The Spectator's Moment (2014): Gregory Maqoma
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Maqoma, Gregory Vuyani
Born in Soweto in 1973 (October 16), Gregory Vuyani Maqoma discovered dance at a youth club. He began his training in 1990 with Moving Into Dance, the famous dance school founded by Sylvia Glasser and based in Johannesburg, from which he joined the company as a dancer. In 1994, his first creation for the company won the FNB Vita Pick of the Fringe prize; one year later, he was a prizewinner again, this time in the Stepping Stones category. In 1998, he received a grant to create “Layers of Time”, his last work with the Moving Into Dance Company.
In 1999, another grant allowed him to study at P.A.R.T.S for one year, and it was in Brussels that he founded the Vuyani Dance Theater Project, for which he created “Rhythm 1.2.3”, presented at the Amsterdam Festival. This piece earned him the choreographer of the year 2000 award at the Dance Umbrella Festival Johannesburg. The same year, he choreographed “Rhythm Blues”, collaborated with Faustin Linyekula on the project “Tales of the Mud Wall”, which was presented at the ImpulsTanz Festival Vienna and participated in the “New directions” project for the Standard Bank National Arts Festival.
From the repertoire of the company, “Moving Cities” (2001), “Révolution” (2001) and “Southern Comfort” (2001) all enjoyed considerable success.
In France, Gregory Maqoma presented “Southern Comfort” in 2002 at the Centre national de la danse, “Miss Thandi” in 2003 and “Beautiful” in 2005, the first part in a trilogy which concludes with “Beautiful Me”. In 2006, he and the London Sinfonietta performed “Variations for vibes, strings & pianos”, choreographed by Akram Khan, at the Cité de Musique, to mark the 70th birthday of the American composer Steve Reich. In 2010, he performed the piece “Southern Bound Comfort” by Sidi Larbi Cherkaoui with his former dancer Shanell Winlock. In 2013 he created “Kudu” with the French musician Erik Truffaz, presented at the Festival of Marseilles.
Dancer, choreographer and teacher, Gregory Maqoma is regarded as one of the most talented new generation artists in South Africa. Head of one of the rare contemporary dance companies supported by the South African government, he lives and works in Johannesburg.
Further information https://vuyani.co.za/
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
The Spectator's moment (2013): DelaVallet Bidiefono
Bidiefono, DeLaVallet (The Spectator's moment : DelaVallet Bidiefono)
When reality breaks in
When reality breaks in
Why do I dance ?
Why do I dance ?