La Ribot offers here a piece about work and productivity, about how this choreographic work may insert
s itself in the chain of production. By putting into place a collaborative method, we are led to question the articulation between the individual as a subjective body and machinery, be it choreographic, industrial or social.
How do dancers, workers of the stage, elements of an economy based on the exchange of physical goods (bodily strength and merchandise), integrate the context of immaterial production ?
For this creation she has continued her research in laughter, as with her preceding pieces (40 espontáneos in 2004, and Laughing Hole 2006).
La Ribot, born in Madrid, lived and worked in London between 1997 and 2004. Today she lives and works in Geneva. Under her diva’s name, La Ribot, she has created dance pieces that have received numerous awards, and that are placed at the crossroads of contemporary dance, the performing arts, performance and video.
Over the last ten years, La Ribot has created a demanding but humorous vocabulary, exploring the field of geometry through her famous Distinguished Series pieces.
La Ribot’s work forms a system allowing her to conduct research and to develop and question the temporal, spatial and conceptual limits of dance, as her work rests on the confluences of the performing arts, performance and graphic arts.
Since 2000 La Ribot has shown a strong interest in video and its basic functions. This is what led her to construct pieces filmed live from the viewpoint of the body in movement. By presenting her work in internationally renowned galleries, theatres, festivals of dance, the performing arts and performances, La Ribot uses dance in a pertinent and logical manner as a means of challenging disciplinarity.
From live stage images to life in images, the director and video artist Karim Zeriahen seems to have found the shortest way. Since the beginning of the 90s, when he worked in close relationship with choreographer Philippe Decouflé, he learned how to put the art of stage in motion, contemporary dance most of the time. Karim Zeriahen then starts a fruitful collaboration with Montpellier based choreographer Mathilde Monnier. Stop, Videlilah, day of night, short films adapted from her stage creations. Each time, Karim Zeriahen's camera takes over the place with movement, the body language is not frozen but magnified. Choreographer Herman Diephuis also joins this gallery of dancing portraits. Documentaries on figures such like Albert Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul Morrissey, he sets a signature, a camera always in action with confidence.
Today the director goes further with a new project and tracks the subtle movements of the body language beyond the physical appearance. A collection of living portraits as unique pièces reminding us of the master portraitists of renaissance. These living natures consists in filming the subject in a certain amount of time, almost still, with signs of respiration, eye blinks, as if it were posing for a painting. They are then displayed on a flat screen with a memory card. With this collection starting, Karim Zeriahen, with his documentary and artist vision, interrogates himself about the virtual world filled with images. By taking a pause, and his models with him, he questions the way we look at things, the way we look at life.
Source: Philippe Noisette
En savoir plus: www.karimzeriahen.com
CCN - Ballet de Lorraine
Since acquiring the CCN title in 1999, the Centre Chorégraphique National - Ballet de Lorraine has dedicated itself to supporting contemporary choreographic creation. As of July 2011 the organization is under the general and artistic direction of Petter Jacobsson.
The CCN – Ballet de Lorraine and its company of 26 dancers is one of the most important companies working in Europe, performing contemporary creations while retaining and programming a rich and extensive repertory, spanning our modern history, made up of works by some of our generations most highly regarded choreographers.
The CCN functions as an art center and venue for multiple possibilities in the fields of research, experimentation and artistic creation. It is a platform open to many different disciplines, a space where the many visions of dance of today may meet.
More information : http://ballet-de-lorraine.eu
Choreography : La Ribot
Choreography assistance : Collaboration à la danse : Ruth Childs
Interpretation : CCN-Ballet de Lorraine
Set design : La Ribot et Victor Roy
Original music : Clive Jenkins
Lights : Eric Wurtz
Costumes : La Ribot // Réalisation : Martine Augsbourger
Other collaborations : Répétiteur : Thomas Caley // Merci à José A Sanchez
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Noé Soulier : Repenser le mouvement
Noé Soulier : Repenser le mouvement
Découvrez le travail du chorégraphe Noé Soulier à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.