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2000
Choreographer(s) : Mae-Ja, Kim (Mae-Ja, Kim)
Present in collection(s): Biennale de la danse , Biennale de la danse - 2000
Video producer : Biennale de la Danse
2000
Choreographer(s) : Mae-Ja, Kim (Mae-Ja, Kim)
Present in collection(s): Biennale de la danse , Biennale de la danse - 2000
Video producer : Biennale de la Danse
EYE OF THE HEAVEN / creation 2000
Choreography Kim Maeja, Kang Mee-Ree, Kim Sun-Mee, Choi Ji-Yeon
Performed by ChangMu Dance Company
Created to mark the new millenium, "Eye of the Heaven" is an optimistic story asserting that a single laugh can change the world and that life is sheer delight.
Source : Biennale de la Danse 2000 - programme
Credits
Chorégraphie Kim Maeja, Kang Mee-Ree, Kim Sun-Mee, Choi Ji-Yeon
Musique Byun Soung-Riung, SamulNori-KUng, Kim Jae-Chuel, Kim Soo-Bo, Son In-Koo, Yeom Gui-Kong, Lee Je-Eun, Kim Jin-Ae, Shonosuke Oruka
Decors, scénographie Chung Jin-Youn
Costumes Lim Young-Joo, Lee Young-Hee
Lumières Masayaki Aikawa, Yi Kwang-Seong
Updating: March 2012
Born in 1943 in the province of Gangwon-do, Kim Mae-ja was initiated in traditional Korean dance at the Women’s University of Ewha, where she would hold a chair from 1970 to 1991. She created the ChangMu dance company in 1976 and caused a sensation by showing bare feet, a first in Korea, and is today in the avant-garde of the globalisation of dance with her highly-creative choreographies. After opening the Changmuchumteo in 1985, in 1992 she founded the Changmu artistic institute, a uniquely multi-faceted centre in Korea, as it offers a specific choreographic space approved by the artistic and cultural committee, publishes "the Momm" (the body) Monthly Review, manages the ChangMu dance company and programmes shows throughout the season.
Become the flag-bearer for creative Korean choreography after seeking to revive traditional dance while being inquisitive, Kim Mae-ja systematises the traditional foundations of the discipline with an eye to their progressive globalisation. Her choreographies elicit praise through the experimental dimension that they bring to Korean dance in order to adapt it to new realities, while never ceasing to reference tradition. Capable of representing the most banal situation through corporal expression and more than ever aware of the universal potential of the Korean aesthetic, she has taken the role of innovator by orienting her creation internationally, also ensuring the promotion of national choreography abroad through conferences and by establishing a university programme in the area: actions that have broadly contributed to greater awareness of the specific identity of Korea around the world.
Source : CCN Roubaix
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Exposition virtuelle
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Webdoc
Webdoc
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
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Parcours
The relationship between music and choreographic works varies throught dance history.
Exposition virtuelle
Exposition virtuelle
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Parcours
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Exposition virtuelle
Exposition virtuelle
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Parcours
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Parcours
Parcours
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
Parcours
Parcours
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Parcours
Parcours
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.