Skip to main content
Add video to a playlist

Title

Choreographer

The description is limited to to a length of 500 characters


Your playlists

The video has been added successfully.

The video is already in this playlist.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist The description is limited to to a length of 500 characters


Embed the video Embed the video on your website
Index
See the video
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
Information Your submission has been sent
Video information

Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.

For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.

offers

PRO Offer

Exclusively for artists/companies, directors.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support
offers

PRO Offer +

Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support

+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)

advantages

Promote your video collection

Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.

advantages

Guaranteed access to an exclusive video collection

Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.

advantages

Share your account

You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.

  • Add to playlists
  • Remove from your favorites Add to your favorites

50 ans de danse

This work of choreography, created following “Flip Book” and “Roman photo,” is based on the same principle: namely staging the photographs from David Vaughan's book, Merce Cunningham, Fifty Years. The procedure adopted consists in creating a succession of scenes following the chronological order of the book and reproducing all the positions captured by the camera lens. Thus retracing Cunningham's chronology, these three performances reflect our perception of Cunningham's dance derived from a source of static images. Boris Charmatz invited former dancers from Cunningham's company to set this process in motion in “50 years of dance.” How are their bodies marked by their experience of working with Cunningham? How do they approach the photographs of Cunningham's performances in which they themselves took part? The film clip reveals the wealth of choreographic writing which unfolds according to the rule of the work's construction, and the juxtaposition of dance photographs and snapshots of moments of work, or even of everyday life, taken from the book. It shows how these dancers invest a basic material in order to propose an extrapolation through movement.


Source : site internet Boris Charmatz


More informations : 

http://www.borischarmatz.org/

Charmatz, Boris

Born in Chambéry (France), on January 3, 1973

After studying at the Ecole de Danse de l'Opéra de Paris and at the Conservatoire National Supérieur de Musique et de Danse de Lyon, Boris Charmatz was engaged by Régine Chopinot to dance Ana (1990) and Saint-Georges (1991). In 1992, he was asked by Odile Duboc to join her company Contrejour to dance 7 jours/7 villes (1992), Projet de la matière (1993) and Trois Boléros (1996). He also took part in the premiere of K de E, choreographed by Olivia Grandville and Xavier Marchand (1993).

In 1992, he co-founded edna association with Dimitri Chamblas. Following the premieres of works the pair choreographed together À bras-le-corps (1993) and Les Disparates (1994), Charmatz began creating his own works: Aatt enen tionon (1996), a vertical piece for three dancers, herses (une lente introduction) (1997), a piece for five dancers and a cellist set to music by Helmut Lachenmann. In 1999, he choreographed Con forts fleuve (1999), a group piece performed to texts by John Giorno and musics by Otomo Yoshihide. In 2002, he premiered héâtre-élévision, a provocative installation piece influenced by russian Matryoshka nesting dolls that was designed to be seen by one spectator at a time. In 2006, he premiered régi, a performance with Julia Cima, Raimund Hoghe and himself, as well as Quintette Cercle (2006), a live version of héâtre-élévision. La danseuse malade (2008) performed by Jeanne Balibar and Boris Charmatz, was inspired by the texts of Tatsumi Hijikata, founder of butoh dance. One of his latest works, 50 years of dance (2009), is performed by former dancers of the Merce Cunningham Dance Company. Conceived like a choreographic flip-book, it takes the book “Merce Cunningham, Fifty Years” by David Vaughan as its score. Roman Photo (2009) is the version for non-dancers, students and amateurs and Flip Book (2009) the one for professional dancers. Levée des conflits (2010) is a performance for 24 dancers and 25 mouvements. Associate artist of the 2011 Festival d'Avignon, Boris Charmatz creates at the Cour d'Honneur of the Pope's Palace enfant, a piece for 26 children, 9 dancers and 3 machines.

Since 1997, in collaboration with Angèle Le Grand, he developed varied projects within the association edna. The purpose of such propositions was to create a space open to multiple experiments: thematic sessions, production of films (Les Disparates by César Vayssié, Horace Benedict by Dimitri Chamblas and Aldo Lee, Une lente introduction by Boris Charmatz), Hors-série programmes proposed by the edna team (La chaise and Visitations by Julia Cima, Jachères by Vincent Dupont), production of installations (Programme court avec essorage), organisation of exhibitions (Complexe, Statuts), and trans-media projects (Ouvrée - artistes en alpages, Entraînements-série d'actions artistiques, Facultés, Education).

While maintaining an extensive touring schedule, he also participates in improvisational events on a regular basis (recently with Saul Williams, Archie Shepp and Han Bennink) and continues to pursue his performing career (with Odile Duboc for Projet de la Matière and Trois boléros, as part of the piece d'un Faune (éclats) by the Albrecht Knust Quartet and with Fanny de Chaillé for Underwear), to name a few.

From 2002 to 2004, while an artist-in-residence at the Centre national de la danse in Pantin and driven by the idea of exploring the theme of education in depth, he developped the Bocal project, a nomadic and ephemeral school that brought together students from different backgrounds. He was visiting professor at Berlin's Universität der Künste, where he contributed to the creation of a new dance curriculum which was installed in 2007.

He is the co-author of a book with Isabelle Launay: Entretenir / à propos d'une danse contemporaine (published jointly by the Centre National de la Danse and Les Presses du Réel) published in English in 2011 under the title undertraining / On A Contemporary Dance (Ed. Les Presses du Réel). Boris Charmatz is also the author of “Je suis une école” (2009, Ed. Les Prairies ordinaires) related to the adventure Bocal.

Director since 2009 of the Rennes and Britanny National Choreographic Centre, Boris Charmatz proposes to transform it into a Dancing Museum of a new kind. A manifesto is at the origin of this museum, which has received, amongst others, the projects préfiguration, expo zéro, rebutoh, service commandé (on commission), brouillon (rough draft), Jérôme Bel en 3 sec. 30 sec. 3 min. 30 min et 3 h., Petit Musée de la danse, « Rétrospective » par Xavier Le Roy and has travelled to Saint Nazaire, Singapore, Utrecht, Avignon and New York.


He creates the piece manger at the Ruhrtriennale in Germany on September 23rd, 2014, danse de nuit as part of the Built-Festival of Geneva in 2016, then 10 000 gestes in 2017 at the Volksbühne of Berlin.


Source : Boris Charmatz’s website


More information : 

http://www.borischarmatz.org/

Khatami, Sima

Sima Khatami, born in 1977 in iran, living in paris since 2002.


after finishing a theatre formation in city-theatre and graduating from fine art university in tehran in 2000, she joined l’Ecole Nationale des Beaux Arts of paris by Christian Boltanski mentorship in 2005 . She created more than thirty movies and multimedia art installations, and collaborated with Pierre Droulers, Christian Boltanski, Boris Charmatz, Emmanuelle Huynh, Meg Stuart, Dumb Type (Japan), Skit, Sweet & Tender. She explored several aspects of video art through installations, shows (where she examined the relationship between body movement and video art), and several short movies and documentaries.


Source : Sima Khatami


More information :

http://simakhatami.blogspot.fr/

Musée de la danse

At the bounds of the museum, place of conservation, dance, art of  movement, and choreographic center, place of production and residence, le Musée de la danse is a space to think, practice and expand the boundaries of the dance. If it's registered in Rennes, it's also a nomadic idea. Directed by the choreographer Boris Charmatz, this laboratory-institution explores the possibilities of crossing between exhibition, performative  gesture and articulation of a speech. Workshops, debates, shows, residencies of artists and researchers; offbeat proposals and fantasy collections are born directly from a reflection on what could be this playful and hybrid museum.


The  CCN of Rennes and Brittany, renamed the Museum of Dance by Boris  Charmatz, was directed by Gigi Caciuleanu until 1993, by Catherine  Diverrès and Bernardo Montet until 1996, then by Catherine Diverrès  alone until 2008. Since 2009, Boris Charmatz ensures his direction. From January 2019, the collective FAIR[E] will take over. The  collective is composed of Bouside Aït-Atmane, Iffra Dia, Johanna Faye, Céline Gallet, Linda Hayford, Saïdo Lehlouh, Marion Poupinet and Ousmane Sy.


The  Museum of Dance / National Choreographic Center of Rennes and Brittany  is an association subsidized by the Ministry of Culture and  Communication (DRAC Bretagne), the City of Rennes, the Regional Council  of Brittany and the County Council of Ille et-Vilaine.
The Dance Museum is part of the Association of National Choreographic Centers.


More information : www.museedeladanse.org

50 ans de danse

Artistic direction / Conception : Boris Charmatz

Interpretation : Thomas Caley, Ashley Chen, Foofwa d'Imobilité, Banu Ogan, Valda Setterfield, Gus Solomons, Cheryl Therrien

Lights : Yves Godin

Sound : Olivier Renouf

Production / Coproduction of the choreographic work : Musée de la danse, Théâtre de la Ville – Paris, Festival d'Automne à Paris, Tanzquartier Wien, avec le soutien de l'ACD Genève et de la Ménagerie de Verre, remerciements au LiFE (St Nazaire), HZT (Berlin), Centre de développement chorégraphique (Toulouse)

Our videos suggestions
03:00

Vertikal

Merzouki, Mourad (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:00:37

Crawl de Lucien (Le) (2e version)

Bagouet, Dominique (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
08:11

Peau (La)

Bourigault, Christian (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:43

Roman Photo

Charmatz, Boris (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:04

Flip book

Charmatz, Boris (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:01

Dom Svobode

Kovač, Iztok (Belgium)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:01

Swan Lake

Bourne, Matthew (United Kingdom)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:37

Planes

Brown, Trisha (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:00

Pitié !

Platel, Alain (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:38

Hora

Naharin, Ohad (Israel)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:50

Assaï Vivace

Robbe, Hervé (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

Reinterpreting works: Swan Lake, Giselle

Parcours

Anne Décoret-Ahiha

Reinterpreting works: Swan Lake, Giselle

Parcours

Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.

Discover
Know more

Strange works

Parcours

Centre national de la danse

Strange works

Parcours

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Discover
Know more

The contemporary Belgian dance

Parcours

Philippe Guisgand

The contemporary Belgian dance

Parcours

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more