Skip to main content
Back to search
  • Add to playlist

Chambre 209

Fondation BNP Paribas 2012

Choreographer(s) : Groud, Sylvain (France)

Present in collection(s): Fondation BNP Paribas

Video producer : Compagnie Sylvain Groud

en fr

Chambre 209

Fondation BNP Paribas 2012

Choreographer(s) : Groud, Sylvain (France)

Present in collection(s): Fondation BNP Paribas

Video producer : Compagnie Sylvain Groud

en fr

Chambre 209

Polymorphous performance born of the time the choreographer, artist and videographer spent in cultural immersion in a skilled nursing facility. A cubical structure enclosed by the blades of its shutters, that suddenly opens and transforms into a hallway, a room, or a medical facility. Sylvain Groud progresses through this space, surrounded by moving images : silhouette of the dancer himself, the ballet of nurses, the faces of the elderly. In this choral solo, Sylvain Groud is patient, carer, observer, breath of freedom all in one. Sensitive and touching, this choreographic object is both the sharing of an intimate experience and a questioning around our relationship to death. Speaking to us of the place where lives come to an end, he creates gentleness.

Groud, Sylvain

In 1991, received his diploma from the CNSMD of Paris, contemporary dance section and the same year received the prize for best performance at the Bagnolet competition with the  Gigi Caciuleanu company. From 1992 to 2002, he is a dancer for the choreographer Angelin Preljocaj. He is alo an award winner at the Concours International de Paris with his first choreography, and then creates for the National Theater of Bucarest in Romania and the Opera of Skopje in Macedonia. Created in 2002, the Compagnie Sylvain Groud moves to Normandy in 2006 and is in residency for three years in Vernon. In 2007, his work "Si vous voulez bien me suivre", is noticed. In 2009, the experiences shared with the cultural mission of the University Hospital of Rouen led the company to a residency at the Boucicaut retirement home at Mont-Saint-Aignan. In 2010, the Opera of Rouen places an order for Cordes, works for eight dancers, twenty-four musicians under the director Benjamin Levy. Continuing this questioning about the relationship between music and dance, he creates Héros Ordinaires in 2011 for four dancers and four opera singers and Collusion for four dancers and the electro composer Molecule. In 2010, Je suis descendu du plateau, was born of a meeting with the writer Maylis de Kerangal. The same year he is invited to meet five hip hop dancers at Suresnes Cités Danse, and creates Elles a piece that is continued with the solo Ma leçon de hip hop in 2013. In 2012, he orders a piece from the visual artist Jonathan Loppin. Together, they create Chambre 209, a choreographic and digital installation on four sides. In 2013, enthralled by Steve Reich’s music, Sylvain Groud creates a choreography to Music for 18 Musicians performed live by the Links Ensemble.


 With his in situ projects, such as People (over two hundered performances to date), Sylvain Groud is endeavouring to make dance burst forth where it isn’t expected. 


Since 2010, the company has been in residency at the Scène Nationale of Saint-Quentin-en-Yvelines and Sylvain Groud will be associate artist at the Scène Nationale of Montbéliard since 2011. With a repertoire of 21th creations ranging from solos to large ensemble pieces, the company tours with five pieces on average, over sixty performances each year, a third of which are in situ. He’s at the head of the Centre National Chorégraphique of Roubaix Nord Pas de Calais since the end of 2017.


 Source : Compagnie Mad 's website


More information : http://compagniemad.fr/fr 

Chambre 209

Choreography : Sylvain Groud

Interpretation : Sylvain Groud

Video conception : Clément Révérend

Settings : Jonathan Loppin (Installation plastique)

Production / Coproduction of the choreographic work : PRODUCTION Compagnie MAD / Sylvain Groud COPRODUCTION MA scène nationale - Pays de Montbéliard et CHU Hôpitaux de Rouen / Mission culture à l'Hôpital AVEC LE SOUTIEN de la Fondation Orange et du Pôle image Haute-Normandie

Duration : 60'

Our videos suggestions
02:55

Relâche

  • Add to playlist
54:07

50 Box

  • Add to playlist
57:18

Cribles

Huynh, Emmanuelle (France)

  • Add to playlist
02:57

The seasons

Lock, Édouard (France)

  • Add to playlist
01:18:58

Heroes

Huynh, Emmanuelle (France)

  • Add to playlist
29:31

Post

Raffinot, François (France)

  • Add to playlist
44:45

Blas Payri - Tres visiones de Santa Teresa de Avila

  • Add to playlist
02:59

CouaC

Michard, Alain (France)

  • Add to playlist
03:28

Kaz Bourbon - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
02:34

Snakeskins

Lachambre, Benoît (Canada)

  • Add to playlist
53:18

Ariadne Mikou - architecture in disappearance

  • Add to playlist
17:25

Ori-mi

Otoshi, Meri (France)

  • Add to playlist
08:49

L'Atomurbin

  • Add to playlist
03:38

Crushing Weight

Sarmiento, Irupé (Brazil)

  • Add to playlist
18:51

Danses Macabres 5

  • Add to playlist
19:02

Danses Macabres 4

  • Add to playlist
18:41

Danses Macabres 3

  • Add to playlist
19:18

Danses Macabres 2

  • Add to playlist
19:08

Danses Macabres 1

  • Add to playlist
01:37:56

Steppe

Carlson, Carolyn (France)

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Noé Soulier Rethinking our movements

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body Â» when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Dancing bodies

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

EIVV 2022 Dancing with the camera

Exposition virtuelle

fr/en/

EIVV 2022 Dancing with the editing

Exposition virtuelle

fr/en/

Charles Picq, dance director

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more