Étant donné la conjoncture actuelle... [remontage 2017]
2017 - Director : Zeriahen, Karim
Choreographer(s) : Scozzi, Laura (Italy)
Present in collection(s): Centre national de la danse , Danse en amateur et répertoire
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Étant donné la conjoncture actuelle... [remontage 2017]
2017 - Director : Zeriahen, Karim
Choreographer(s) : Scozzi, Laura (Italy)
Present in collection(s): Centre national de la danse , Danse en amateur et répertoire
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Étant donné la conjoncture actuelle... [remontage 2017]
An extract remodelled by the Street Dancers group (Kaweni), artistic manager Sophie Huvet, as part of the “Danse en amateur et repertoire” programme (2016) (a programme created to assist and promote amateur dancing).
The group
The 500 amateur hip-hop dancers of the association Hip Hop Evolution make up the pool of the Street Dancers group that units some twenty interpreters aged 14 to 20. Created in 2014 in Kaweni, Mayotte and led by Sophie Huvet, this collective had the additional challenge of responding by creation to the struggles of rival youth gangs in Mayotte. A show, Malaïka, was staged and shown in eight secondary schools.
The project
The choice of the work, Étant donné la conjoncture actuelle (1999), highlights the talents of these young hip-hop dance amateurs but in theatrical mode with a sense of humour. A festoon of colourful characters, this show makes fun of clichés with a force and panache that sweep up the entire public into the adventure. Elena Bertuzzi, Laura Scozzi’s assistant and notator, ensures the transmission of an extract from the work that “runs the risk” of being completely in harmony with the group’s vitality.
The choreographer
Somewhere in between choreography and opera, with a clear penchant for the latter since 2005, Laura Scozzi, with a background in classical, contemporary, jazz and tap dance as well as theatre before enrolling in the Milan department of sociology, emerges as an iconoclastic lookout on the contemporary dance scene. At the head of her company Opinioni in Movimento, created in 1994, Scozzi combines an aphrodisiac elixir of gestures and texts, instilled with a sense of the comical and preposterous in its most jubilant form. Alongside her shows, she regularly collaborates with stage directors such as Coline Serreau, Laurent Pelly and Sébastien Lifschitz.
Scozzi, Laura
Born in Milan in 1964, Laura Scozzi found her path in weaving together the miscellaneous. She established her own company Opinioni in Movimento in 1994, and chose to mix dance, singing and theatre together. She went on to carry out research work on emotions, entitled F.E.I.R. - Facteur Extérieur Cherche Individu en vue de Résultat (External Factor Seeking an Individual to Achieve a Result), the series began in 1995 with L’Amour (Love). She continued her route with La Peur (Fear) in 1998, La Colère (Anger) in 2002 and Le Désir, Le Dégoût (Desire, Disgust) in 2004.
At the same time as running her company, she developed her career as an independent choreographer and created several works with hip-hop dancers for the Suresnes Cités Danse Festival. She revisited La Dolce Vita in 2001 and orchestrated Brecht/Weill’s ballet-opera Les Sept Péchés Capitaux (The Seven Deadly Sins) also in 2001. Laura Scozzi has also worked hand-in-hand with a myriad of other creators, and has imagined choreographies for operatic performances, for the theatre and the cinema: Coline Serreau, Laurent Pelly, Jean-Louis Grinda, Emmanuelle Bastet, Matthieu Poirot-Delpech and Sébastien Lifschitz. In 2008, she created her first opera production with Benvenuto Cellini by Hector Berlioz. After this, she produced Die Zauberflöte (The Magic Flute) by Wolfgang Amadeus Mozart (2009-2010). In 2014, she created Barbe-Neige et les sept petits cochons au Bois dormant with eight hip-hop dancers.
Source : Théâtre du Rond Point
Zeriahen, Karim
From live stage images to life in images, the director and video artist Karim Zeriahen seems to have found the shortest way. Since the beginning of the 90s, when he worked in close relationship with choreographer Philippe Decouflé, he learned how to put the art of stage in motion, contemporary dance most of the time. Karim Zeriahen then starts a fruitful collaboration with Montpellier based choreographer Mathilde Monnier. Stop, Videlilah, day of night, short films adapted from her stage creations. Each time, Karim Zeriahen's camera takes over the place with movement, the body language is not frozen but magnified. Choreographer Herman Diephuis also joins this gallery of dancing portraits. Documentaries on figures such like Albert Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul Morrissey, he sets a signature, a camera always in action with confidence.
Today the director goes further with a new project and tracks the subtle movements of the body language beyond the physical appearance. A collection of living portraits as unique pièces reminding us of the master portraitists of renaissance. These living natures consists in filming the subject in a certain amount of time, almost still, with signs of respiration, eye blinks, as if it were posing for a painting. They are then displayed on a flat screen with a memory card. With this collection starting, Karim Zeriahen, with his documentary and artist vision, interrogates himself about the virtual world filled with images. By taking a pause, and his models with him, he questions the way we look at things, the way we look at life.
Source: Philippe Noisette
En savoir plus: www.karimzeriahen.com
Étant donné la conjoncture actuelle... [remontage 2017]
Choreography : Laura Scozzi
Interpretation : El-Fakirdine Ahamadi, Anrifoudine Ali, Moanamaoulida Assani, Raissane Assoumani, Raychat Chamasse, Chawka Dhoiffir, Antoine Mhoudhoiri, Moustoifidhou Mohamed, Ibrahim M'soili
Other collaborations : Extrait remonté par le groupe Street Dancers (Kaweni), responsable artistique Sophie Huvet, dans le cadre de Danse en amateur et répertoire (2016) - Transmission Elena Bertuzzi
Duration : 23 minutes
Danse en amateur et répertoire
Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.
Laurent Barré
Head of Research and Choreographic Directories
Anne-Christine Waibel
Research Assistant and Choreographic Directories
+33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr
Source: CN D
More information: https://www.cnd.fr/en/page/323-danse-en-amateur-et-repertoire-grant-programme
La compagnie Vlovajobpru
Exposition virtuelle
La compagnie Vlovajobpru
Exposition virtuelle
Découvrez le travail de la compagnie Vlovajobpru à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Scenic space
Parcours
Scenic space
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Le défilé de la Biennale de la danse
Exposition virtuelle
Le défilé de la Biennale de la danse
Exposition virtuelle
La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.
Traditional dance in Poland
Parcours
Traditional dance in Poland
Parcours
In Poland, the culture of traditional dances has been well maintained : they are still transmitted today. This parcours able a visit between those different dances.
Contemporary Italian Dance : the 2000s
Parcours
Contemporary Italian Dance : the 2000s
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Parcours
When reality breaks in
Parcours
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.
Dancing bodies
Parcours
Dancing bodies
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Les racines de la diversité en danse contemporaine
Exposition virtuelle
Les racines de la diversité en danse contemporaine
Exposition virtuelle
La danse contemporaine désigne des courants artistiques succédant à la danse moderne. Mais il est difficile de cerner précisément cette expression, tant elle inclus différentes pratiques et esthétiques. Aujourd’hui, le mot « contemporain » intègre des danses actuelles, urbaines, théâtrales, de différentes origines géographiques ou «culturelles». Une exposition virtuelle signée par la Compagnie James Carlès Danse &Co.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Une traversée de l’histoire des Rencontres chorégraphiques internationales de Seine-Saint-Denis, depuis le Concours de Bagnolet jusqu’aujourd’hui.