The spectator's moment
The Spectator's moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Wim Vandekeybus was born in Herenthout (Belgium) on 30 June 1963. His father was a vet. After finishing secondary school, he moved to Leuven to study Psychology. In 1985, however, he decided to follow a completely different path and auditioned for Jan Fabre, who gave him a part in The Power of Theatrical Madness. One year later, he founded Ultima Vez.
His first show, "What the Body Does Not Remember", was an international success. And now after almost 30 years and a whole series of films and videos, Wim Vandekeybus is still searching for novelty and innovation. “For me, the form has to be different every time,” he explains. “This is why on one occasion I might create an extremely musical show (nieuwZwart or Speak low if you speak love…), then for my next project base a film on the experiences of one man (Monkey Sandwich), why I then might switch to a classical mythology play (Oedipus/bêt noir) or even an analytical piece in which theatricality plays a major part (booty Looting or Talk to the Demon).”
In all these very different productions, Ultima Vez nevertheless remains true to its own movement idiom. Tension, conflict, body versus mind, risks and impulses. Physicality, passion, intuition, instinct. These are essential elements that will always be part of Vandekeybus’ work. But on each occasion they are given a completely different appearance.
This variety is made possible partly through collaboration with dancers, circus performers, actors, musicians and other artists from a whole range of disciplines. Music and sound have naturally become the common thread running through his work.
2015 sees the screening of "Galloping Mind", Vandekeybus’ first full-length film. It was shot in Hungary and on the Black Sea in Romania and tells a dramatic story of family ties, betrayal and triangular relationships, with Jerry Killick, Natali Broods and a gang of children on horseback in the leading parts.
Source : The company Ultima Vez 's website
Artistic direction : Wim Vandekeybus
Ultima Vez was founded in 1986 as the company and organisation of choreographer, director and filmmaker Wim Vandekeybus. Since its foundation, Ultima Vez has intensively developed its activities as an international contemporary dance company with a strong base in Brussels and Flanders.
Currently the activities of Ultima Vez are focussed around:
- the creation, production, distribution and promotion of the artistic work of Wim Vandekeybus
- the organisation of educational activities for various target groups
- the support and counselling of choreographers through the European Network Life Long Burning
Source : the company Ultima Vez 's website
More information : ultimavez.com