Cygn etc... [Version Carlson]
2000 - Director : [s.n.],
Choreographer(s) : Pauwels, Pedro (Belgium) Carlson, Carolyn (France)
Video producer : PePau
Integral video available at CND de Pantin
Cygn etc... [Version Carlson]
2000 - Director : [s.n.],
Choreographer(s) : Pauwels, Pedro (Belgium) Carlson, Carolyn (France)
Video producer : PePau
Integral video available at CND de Pantin
Cygn etc...
Cygn etc... is a solo performed by Pedro Pauwels, choreographed by 8 female choreographers (Anne-Marie Reynaud, Odile Duboc, Carolyn Carlson, Françoise Dupuy, Elsa Wolliaston, Wilfride Piollet, Patricia Karagozian, Zaza Disdier). The Dying Swan is a famous ballet choreographed by the Russian Michel Folkine in 1907 for the dancer Anna Pavlova. A century later, Pedro Pauwels decided to reinterpret this dance legend by changing the facts. He asked 8 female choreographers, with who he wanted to work and whose works, universe and philosophy interested him, to create a choreography on this theme. The initial interpreter, Ana Pavlova, was the absolute model of femininity. By reinventing this dance, Pedro Pauwels seeks to question what is feminine and masculine in each one of us.
In his own words: “The aim of the dancer-interpreter is to immerse themselves in the widely varying worlds of each choreographer, with the challenge of creating a bridge between our heritage and contemporary creation. A male body and a legendary dance are the only two unique materials in this creation, as seen by women, thus revealing their essence, their writing and their signature.”
Source: CND Media library
Pauwels, Pedro
Belgian-born Pedro Pauwels attended his first dance classes at the Renate Peter School in Brussels, then obtained a scholarship to the Rosella Hightower Centre, Cannes, where he studied classical, jazz and modern dance, therapy and music theory. He joined the Cannes Jeune Ballet International, where he worked on contemporary repertoire. Here he met some of the big names in dance, such as Dominique Bagouet, Mathilde Monnier, Peter Goss, Viola Farber, Jean-François Duroure and Bella Lewitsky.
As a member of the Compagnie Karine Saporta – CCN de Caen, he took part in several works during 1989 and 1990, including “Les Taureaux de Chimène”, as well as dance sequences in the films “Prospero's Book” by Peter Greenaway and “Le Diable au Corps” by Gérard Vergez. During this same period, he collaborated with the Companie Alain Marty. Then, with the Compagnie d'Odile Duboc – CCN de Belfort, he was involved in the choreography of “La Maison d'Espagne” and the revival of “Repères” in 1991, the preparation of a model for the Paris Opéra in 1992 and the creation of “Projet de Matière” in 1993.
In addition, since 1990 Pedro Pauwels has regularly been invited to teach on various courses in France and internationally, at the Rosella Hightower Centre in Cannes, CND in Pantin and Lyon, Laval, Chartres, Venice, Seoul… In November 1990 he founded his own company with support from the PePau Association, and presented his first choreography “L'Insoupçonnée” in 1991.
During 1992 he became more fully involved in choreography: “A mes côtés”, performed by his own company, a commission from Opéra du Rhin for “La Khovantchina”, and “Ecume de rêve”, devised for the Cannes Jeune Ballet International. He also choreographed the ballets for Gounod's “Roméo et Juliette”, which opened the season at the new Opéra-Théâtre, Massy.
Since then, his career as a choreographer has been closely linked with PePau, whose momentum and creativity he embodies: one or two new works per year, show/event design, regular dissemination of repertoire (chosen by Bancs d'Essais Internationaux in 1994-95, Iles-de-danse 1998, Seoul International Festival in 1998 and 2000), awareness-raising projects in partnership with French state education, ADIAMs, ADDAs, host theatres, local councils…
He is keen to compose in collaboration with other disciplines – theatre, hip-hop dance, improvised or techno music – and continues to work regularly as a performer or guest choreographer with the Jeune Ballet de France at the Paris Conservatoire (Junior Ballet), in Tunisia and in Martinique.
For three years from 2003, Pedro Pauwels focused on science and technology. He established links with University of Caen and its laboratory and with the Enghien-les-Bains Centre. Then, with his “Sens” triptych project, he began devising a choreography and technical mechanism which allows dance to be read through sound and feeling.
In 2006 the company took “Sens 1” on a tour of central Africa, after it was chosen by the dance commission of AFAA.
In 2007 Pedro Pauwels returned to North Africa to present “Pliage(s)” as part of the Cairo International Festival in Egypt and the Carthage Choreographic Encounters in Tunisia.
Updating: November 2010
Carlson, Carolyn
California-born Carolyn Carlson defines herself first and foremost as a nomad. From San Francisco Bay to the University of Utah, from the Alwin Nikolais company in New York to Anne Béranger’s in France, from Paris Opera Ballet to Teatrodanza La Fenice in Venice, from the Théâtre de la Ville de Paris to Helsinki, from Ballet Cullberg to La Cartoucherie in Paris, from the Venice Biennale to Roubaix, Carlson is a tireless traveller, always seeking to develop and share her poetic universe.
She arrived in France in 1971 the beneficiary of Alwin Nikolais’s ideas about movement, composition and teaching. The following year, with Rituel pour un rêve mort, she wrote a poetic manifesto that defined an approach to her work that she has adhered to ever since: dance that is strongly oriented towards philosophy and spirituality. Carlson prefers the term ‘visual poetry’ to ‘choreography’ to describe her work. She creates works that express her poetic thoughts and a form of complete art within which movement occupies a special place.
For four decades, Carlson has had significant influence and success in many European countries. She played a key role in the birth of French and Italian contemporary dance through the GRTOP (theatre research group) at Paris Opera Ballet and Teatrodanza at La Fenice.
She has created over 100 pieces, a large number of which are landmarks in the history of dance, including Density 21.5, The Year of the Horse, Blue Lady, Steppe, Maa, Signes, Writings on Water and Inanna. In 2006, her work was rewarded with the first ever Golden Lion given to a choreographer by the Venice Biennale.
Nowadays, Carolyn Carlson is director of two organisations: the Atelier de Paris-Carolyn Carlson, an international centre for masterclasses, residencies and creating new works, which she founded in 1999 and the National Choreographic Centre Roubaix Nord-Pas de Calais until December 2013, which produces and tours shows all over the world.
More information: en.carolyn-carlson.com
[s.n.],
Cygn etc... [Version Carlson]
Artistic direction / Conception : Pedro Pauwels
Choreography : Carolyn Carlson
Interpretation : Pedro Pauwels
Artistic consultancy / Dramaturgy : Anne-Marie Reynaud
Additionnal music : Camille Saint-Saëns
Lights : Evelyne Rubert
Costumes : Marie-Christine Franc
DANCE AND DIGITAL ARTS
K. Danse's artistic partners
Dyptik Company
Roots of Diversity in Contemporary Dance
Qudus Onikeku - Reclaim a forgotten memory
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
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Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
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A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
James Carlès
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The Ankoku Butoh was born,
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Presentation of how choreographers are revisiting Folklore in contemporary creations.
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