Aurevoiretmerci
2001 - Director : Pasquier, Arnold
Present in collection(s): Centre national de la danse
Video producer : Arnold Pasquier
Integral video available at CND de Pantin
Aurevoiretmerci
2001 - Director : Pasquier, Arnold
Present in collection(s): Centre national de la danse
Video producer : Arnold Pasquier
Integral video available at CND de Pantin
Aurevoiretmerci
”Aurevoiretmerci” (2001) is a short film by Arnold Pasquier. The images were shot on June 21st, 2001 at the Théâtre de la Ville (Paris), during Pina Bausch’s solo, taken from the show “Danzón”.
Remark by Arnold Pasquier in 2019 :
"The title of this short film refers to Mary Wigman’s choreographic piece “Abschied und Dank / Au revoir et merci” of 1942. It is a founding dance of German expressionism, the model for Pina Bausch’s master, Kurt Jooss. This title refers both to this choreographer and to the farewell gesture that ends Pina Bausch’s solo.
The history behind the shooting of this film is closely linked to a documentary project on the dancer Dominique Mercy, which I nurtured over four years, accompanied by the INA producer, Cati Couteau. My desire to produce a film following on from the creation of a show by the Tanztheater company, focusing on one of its most distinguished interpreters, was “tossed about” at length, and finally it was in Le Mistral, the bistrot next to the Théâtre de la Ville, that Dominique Mercy informed me, while eating his spaghetti, that the film wouldn’t be made. Meanwhile, he had accepted Régis Obadia’s documentary (“Dominique Mercy danse Pina Bausch”, 2003), more classic and certainly less overwhelming for the company. Both relieved to have found an “outcome” to this undertaking, and disappointed, I borrowed a friend’s video camera and, sacrilege, filmed Pina Bausch’s solo “aux poissons” in the show “Danzón” that was billed that year (and that I knew as I had seen it in 1996). The cameras at that time were not very sensitive to low light and I improvised during the dress rehearsal, attempting to capture something of the dance by choosing the “candlelight” mode on the Sony camera that increased grain and produced a stroboscopic effect owing to a slow shutter speed. At last, during a second performance, that of June 21st, I once again filmed the solo, more confident, and then edited this sequence shot, a gesture of affirmation and affection.”
Pasquier, Arnold
Arnold Pasquier was born in Paris in 1968. After studying visual arts and cinema, he made tests in Super 8 and video, in which he developed a world of filmed newspapers and fictions. At the age of twenty, he approaches contemporary dance and collaborates with choreographers as documentarist and dancer. This experience marks the realization of a work where dance holds an important place.
From 1997 to 1999, he was received as a resident artist at the Fresnoy (Tourcoing, France) where he designed the installation "C'est ici que j'avais des baisers" (1997-1999) and produced about twenty short films, four radio design workshops For France Culture and dance performances capturing. In 1999, he presented the show "C'est merveilleux" in the Grande Nef du Fresnoy. He is the author of numerous films (fiction, documentary, video art), staged shows, scenographies, radio broadcasts. His work is articulated at the crossroads of these different disciplines. Winner of a residence Villa Médicis Hors les Murs (outside the wall) in Sao Paulo in 2004, he dances for Julie Desprairies in "La danse en accès accès", "Vue sur la mer" and "Là commence le ciel". He co-signs with her the video-dance installation "Les 3 contents", the result of the residence of the choreographer at the Manufacture de Sèvres (France).
Source: Website of the Compagnie des prairies
More information https://arnoldpasquier.com
Aurevoiretmerci
Artistic direction / Conception : Arnold Pasquier
Interpretation : Pina Bausch
Video conception : Montage : Françoise Tubaut - Mixage : Vincent Roux
Production / Coproduction of the video work : Arnold Pasquier
DANCE AND DIGITAL ARTS
K. Danse's artistic partners
Dyptik Company
Roots of Diversity in Contemporary Dance
Qudus Onikeku - Reclaim a forgotten memory
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
James Carlès
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.