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Abraço

CN D - Centre national de la danse 2005 - Director : Pasquier, Arnold

Choreographer(s) : Desprairies, Julie (France)

Present in collection(s): Centre national de la danse

Video producer : Compagnie des prairies

en fr

Abraço

CN D - Centre national de la danse 2005 - Director : Pasquier, Arnold

Choreographer(s) : Desprairies, Julie (France)

Present in collection(s): Centre national de la danse

Video producer : Compagnie des prairies

en fr

Abraço

Abraço (2005) est un court métrage de Julie Desprairies et Arnold Pasquier. Il est tiré de "Vue sur la mer", pièce chorégraphique conçue par Julie Desprairies, en collaboration avec Wesley Anchieta Carneiro, Karina dos Santos Machado, Dayana Lima, Nedjma Merahi, Arnold Pasquier, Rosimere Silva de Barros, Astrid de Toledo. Il a été tourné en octobre 2005 à l’Aéroport Santos Dumont, Rio de Janeiro, Brésil. 

Note d’Arnold Pasquier en 2019 : 

"Le spectacle de Julie Desprairies  a été créé pour l’ensemble des espaces publics de l’aéroport Santo  Dumont construit en 1937 par les frères Roberto en bordure du  centre-ville de Rio de Janeiro. C’est un bon exemple de l'architecture  moderniste brésilienne. Le parcours chorégraphique prenait en compte les  caractéristiques spatiales et formelles du bâtiment. Proposée sous la  forme d'une traversée de l'entrée nord de l'aéroport au belvédère sur la  piste de d'atterrissage et de décollage, la danse déployait des  propositions intimes ou spectaculaires.
Autant  que je me le rappelle, c’est moi qui ai proposé une improvisation sur  le thème de l’au revoir à la porte des départs, interprétée par Nedjma Merahi & Wesley Anchieta Carneiro.  L’idée était de mettre en rapport la dynamique des flux des voyageurs  et la lenteur sentimentale de deux amants qui s’effondrent doucement au  sol. Le contraste se voulait saisissant. C’est très certainement inspiré  du langage du Tanztheater  de Pina Bausch, et ce qui m’incite à croire que j’ai, en effet, proposé  cette action. Cependant, je ne me rappelle plus pourquoi avoir suggéré  d’en faire un film… Sans doute parce que la durée de l’action, le cadre  du hall des départ appelait un film de court métrage, unique trace vidéo  de ce travail in situ." 

Desprairies, Julie

Following theatre and visual arts studies, she created her first production in 1998 in stone quarries of Pont-du-Gard. The site’s materials, usages and specificities are at the origin of her work. She asserts her contextual approach by applying it to a number of modern and contemporary architectures. Her choreographies are written and presented in the buildings, whose spatial, historical and human characteristics guide her dramaturgical, plastic and choreographic choices. She advocates applied dance (like “applied art”), where the body serves as a tool to measure the spaces built. Her aim is to give visibility to the movement of places.

 Her love of the gestures taken from the places she occupies has led to her interest in working gestures. She frequently associates with her creations the people she has met in these places (140 inhabitants and tradespeople from the Gratte-ciel in Villeurbanne, 192 amateurs and employees from the Opéra de Lyon). While her performances take place in public places, she develops adaptable projects, based on landscapes and agriculture or on the theme of the funfair.

 She has set up an “Atelier de création radiophonique”, a programme for the radio station France Culture and produced three films: Autour du parc at La Villeneuve in Grenoble with Louise Narboni, Cinq points de vue autorisés on Les Courtillières, with Vladimir Léon and L’Architecte de Saint-Gaudens, with Serge Bozon. She has mounted a number of projects overseas, inviting native dancers, and has written Manuel d’entraînement régulier du danseur urbain and Danser l’architecture (2017).


Source : Cie Despraires

Pasquier, Arnold

Arnold Pasquier was born in Paris in 1968. After studying visual arts and cinema, he made tests in Super 8 and video, in which he developed a world of filmed newspapers and fictions. At the age of twenty, he approaches contemporary dance and collaborates with choreographers as documentarist and dancer. This experience marks the realization of a work where dance holds an important place.
From 1997 to 1999, he was received as a resident artist at the Fresnoy (Tourcoing, France) where he designed the installation "C'est ici que j'avais des baisers" (1997-1999) and produced about twenty short films, four radio design workshops For France Culture and dance performances capturing. In 1999, he presented the show "C'est merveilleux" in the Grande Nef du Fresnoy. He is the author of numerous films (fiction, documentary, video art), staged shows, scenographies, radio broadcasts. His work is articulated at the crossroads of these different disciplines. Winner of a residence Villa Médicis Hors les Murs (outside the wall) in Sao Paulo in 2004, he dances for Julie Desprairies in "La danse en accès accès", "Vue sur la mer" and "Là commence le ciel". He co-signs with her the video-dance installation "Les 3 contents", the result of the residence of the choreographer at the Manufacture de Sèvres (France). 

Source: Website of the Compagnie des prairies  
More information https://arnoldpasquier.com 

Abraço

Artistic direction / Conception : Julie Desprairies, Arnold Pasquier

Choreography : Julie Desprairies

Interpretation : Nedjma Merahi, Wesley Anchieta Carneiro

Production / Coproduction of the video work : Arnold Pasquier

Duration : 13 minutes

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