Skip to main content
Back to search
  • Add to playlist

Chum, Ku Shinmyung

Biennale de la danse 2000

Choreographer(s) : Mae-Ja, Kim (Mae-Ja, Kim)

Present in collection(s): Biennale de la danse , Biennale de la danse - 2000

Video producer : Biennale de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Chum, Ku Shinmyung

Biennale de la danse 2000

Choreographer(s) : Mae-Ja, Kim (Mae-Ja, Kim)

Present in collection(s): Biennale de la danse , Biennale de la danse - 2000

Video producer : Biennale de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Chum, Ku Shinmyung

Mae-Ja, Kim

Born in 1943 in the province of Gangwon-do, Kim Mae-ja was initiated in traditional Korean dance at the Women’s University of Ewha, where she would hold a chair from 1970 to 1991. She created the ChangMu dance company in 1976 and caused a sensation by showing bare feet, a first in Korea, and is today in the avant-garde of the globalisation of dance with her highly-creative choreographies. After opening the Changmuchumteo in 1985, in 1992 she founded the Changmu artistic institute, a uniquely multi-faceted centre in Korea, as it offers a specific choreographic space approved by the artistic and cultural committee, publishes "the Momm" (the body) Monthly Review, manages the ChangMu dance company and programmes shows throughout the season.

Become the flag-bearer for creative Korean choreography after seeking to revive traditional dance while being inquisitive, Kim Mae-ja systematises the traditional foundations of the discipline with an eye to their progressive globalisation. Her choreographies elicit praise through the experimental dimension that they bring to Korean dance in order to adapt it to new realities, while never ceasing to reference tradition. Capable of representing the most banal situation through corporal expression and more than ever aware of the universal potential of the Korean aesthetic, she has taken the role of innovator by orienting her creation internationally, also ensuring the promotion of national choreography abroad through conferences and by establishing a university programme in the area: actions that have broadly contributed to greater awareness of the specific identity of Korea around the world.   

Source : CCN Roubaix

Our videos suggestions
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
01:16

The art of Ohad Naharin

Naharin, Ohad (Israel)

  • Add to playlist
02:57

BROTHER

Da Silva Ferreira, Marco (France)

  • Add to playlist
03:00

Vertikal

Merzouki, Mourad (France)

  • Add to playlist
02:55

Du Désir d'horizons

Sanou, Salia (Du désir d'horizons)

  • Add to playlist
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
05:01

Hexentanz

Wigman, Mary (France)

  • Add to playlist
03:00

Correction

Havelka, Jiří (France)

  • Add to playlist
03:18

Destierro

Arteaga, Mariana (Mexico)

  • Add to playlist
02:31

Sleeping Beauty

Petipa, Marius (France)

  • Add to playlist
03:00

L'après-midi d'un faune

Nijinsky, Vaslav (France)

  • Add to playlist
02:59

Jewels

Balanchine, George (France)

  • Add to playlist
03:00

Malher's Third Symphony

Neumeier, John (France)

  • Add to playlist
01:07:15

Blue Lady

Carlson, Carolyn (Italy)

  • Add to playlist
28:55

Carolyn Carslon, A Woman of Many Faces

Carlson, Carolyn (France)

  • Add to playlist
12:08

Blue Lady : montage d'extraits

Carlson, Carolyn (Italy)

  • Add to playlist
17:18

Blue Lady [revisited]

Carlson, Carolyn (France)

  • Add to playlist
Our themas suggestions

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times

Parcours

Céline Roux

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times

Parcours

The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.

Discover
Know more

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Discover
Know more

les ballets C de la B et l'esthétique du réel

Exposition virtuelle

Numeridanse.tv
Université Lyon 2 - Arts de la scène et du spectacle vivant

les ballets C de la B et l'esthétique du réel

Exposition virtuelle

Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse. 

Discover
Know more

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Käfig, portrait of a company

Webdoc

Agathe Dumont

Käfig, portrait of a company

Webdoc

Discover
Know more

Reinterpreting works: Swan Lake, Giselle

Parcours

Anne Décoret-Ahiha

Reinterpreting works: Swan Lake, Giselle

Parcours

Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.

Discover
Know more

Traditional dance in Poland

Parcours

Tomasz Nowak

Traditional dance in Poland

Parcours

In Poland, the culture of traditional dances has been well maintained : they are still transmitted today. This parcours able a visit between those different dances.

Discover
Know more

Contemporary Italian Dance : the 2000s

Parcours

Ada d’Adamo

Contemporary Italian Dance : the 2000s

Parcours

Panorama of contemporary dance practices in Italy during the 2000s.

Discover
Know more

Hip hop / Influences

Parcours

Anne Décoret-Ahiha

Hip hop / Influences

Parcours

This Course introduce to what seems to be Hip Hop’s roots.

Discover
Know more

Scenic space

Parcours

Anne Décoret-Ahiha

Scenic space

Parcours

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Discover
Know more

COLLECTION BAGOUET

Exposition virtuelle

Montpellier Danse

COLLECTION BAGOUET

Exposition virtuelle

La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.

Discover
Know more

Charles Picq, réalisateur en danse

Exposition virtuelle

Maison de la Danse de Lyon

Charles Picq, réalisateur en danse

Exposition virtuelle

Rencontre avec Charles Picq, réalisateur et vidéaste de la danse. 

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

When reality breaks in

Parcours

Centre National de la danse

When reality breaks in

Parcours

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?
Discover
Know more

Round dance

Parcours

Olivier Lefebvre

Round dance

Parcours

 Presentation of the Round’s figure in choreography.

Discover
Know more

Butoh

Parcours

Olivier Lefebvre

Butoh

Parcours

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Discover
Know more

Do you mean Folklores?

Parcours

Sarah Nouveau

Do you mean Folklores?

Parcours

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Discover
Know more

States of the body

Parcours

Philippe Guisgand

States of the body

Parcours

Explanation of the term « State of the body » when it’s about dance.

Discover
Know more

Dance in Quebec: Collectivities in motion

Parcours

Geneviève Dussault

Dance in Quebec: Collectivities in motion

Parcours

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more