsome Blue Sky” in “JADE2003 Hijikata Memorial” which brought considerable applause in Japan.


In 2004, this unit presented a new series titled “Experimental Body” which is to search the “edge” in a physical way. His choreography as well as his solo performance keeps his impregnable position as one of the most reputed representatives of Butoh, and he tirelessly challenges to reach new possibility. At the same time, he doesn’t hesitate to collaborate with various artists to continue to confirm his way and research more deeply. His latest solo performance is called “quick silver”. This acclaimed piece is leading him to a world tour, giving the audience much impression of a new era.

In 2008, he met Bartabas in Japan and decided to create together "The Centaur and the Animal" in 2010.

Kô Murobushi died in June 2015.


Source: Network Dance (article untitled "Butoh Legend Ko Murobushi Passes Away", 2015)


More information : ko-murobushi.com

Ikeda, Carlotta

Sanae Ikeda was born in Fukui, a village on the Japanese Sea: « I used to walk in the country, and dizzy with all the smells of the plants, with all the nuances in the atmosphere, I danced » (...)

The kind of dance you learn came later, in Tokyo. « Rice sprout » (Sanae) was 19 when she first went through the door of a « dance course ». But at that time, the Butô, that « dance of darkness » was born in Japan. Tatsumi Hijikata had invented it, that angel and devil who was to proclaim in 1968 the revolt of the flesh. Like other young people in her generation, Carlotta threw her body into battle. This life-long involvement can by no means be regarded as naiveorinnocent. (...)

Whoever has seen Carlotta Ikeda dancing knows to what point she masters that art of metamorphosis, how she can make it at the same time obvious and invisible, how she can extend the time of the vision in a « slowness of movement allowing all possible interpretations » (Paul Claudel). The metamorphosis at stake here is not that of an histrion, one who knows how to make a caricature out of expressive imitations. In Carlotta Ikeda, this is a change of inner state, involving the whole body (...) 

Ariadone, the company that Carlotta Ikeda founded in 1974, refers to that Ariane s thread, that follows Carlotta Ikeda from one show to the next (...)


Source: Cie Ariadone 's website (Jean-Marc Adolphe)


More information : ariadone.fr

Zeriahen, Karim

From live stage images to life in images, the  director and video artist Karim Zeriahen seems to have found the  shortest way. Since the beginning of the 90s, when he worked in close  relationship with choreographer Philippe Decouflé, he learned how to put  the art of stage in motion, contemporary dance most of the time. Karim  Zeriahen then starts a fruitful collaboration with Montpellier based  choreographer Mathilde Monnier. Stop, Videlilah, day of night, short  films adapted from her stage creations. Each time, Karim Zeriahen's   camera takes over the place with movement, the body language is not  frozen but magnified. Choreographer Herman Diephuis also joins this  gallery of dancing portraits. Documentaries on figures such like Albert  Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul  Morrissey, he sets a signature, a camera always in action with  confidence.

Today the director goes further with a new  project and tracks the subtle movements of the body language beyond the  physical appearance. A collection of living portraits as unique pièces  reminding us of the master portraitists of renaissance. These living  natures consists in filming the subject in a certain amount of time,  almost still, with signs of respiration, eye blinks, as if it were  posing for a painting. They are then displayed on a flat screen with a  memory card. With this collection starting, Karim Zeriahen, with his  documentary and artist vision, interrogates himself about the virtual  world filled with images. By taking a pause, and his models with him, he  questions the way we look at things, the way we look at life.


Source: Philippe Noisette 


En savoir plus: www.karimzeriahen.com

Haru no Saïten, un sacre du printemps [remontage 2015]

Choreography : Carlotta Ikeda et Ko Murobushi

Interpretation : Brigitte Blois-Nolleau, Sophie Boch, Dominique Bongrand, Brigitte Douge, Mauricette Gautier, Isabelle Giraudeau, France Gourmaud, Marie-France Lévèque, Christine Poupeau, Christine Robert, Carole Savio, Juliette Stolzenberg

Sound : Alain Mahé

Other collaborations : Extrait chorégraphique remonté par l'Atelier danse en amateur du conservatoire de La Roche-sur-Yon, coordinateur artistique et technique Dominique Petit, coordinateur administratif Ludovic Potié, dans le cadre de Danse en amateur et répertoire (2014) - Transmission Valérie Pujol

Duration : 17 minutes

Danse en amateur et répertoire

Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.

Laurent Barré
Head of Research and Choreographic Directories
Anne-Christine Waibel
Research Assistant and Choreographic Directories
+33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr

Source: CN D

More information: https://www.cnd.fr/en/page/323-danse-en-amateur-et-repertoire-grant-programme

Our videos suggestions
04:56

Altered Natives' Say Yes to Another Excess - TWERK

Bengolea, Cecilia (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:51

Mauvais genre

Buffard, Alain (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:56

as far as

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:01

disperse

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:26

Re:Rosas!

De Keersmaeker, Anne Teresa (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
06:37

Why can't we get along

Millepied, Benjamin (United States)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites

Die Grüne Tisch (La Table verte, solo de la mort)

Jooss, Kurt (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:53

Stäbetanz

Wavelet, Christophe (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
06:36

L'après-midi d'un faune (1965)

Jooss, Kurt (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:56

Tod

Gert, Valeska (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:01

Hexentanz

Wigman, Mary (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:53

Japanische Groteske

Gert, Valeska (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:31

Canaille

Gert, Valeska (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:28

Narcisse

Duncan, Isadora (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:17

Atys

Lancelot, Francine (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
09:30

L'après-midi d'un faune (1912)

Nijinsky, Vaslav (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites

Lynchtown [remontage 2018]

Weidman, Charles (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
10:13

La Jeune Fille et la mort [remontage 2018]

Lebrun, Thomas (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
16:09

Standards [remontage 2018]

Rigal, Pierre (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
06:56

Dialogues [remontage 2018]

Massé, Marie-Geneviève (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Black Dance

Webdoc

Julie Charrier

Black Dance

Webdoc

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.
Discover
Know more

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Maison de la Danse de Lyon

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Discover
Know more

Indian dances

Parcours

Anne Décoret-Ahiha

Indian dances

Parcours

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Discover
Know more

Le défilé de la Biennale de la danse

Exposition virtuelle

Biennale de la danse

Le défilé de la Biennale de la danse

Exposition virtuelle

La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.

Discover
Know more

La Biennale de la danse

Exposition virtuelle

Biennale de la danse

La Biennale de la danse

Exposition virtuelle

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la Danse de Lyon

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa

Discover
Know more

Dancing bodies

Parcours

Centre national de la danse

Dancing bodies

Parcours

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Discover
Know more

Dance and music

Parcours

Anne Décoret-Ahiha

Dance and music

Parcours

The relationship between music and choreographic works varies throught dance history.

Discover
Know more

Rituals

Parcours

Anne Décoret-Ahiha

Rituals

Parcours

Discover how the notion of ritual makes sense in various dances through these extracts.

Discover
Know more

Contemporary techniques

Parcours

Centre national de la danse

Contemporary techniques

Parcours

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Discover
Know more

Dance in Quebec: Collectivities in motion

Parcours

Geneviève Dussault

Dance in Quebec: Collectivities in motion

Parcours

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Discover
Know more

Meeting with literature

Parcours

Centre national de la danse

Meeting with literature

Parcours

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Discover
Know more

Body and conflicts

Parcours

Body and conflicts

Body and conflicts

Parcours

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

Céline Roux

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Discover
Know more

Contemporary Italian Dance : the 2000s

Parcours

Ada d’Adamo

Contemporary Italian Dance : the 2000s

Parcours

Panorama of contemporary dance practices in Italy during the 2000s.

Discover
Know more

Traditional dance in Poland

Parcours

Tomasz Nowak

Traditional dance in Poland

Parcours

In Poland, the culture of traditional dances has been well maintained : they are still transmitted today. This parcours able a visit between those different dances.

Discover
Know more

Do you mean Folklores?

Parcours

Sarah Nouveau

Do you mean Folklores?

Parcours

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Discover
Know more

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more