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Scandal Point

CN D - Centre national de la danse 1996 - Director : Rebois, Marie-Hélène

Choreographer(s) : Raffinot, François (France)

Video producer : CCN du Havre

Integral video available at CND de Pantin

en fr

Scandal Point

CN D - Centre national de la danse 1996 - Director : Rebois, Marie-Hélène

Choreographer(s) : Raffinot, François (France)

Video producer : CCN du Havre

Integral video available at CND de Pantin

en fr

Scandal Point

Scandal Point (1996) a choreographic piece by François Raffinot for 8 danseurs.
François Raffinot used for this piece the voice of the writer Salman Rushdie. 

Raffinot, François

Born in Paris in 1953, François Raffinot studied  philosophy and dance in Paris and then began his professional career  with Félix Blaska, Peter Gross and Susan Buirge. He joined Brigitte  Lefèvre's troop "the Théâtre du Silence" and also danced in Félix  Blaska's troop. He has developed a particular interest for ancient  dances and went on studying dances of the 17th and 18th centuries. He  founded his own company "Barocco" in 1990 and became director of Centre  Chorégraphique national du Havre in 1993.

His show Sin Arrimo y con Arrimo presented in this documentary  illustrates Raffinot's inter-disciplinary work between painting, music  and movement. He chose to use Louis Andriessen's music in order to  explore the contrast between music and dance. According to his own  words : "Being a choreographer is knowing what's going on musically,  visually, and what's going on inside the dancers."


Source: Medici.tv

Rebois, Marie-Hélène

Marie-Hélène Rebois is a French director born in Nancy. Alongside literary studies (literature preparatory studies for “les grandes écoles”, a Master’s in literature, history of art and philosophy) and theatrical training with the director Jean-Marie Villégier and the Festival international de théâtre de Nancy, her home town, Marie-Hélène Rebois produced her first short films and became a filmmaker. In her films, she develops her favourite themes, always related to the expression of social issues and artistic creation, where family sagas, interior journeys, religion, writing, music, painting, opera and dance play a large role.
 She collaborated in the educational work of the production department of La Femis from 1992 to 1997. She worked for one year with the Montpellier Danse Festival to produce a film on the history of the festival (Montpellier Danse 1980-2000) and a special evening for Arte (Montpellier Danse 2000, points de vue d'Afrique). This programme received a special mention at the 11th Grand Prix international video danse. In 2003, her film Ribatz, Ribatz ou le Grain du temps was awarded the French selection prize at the Festival international de cinéma de Marseille. She also produced for the Conservatoire national supérieur de musique et de danse de Paris a film on the analysis of the body in danced movement: Le Geste créateur as well as, for the SACD (Society of Dramatic Authors and Composers), a short film on a circus act Rondeau pour un fardeau, a piece with lifts, together with portraits of the pianist Vanessa Wagner, the choreographer Jean-Claude Gallotta, and the Italian puppeteer Laura Kibel. In Dialogue avec les fauves, broadcast on Arte, she shows just how far man can go in communication with wild animals, with what language and with what gestures. Noces d'or, la mort du chorégraphe, broadcast on France 2, is the last part of the trilogy that Marie-Hélène Rebois imagined and started after the death of the French choreographer Dominique Bagouet (the first two parts were Histoire d'une transmission, So Schnell à l'Opéra, 1999, and Ribatz, Ribatz ou le Grain du temps, 2003). She has since produced three documentaries for Arte: Maguy Marin, la danse cachée; Montpellier Danse, 1980-2010, Zigzag, for the 30 years of the Montpellier Danse Festival and Merce Cunningham, la danse en héritage, where she follows the last tour paying tribute to the man who was one of the leading artists of the 20th century. Alternating rehearsal periods, images from archives, and interviews, her film raises the issue of the transmission of a truly intangible heritage. In 2016, her last film, Dans les pas de Trisha Brown, was selected for the Festival international de cinéma de Marseille.


Sources : Ardèche Image ; Film-documentaire.fr ; CMCA

Scandal Point

Choreography : François Raffinot

Interpretation : Sarah Crépin, Bernard Estrabaut, Emmanuelle Facquet, Rodolphe Fouillot, Virginie Mirbeau, Patrick Rébus, Emmanuelle Vo-Dinh, Pénélope Parrau

Video conception : Marie-Hélène Rebois

Lights : Françoise Michel

Sound : Bande-son Étienne Cuppens

Production / Coproduction of the video work : Document issu du fonds François Raffinot enregistré au Cloître des Célestins durant le Festival d'Avignon en juillet 1996

Duration : 66 minutes

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