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Veiller par le geste

Cie Mawguerite, Bernardo Montet 2008 - Director : Martin, Maud

Choreographer(s) : Montet, Bernardo (France)

Present in collection(s): Cie Mawguerite, Bernardo Montet

Video producer : Sans Canal Fixe

en fr

Veiller par le geste

Cie Mawguerite, Bernardo Montet 2008 - Director : Martin, Maud

Choreographer(s) : Montet, Bernardo (France)

Present in collection(s): Cie Mawguerite, Bernardo Montet

Video producer : Sans Canal Fixe

en fr

Veiller par le geste

Veiller par le geste is an invitation to all publics and all generations to enter the world. The challenge is to create a chain of persons through the transmission of gesture. A step, a glance, from the ordinary to the extraordinary, we are all concerned. Under a big top, in an intimate space, there are two people. One, the witness, looks at the other, the watcher. During this watch time, the person is alone under the gaze of a witness. Through this transmission, you enter, far from all representation, a silent and vigilant community. Through this action, you testify to a poetic and symbolic gesture within the city.

“To watch is to commit, to summon your entire being. It is to place yourself in an intense relationship, first with yourself and then with the Other. It is a descent into yourself, an awakening of all your senses. It is to leave social time, to change your metabolism. It is to listen to your own breath, the breath of the earth, the invisible, the inaudible. It is to resist your own demons, what surrounds us, drags us into the unbearable, the unacceptable”.


Source: Bernardo Montet

Montet, Bernardo

Bernardo Montet is currently an associate artist with the SEcW project in Morlaix and artist-in-residence at the Théâtre Louis Aragon in Tremblay-en-France. He was director of the Centre Chorégraphique National de Tours from 2003 to the end of 2011. 

After a period spent at Maurice Béjart’s Mudra school in Brussels, he pursued his career with the choreographer Catherine Diverrès, and was joint director with her of the Centre Chorégraphique National de Rennes until 1998. From 1997 onwards, Bernardo Montet gathered around himself a team of loyal collaborators: Tal Beit Halachmi, Taoufiq Izeddiou, Dimitri Tsiapkinis and Marc Veh, with whom he composed a repertoire of some twenty works. Since Pain de Singe, a founding solo devised together with the filmmaker Téo Hernandez (1987), he has signed such works as, in 1997 Issê Timossé (with the complicity of Pierre Guyotat, author and reciter), in 1998 Beau Travail (in collaboration with Claire Denis), in 2001 Racine’s Bérénice (co-written with Frédéric Fisbach), and O.More (with Gnawa musicians) in 2002. 

In Tours, he created nine pieces: Parcours 2C (vobiscum) (with the plastic artist Gilles Touyard) in 2004, Coupédécalé with Eran Tzur for the musical composition (2005), Les batraciens s’en vont (2006) and Batracien, l’après-midi (2007), two works produced together with Lorella Abenavoli for the electroacoustic creation, Apertae (2008), Switch me off (co-written with Thomas Ferrand, 2009), God needs sacrifice (2010), Isao, a solo written for and in collaboration with the Malagasy choreographer Gaby Saranouffi, and Des Hommes, a group work in collaboration with the historian and critic Geneviève Vincent in December 2011. 

In July 2011, he was made an Officier de l'ordre des Arts et des Lettres. 

In 2012, Bernardo Montet accompanied Madeleine Louarn for the show Les Oiseaux (from Aristophanes’ Birds), while at the same time working on a duo entitled (Des)incarnat(s), with one of the actors of the Atelier Catalyse, on the notion of Vulnerable. 

All his pieces, buoyed up by demand and radicality, deal with subjects dear to his heart: colonialism, memory, identity, consciousness of the body, resistance, to name but a few. Each choreography springs up from the previous one to weave an image that is both similar and different: the bodies, in their poetical and political dimension, replay the world surrounding us. 

Bernardo Montet also develops unusual projects with children, such as ChOral (2013), Mom’arts (2011 and 2014), and in the urban space with Pas à Pas (2013), La Marche des Anges (2007), and Veiller par le geste (2008, 2010). 


More information: www.ciemawguerite.com

Martin, Maud

Alongside her philosophy studies and a Master’s in body staging in expressionist cinema, Maud Martin produced her first films within a directors’ collective in Tours. Starting out with documentaries derived from direct cinema, she gradually moved towards more hybrid forms. Her regular work with dancers over a period of several years drove her more and more in this direction. Today, she works as a director, supervises filmmaking workshops, and also works as a producer in a company she set up in 2008.

Veiller par le geste

Artistic direction / Conception : Bernardo Montet

Video conception : Cédric Michel, Maud Martin, Franck Lecardonnel, Baptiste Trolong-Bailly

Sound : Mixage Brice Kartmann

Production / Coproduction of the video work : Coproduction Sans Canal Fixe - Centre chorégraphique national de Tours mars 2008

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