Skip to main content
Add video to a playlist

Title

Choreographer

The description is limited to to a length of 500 characters


Your playlists

The video has been added successfully.

The video is already in this playlist.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist The description is limited to to a length of 500 characters


Embed the video Embed the video on your website
Index
See the video
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
Information Your submission has been sent
Video information

Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.

For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.

offers

PRO Offer

Exclusively for artists/companies, directors.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support
offers

PRO Offer +

Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support

+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)

advantages

Promote your video collection

Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.

advantages

Guaranteed access to an exclusive video collection

Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.

advantages

Share your account

You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.

  • Add to playlists
  • Remove from your favorites Add to your favorites

Rue de Palanka

This piece is the location for a rendezvous with the footsteps of destiny. It is a solo from a certain viewpoint for Mathilde Altaraz, who generously unlocks the choreographic ideas of Jean-Claude Gallotta.
In Palanka Street, we will be shown the life of a dancer – that of Mathilde Altaraz. References are made, shocks from both her private and artistic lives. I will be there somewhere. I will make use of reality, only to hijack it. Like a novel in which the author is inspired by what he has experienced, using his body to remember.

Gallotta, Jean-Claude

After a trip to New York in which he discovered the work of Merce Cunningham, Lucinda Childs, Steve Paxton, Trisha Brown, Stuart Sherman and Yvonne Rainer, Jean-Claude Gallotta – with Mathilde Altaraz – founded the Émile Dubois Group in Grenoble in 1979, which, in 1981, joined the Grenoble Arts Centre as a dance creation unit. This was where Ulysse was born, a playful ballet using both classical and modern vocabularies.

The Émile Dubois Group became the National Choreographic Centre and took up Ulysse again in 1984 for the Olympic Games Festival in Los Angeles, the American Dance Festival, the Holland Festival and the Avignon Festival.

This was followed by: Les Aventures d’Ivan Vaffan, Les Louves and Pandora. In 1986, Jean-Claude Gallotta was asked to be the director of the Grenoble Arts Centre – renamed “Le Cargo” -, thereby becoming the first choreographer to be appointed to run this type of institution.

In 1987, the ballet Mammame was performed at the Montreal International Festival of New Dance: the Canadian press (dance and theatre) awarded him the prize for the Best Foreign Performance of the Year. In 1989, after some ten audiovisual collaborations with, for example, Claude Mouriéras and Raoul Ruiz, Jean-Claude Gallotta produced his first full-length film: Rei Dom – La Légende des Kreuls. This was followed by Docteur Labus and Les Mystères de Subal. 

Jean-Claude Gallotta then resigned as director of the Grenoble Arts Centre and published his first book, Mémoires d’un dictaphone.

During the 1991-1992 season, two choreographic creations combining dance, words and music were performed: La Légende de Roméo et Juliette, performed in November 1991 for the Albertville Olympic Arts Festival, and La Légende de Don Juan, performed in June 1992 for the Universal Exhibition in Seville, as a joint production with the Avignon Festival. Jean-Claude Gallotta then shot his second full-length film: l’Amour en deux.

1993: publication of Les Yeux qui dansent (interviews with Bernard Raffalli).
  In July of the same year, Jean-Claude Gallotta recreated Ulysse at the Châteauvallon Festival. This was followed by a long international tour.

1994: Prémonitions, a new choreography created in Grenoble. 1995: at the request of ‘Lyon Opéra Ballet’, Jean-Claude Gallotta composed La Solitude du danseur, four solos performed to music by Erik Satie. Gallotta then worked with Nicholas Hytner and Sir Charles Mackerras to produce La Petite Renarde Rusée, an opera by Leos Janacek, performed by the Théâtre du Châtelet.

At the Châteauvallon Festival, Jean-Claude Gallotta choreographed and performed the solo Hommage à Pavel Haas. In Grenoble, he created La Tête contre les fleurs for the company. This was followed in 1996 by Rue de Palanka, and in 1997, La Rue (an event for 3,000 spectators) and the creation of La Chamoule ou l’Art d’aimer.

A longstanding collaboration was set up with Japan, at the invitation of the director Tadashi Suzuki: from 1997 to 2000, Jean-Claude Gallotta ran the dance department at the new Shizuoka Performing Arts Centre, training and directing a permanent company of eight Japanese performers. In 1998, Jean-Claude Gallotta also directed Le Ventriloque by Jean-Marie Piemme and Le Catalogue by Jean-Bernard Pouy, and wrote Pierre Chatel for “l’Adieu au siècle”.

Jean-Claude Gallotta created Les Variations d’Ulysse for the Paris Opera Ballet, which was performed at the Opéra Bastille in 1995, and repeated in 1998. He also created Nosferatu in May 2002 to music by Pascal Dusapin; the ballet was performed again in spring 2006 at the Opéra Bastille.

In 1999, he created Presque Don Quichotte at the Douai Hippodrome; the piece was also performed in Shizuoka, Japan. In 2000, he created l’Incessante, a solo for Mathilde Altaraz, at the Avignon Festival as part of Le Vif du Sujet. In 2001, he created Les Larmes de Marco Polo for the Lyon International Biennial.

In 2002, he created 99 duos at the Chaillot National Theatre, the first part of a trilogy on ‘People’. In 2003, he prepared Trois générations for the Avignon Festival, which was eventually cancelled. The piece, which includes children, former dancers and the Company, was performed at the Rampe d’Echirolles in March 2004.

It was performed in May of the same year at the Chaillot National Theatre and was repeated in November 2005. The same year, he worked with the director Hans-Peter Cloos to produce a show combining dance, theatre and music, Les sept pechés capitaux by Bertolt Brecht and Kurt Weill. In 2006, he created Des Gens qui dansent, the third part of the trilogy initiated by 99 duos and Trois Générations and, in 2007, he repeated his flagship piece from the 80s, Ulysse, under the title Cher Ulysse.

In 2008, Bach danse experience with Mirella Giardelli and “L’Atelier des Musiciens du Louvre”; Armide by Lully with the conductor William Christie and the director Robert Carsen at the Théâtre des Champs-Elysées, Paris; Chroniques chorégraphiques - season 1, a sort of “stage movie” that allowed him to pursue his poetic research into genres and people.

In 2009, he created l’Homme à tête de chou, with the original words and music by Serge Gainsbourg in a version recorded for the show by Alain Bashung. In April 2011, he performed a solo with Faut qu’je danse ! as a prelude to the recreation of his trio Daphnis é Chloé in Grenoble.

In October 2011, again in Grenoble and with a piece for thirteen dancers, he took on Igor Stravinsky’s Le Sacre du printemps, which he presented in April 2012 at the Chaillot National Theatre, Paris, along with Tumulte and Pour Igor in the first part.

At the end of 2012, he is to present Racheter la mort des gestes - Chroniques chorégraphiques 1 at the Théâtre de la Ville, then at MC2; in early 2013, his recreation of Yvan Vaffan (first performed in 1984) will enable him to continue his work on the repertoire, alternating with his creations and thereby pleading for a certain “continuity in art” and seeking patiently to share with his audience the same story: the story of a shared artistic history and future.

In October 2013, he directed the singer Olivia Ruiz in El Amor Brujo byManuel de Falla, a piece presented together with Stravinsky’s The Soldier’s Tale, a show on which he worked together with the conductor Marc Minkowski and the director Jacques Osinski.

For the 2014-15 season, he presented The Rite and its Revolutions (including the first performance of Xenakis’s Jonchaies and Six Pieces for Orchestra, op. 6 by Webern (Homage to Angela Davis) at the Philharmonie de Paris, and in June he gave the first performance of The Stranger, based on the novel by Albert Camus at the MC2 in Grenoble.

He is opening the 2015-2016 season with My Rock at the MC2 in Grenoble, and at the Théâtre du Rond-Point in Paris.

In 2009, he adapted Serge Gainsbourg's album l'Homme à tête de chou (performed for the occasion by Alain Bashung), created with singer Olivia Ruiz, Volver, presented in 2016 at the Biennale de la danse de Lyon; he also worked on rock figures with My Rock (2004) then My Ladies Rock (2017). In September 2017, the Adami, Maison des artistes interprètes and the Théâtre du Rond-Point gave him carte blanche to stage two exceptional evenings around the work of Bob Dylan, with performers from all disciplines, including the group Moriarty.

Since the end of 2015, Jean-Claude Gallotta has been associate author at the Théâtre du Rond-Point in Paris. The Groupe Émile Dubois is housed at the MC2: Grenoble.

In September 2018, he presented Comme un trio, based on Bonjour Tristesse by Françoise Sagan, and the re-creation of l'Homme à tête de chou at the Printemps de Bourges festival in April 2019. He is preparing a new creation for the autumn of 2020, entitled Le Jour se rêve, with musician Rodolphe Burger and visual artist Dominique-Gonzalez Foerster.

More information : www.gallotta-danse.com

Groupe Émile Dubois

At the end of the 1970s, a handful of young choreographers burst onto the French scene. Jean-Claude Gallotta was one of them. In 1981, he created his company, the Groupe Emile Dubois, with Mathilde Altaraz, and eight dancers (four men and four women), inspired by Merce Cunningham’s and John Cage’s choreographic revolution in New York. These dancers were not recruited on technical criteria alone but also on their personality, their difference and their desire to integrate a group: one hails from theatre, another from the world of architecture, while a third is a doctor.

The G.E.D. was invited to set itself up as a creative unit within the walls of the Maison de la Culture de Grenoble, today the MC2. One of its first pieces, “Ulysse” (1981), was immediately recognised as the founder of the Nouvelle Danse Française. The choreographer surprises us with a “ballet blanc” (white ballet), which does not destroy the classical fabric but rather plays with it and incorporates it into contemporary gestures.

In these first few years, the G.E.D. helped give rise to the concept of the Centres Chorégraphiques Nationaux (French choreographic centers). The Grenoble CCN is one of the first, set up there in 1984.

At the start of the 1990s, the G.E.D. produced shows known as D.T.M. (dance, text, music) according to the idea that the notion of dance had to go beyond the simple question of bodily motion and must incorporate sound, voice, words and meaning.

In the course of time, although the team of dancers was renewed, the importance that the choreographer grants to the quality of human relationships has led each interpreter to follow the company for a number of shows, just like Thierry Verger since 1992 or Béatrice Warrand since 1995.

The G.E.D. thus embarks on a journey throughout the world, a choreographic style that, inspired by Cunningham, has developed in a highly personal manner with, in particular, the introduction of a gestural humour and a permanent reflection on the uniqueness of the body of “those who dance, those who have danced, those who would like to dance, and those who perhaps will never dance”. 

At the end of 2015, the G.E.D. left the setting of the CCN to resume its first identity, while also continuing to work within the MC2 Grenoble. Jean-Claude Gallotta also became associate author of the Théâtre du Rond-Point in Paris.

The G.E.D. presented “Volver” in 2016, revived “My Rock”, created “My Ladies Rock” in 2017, and prepared “Comme un trio” after Françoise Sagan’s Bonjour Tristesse (autumn 2018), as well as the recreation of “l’Homme à tête de chou” (spring 2019).

In addition to Jean-Claude Gallotta’s creations, the G.E.D. also manages the transmission of repertoire pieces and awareness-raising actions with schools and amateurs. 

The Groupe Émile Dubois / Cie Jean-Claude Gallotta is supported by the French Ministry of culture and communication as a Company with a national and international reach. It is also supported by the Auvergne-Rhône-Alpes region and the Département de l’Isère.


Source: Groupe Émile Dubois


More information: www.gallotta-danse.com

Rue de Palanka

Choreography : Jean-Claude Gallotta

Interpretation : Mathilde Altaraz

Additionnal music : Piano Quintet (Moderato - Tempo di valse - Andante - Moderato pastorale) In Memoriam (Moderato - Tempo di valse - Andante - Moderato pastorale) Alfred Schnittke (1934)

Lights : François Thouret

Costumes : Jean-Yves Langlais

Settings : Jean-Yves Langlais

Production / Coproduction of the choreographic work : Centre Chorégraphique National de Grenoble coproduction le Cargo – Grenoble et le Théâtre des Salins - Martigues

Duration : 23'

Our videos suggestions
02:44

Night:Light

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:17

Les Serrenhos du Caldeirão, exercices en anthropologie fictionnelle

Mantero, Vera (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:54

SunBengSitting

Mayer, Simon (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
07:18

Je me souviens

Hoghe, Raimund (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:44

Tremor and more

Diephuis, Herman (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:18

Reusable Parts/Endless Love

Gerard, Brennan (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:26

Думи мої - Dumy Moyi

Chaignaud, François (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:52

Chamber Dance

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:02

Lointain

Richard, Alban (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:07

Icons

Tompkins, Mark (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:50

Witness

Tompkins, Mark (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:18

Under my skin

Tompkins, Mark (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
05:59

STAYIN ALIVE

Tompkins, Mark (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:59

Eins Zwei Drei

Zimmermann, Martin (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:59

Dialogue with Rothko

Carlson, Carolyn (Dialogue with Rothko)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:56

Tod

Gert, Valeska (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:53

Japanische Groteske

Gert, Valeska (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:31

Canaille

Gert, Valeska (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
04:17

Atys

Lancelot, Francine (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
09:30

L'après-midi d'un faune (1912)

Nijinsky, Vaslav (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

Charles Picq, réalisateur en danse

Exposition virtuelle

Maison de la Danse de Lyon

Charles Picq, réalisateur en danse

Exposition virtuelle

Rencontre avec Charles Picq, réalisateur et vidéaste de la danse. 

Discover
Know more

Black Dance

Webdoc

Julie Charrier

Black Dance

Webdoc

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.
Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more

Butoh

Parcours

Olivier Lefebvre

Butoh

Parcours

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Discover
Know more

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Maison de la Danse de Lyon

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Discover
Know more

LE FESTIVAL VAISON DANSES

Exposition virtuelle

Numeridanse.tv

LE FESTIVAL VAISON DANSES

Exposition virtuelle

Discover
Know more

40 ans de rock et danse

Exposition virtuelle

Maison de la Danse de Lyon

40 ans de rock et danse

Exposition virtuelle

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus...

Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)

Discover
Know more

Indian dances

Parcours

Anne Décoret-Ahiha

Indian dances

Parcours

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Discover
Know more

States of the body

Parcours

Philippe Guisgand

States of the body

Parcours

Explanation of the term « State of the body » when it’s about dance.

Discover
Know more

La Biennale de la danse

Exposition virtuelle

Biennale de la danse

La Biennale de la danse

Exposition virtuelle

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la Danse de Lyon

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa

Discover
Know more

Dancing bodies

Parcours

Centre national de la danse

Dancing bodies

Parcours

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Discover
Know more

Arts of motion

Parcours

Anne Décoret-Ahiha

Arts of motion

Parcours

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Discover
Know more

Genres and styles

Parcours

Anne Décoret-Ahiha

Genres and styles

Parcours

Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.

Discover
Know more

Contemporary techniques

Parcours

Centre national de la danse

Contemporary techniques

Parcours

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Discover
Know more

Dance in Quebec: Untamed Bodies

Parcours

Geneviève Dussault

Dance in Quebec: Untamed Bodies

Parcours

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Discover
Know more

Dance in Quebec: Collectivities in motion

Parcours

Geneviève Dussault

Dance in Quebec: Collectivities in motion

Parcours

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Discover
Know more

Ballet pushed to the edge

Parcours

Olivier Lefebvre

Ballet pushed to the edge

Parcours

 Ballet’s evolution from its romantic form until néo-classicism.

Discover
Know more

Pantomimes

Parcours

Sarah Nouveau

Pantomimes

Parcours

Presentation of Pantomimes in the different types of dance.

Discover
Know more

Meeting with literature

Parcours

Centre national de la danse

Meeting with literature

Parcours

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more