We are Numeridanse : Alban Richard
We are Numeridanse
Artists, companies, institutions, these structures bring to the platform their audiovisual heritage, their knowledge, their expertise in favor of the choreographic art. For the platform's 10th anniversary, it was important and necessary to put the contributors of Numeridanse in the spotlight!
In order to celebrate them and so that Numeridanse users get to know them better, we have invited our contributors to answer a series of questions about their works, their inspirations, their desire for collaborations, their creation anecdotes.
Discover these artists in the We are Numeridanse collection!
Alban Richard discovered contemporary dance while he was pursuing literary and musical studies. From the late 1990s, he worked for various choreographers such as Odile Duboc, Olga de Soto and Rosalind Crisp.
In 2000, Alban Richard founded Ensemble l'Abrupt for which he created about thirty very different pieces, always in close interaction with a musical work whose writing and formal structure he questioned. Consequently, each creation opens up new research and a new performance style, setting itself apart from the previous one. The way he develops his shows, using restricted improvisations to devise the work directly on stage, encourages the performers to become creators of their own dance.
Alban Richard has collaborated with the Alla francesca ensemble, Les Talens Lyriques, Les Percussions de Strasbourg, the Ensemble intercontemporain, IRCAM and the Cairn, Instant Donné and Alternance ensembles, as well as with composers Arnaud Rebotini, Sebastian Rivas, Erwan Keravec, Jérôme Combier, Laurent Perrier, Raphaël Cendo, Robin Leduc, Paul Clift, Wen Liu and Matthew Barnson.
A prolific choreographer, Alban Richard is regularly invited by ballets and companies, both internationally (Canada, Lithuania, Norway) and in France, to create commissioned works.
Since 2015 he has been artistic director of the centre chorégraphique national de Caen en Normandie, with a project based on both his practice as an author and on connecting with the territory and its inhabitants.
More information : https://ccncn.eu/english/
After training in video editing, Tiffanie Deschamps made her debut in television. From the start, she never ceased to build bridges between her work as an audiovisual editor and her activities as light manager and assistant director for live shows with the Mac Guffin collective. Co-founder and co-director of the Théâtre de l'Uchronie in Lyon since 2013, she naturally comes to portray theatrical and choreographic pieces, and to tell the dance, in particular within the Maison de la Danse de Lyon and during cultural events such as the Lyon Dance Biennale.
centre chorégraphique national de Caen en Normandie
A place for dance open to everyone, where people come to see, dance and talk.
The centre chorégraphique national de Caen en Normandie is a space of shared projects that questions the world in which we live, a receptive place where dance is at the heart of an artistic, political and civic-minded vision. It is a centre for the creation, hosting, production and dissemination of choreographic works, a hub that acts as a resource for training and research. It is a place shared with artists, residents, associations and cultural institutions, a place open to artistic creation and the contemporary repertoire.
Awakening curiosity, stimulating the desire for knowledge, opening up to differences, sharing real artistic, intellectual and human experiences – these are the challenges identified by Alban Richard for the centre chorégraphique national de Caen en Normandie.
We are Numeridanse
Artistic direction / Conception : Numeridanse
Additionnal music : "Alive Inside" - Reaktor
Video conception : Ladydinde
Production / Coproduction of the video work : Maison de la Danse
Noé Soulier Rethinking our movements
30 YEARS OF GRENADE
When reality breaks in
States of the body
Explanation of the term « State of the body » when it’s about dance.
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
les ballets C de la B and the aesthetic of reality
Discovery of improvisation’s specificities in dance.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
A Numeridanse Story
Why do I dance ?
The Dance Biennale
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.