Plunged into chiaroscuro, as though suspended on the edge of the world, 'Bruit de Couloir' is a poetic journey that examines our feelings when, near death, we run through a last moment of the film of our life.
 

By combining hip-hop-infused movement with juggling and contemporary dance, the show evokes fragments of emotions and life through the body, the juggling balls and juggling itself.

'Bruit de Couloir' thus offers a score that is heady yet gentle, profound yet ethereal, in which the white balls acquire a form of autonomy, becoming complete partners to better represent the fragments of emotions and life.

Source : Clément Dazin

More information : www.clementdazin.fr

Quickly taking an interest in movement, Clément Dazin started gymnastics at the age of six. At sixteen he turned to the circus, and more specifically juggling, by joining the company Point Bar, in which he discovered the pleasure of creation. While also studying, he continued to train in movement and the stage with hip hop and drama lessons and by practising juggling and acrobatics in various structures. This allowed him to encounter very different worlds and to become aware of the divisions that existed between each of these techniques.
In 2008 he joined Ménival, the Lyon circus school, followed by the Centre national des arts du cirque in 2009. During this training, he rubbed shoulders with Philippe Genty, Aragorn Boulanger, Johanne Saunier, Julien Clément and Bruno Dizien.
Clément Dazin developed his world by working on the links between contemporary dance, hip hop dance and juggling, and became aware of the benefits of combining disciplines to extract them from their environment. Juggling thus takes on meaning and it not limited to a technical demonstration. Similarly, hip hop techniques allow time to be distorted without being authenticated as belonging to the hip hop environment.
In 2012 he went on tour with the end-of-year show from the 23rd year group of the CNAC, This is The End, directed by David Bobee. In 2013 he choreographed Bruit de couloir, a dance and juggling solo, and worked on Saccades, a participative circus project in collaboration with the collection Microfocus and the Muchmuche company.

More information : Clément Dazin's website

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr