Vidéo atelier 2003
2003 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Orlin, Robyn (South Africa)
Present in collection(s): Centre national de la danse
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Vidéo atelier 2003
2003 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Orlin, Robyn (South Africa)
Present in collection(s): Centre national de la danse
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Dialogue avec Robyn Orlin
Workshop with Robyn Orlin
Robyn Orlin is an independent artist who has worked in South Africa for twenty years. As an activist, she took part in the struggle against apartheid and continues to denounce all forms of discrimination, racial tensions and those affecting the different generations. Producer and stage designer, she created a mixed company (black and white, men and women of all ages), a mix that echoes the different artistic disciplines that form an integral part of her work. With irony and provocation, in her shows she deals with the difficulty the population of South Africa faces in formulating a distinct way of “being together”.
Updating: December 2010
Orlin, Robyn
Robyn Orlin was born in 1955 in Johannesburg and obtained bursaries to study in London (London Contemporary Dance School) and then in Chicago (School of Art Institute).
Since her first performance in Johannesburg in 1980, she has attempted to redefine choreography and the art of theatre in her country and has become one of the most committed anti-apartheid choreographers. She starts from the principle that “dance is political”, and in her pieces she examines the social and cultural situation in South Africa: its influences, its history, its rifts and its disintegration. The choreography then creates “an iconoclastic dance which puts its foot in it”, a dance-chronicle of today's South African society, skilfully handling irony and derision; a dance that shamelessly stirs up references and identities, blending traditional popular culture with the radical avant-garde, a dance that is capable of breaking down the artist-audience barrier by putting the audience at the centre of the event.
Robyn Orlin came to France for the first time in April 2000 at the invitation of La Filature Scène Nationale, Mulhouse, with “Daddy, I've seen this piece six times before...”
She achieved immediate recognition: Rencontres Chorégraphiques Internationales de Seine-Saint-Denis, Montpellier Dance Festival, Théâtre de la Ville, Paris, followed by tours all over the world.
In 2004, Robyn Orlin took part in the inauguration of the Centre National de la Danse, Pantin and composed a solo for Sophiatou Kossoko as part of “Vif du Sujet”.
In 2005 she created “When I take off my skin and touch the sky with my nose, only then I can see little voices amuse themselves...”, a piece with 6 singers from the South African Opera, then, during the summer, “Hey dude... i have talent... i'm just waiting for god...,” a solo for the dancer-choreographer Vera Mantero.
From September 2005 Robyn Orlin was in residency for two years at the Centre National de la Danse, Pantin. In April 2007 her “L'Allegro, il penseroso ed il moderato” was premièred at the Paris National Opera.
Source :
Digital resource - Médiathèque du Centre national de la danse
http://mediatheque.cnd.fr/spip.php?page=mediatheque-numerique-ressource&id=PHO00003887
More information : robynorlin.com
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Dialogue avec Robyn Orlin
Artistic direction / Conception : Robyn Orlin
Strange works
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Strange works
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Unconventional contemporary dance shows which reinvent the rapport to the stage.
Scenic space
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Scenic space
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A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Dance and visual arts
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Dance and visual arts
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Dance and percussion
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Dance and percussion
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Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Rituals
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Rituals
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Discover how the notion of ritual makes sense in various dances through these extracts.
The contemporary Belgian dance
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The contemporary Belgian dance
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This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
Arts of motion
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Arts of motion
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Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
The committed artist
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The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
The “Nouvelle Danse Française” of the 1980s
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The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Dance at the crossroad of the arts
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Dance at the crossroad of the arts
Parcours
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.
Contemporary Italian Dance : the 2000s
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Contemporary Italian Dance : the 2000s
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Panorama of contemporary dance practices in Italy during the 2000s.
Hand dances
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Hand dances
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This parcours presents different video extracts in which hands are the center of the mouvement.
Genesis of work
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Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Artistic Collaborations
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Artistic Collaborations
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Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
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Meeting with literature
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Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
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When reality breaks in
Parcours
Dance and performance
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Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Do you mean Folklores?
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Do you mean Folklores?
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Presentation of how choreographers are revisiting Folklore in contemporary creations.