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Oscar

2016 - Director : Zeriahen, Karim

Choreographer(s) : Petton, Luc (France)

Dropped by Centre national de la danse - Danse en amateur et répertoire

en fr

Oscar

2016 - Director : Zeriahen, Karim

Choreographer(s) : Petton, Luc (France)

Dropped by Centre national de la danse - Danse en amateur et répertoire

en fr

Oscar

Petton, Luc

After intense practise in martial arts, Luc Petton discovered contemporary dance through Muriel Jaër, and then Moses Pendelton, director of the Pilobolus Company. In 1980, he was granted a scholarship to study in New York at Alwin Nikolaïs' and Murray Louis' Dance Theater Lab and he danced with the Robin Feld Company (contact improvisation), whilst pursuing his training with the Trisha Brown Company. From 1981 to 1984, he was involved in the Folkwang Tanz Studio in Essen, directed by Hans Zullig who, along with Jean Cébron provided him his training. Here he danced for several choreographers: Suzanne Linke, Marilén Breuker, Mitsuru Sasaki and Christine Brunel.

In 1986, he founded the Icosaèdre Company with Marilén Iglésias-Breuker, which he co-directed until 1994. During this period, he began working on his own creations, he participated in a myriad of performances and creations that embraced other artistic disciplines and other cultures, and he discovered the Intrumentarium Pilates with Dominique Dupuy who produced again the solo “En vol” for him.

In 1994, he established Le Guetteur - Luc Petton & Cie in Picardy and launched his atypical and prosperous career in the French dance scene. In 1996, he created “IF”, a trio for 2 men and 1 plank and then his work “Oscar”, inspired by the work of Oskar Schlemmer at the Bauhaus, which were performed at the Presqu'îles de Danse cultural event. In 1999, the Val-de-Marne Biennial requested his “Polemos”, a work that brings together dancers and highly-proficient karatekas.

Amateur ornithologist, with a life-long passion for birds, he embarked on this fabulous creative adventure in 2004 that conjugated dancers and living birds. Two versions emerge from this project, with the generic name of “La confidence des oiseaux”: the first, an outdoor performance, in 2005 at Art Danse Bourgogne in Dijon and at the Festival les Envies Rhônements in the Camargue region, and the second for the theatre, with a preview performance in 2006 at the Faïencerie in Creil. This theatre version continued to evolve and attained its final form in Avignon during the Hivernales Festival of 2008.

This “poetic gesture”, nourished with enthralling and passionate experimentations will soon pursue its adventure with a new creation that includes aquatic birds, swans, egrets, cormorants… and six dancers, in a stage-set that harmonizes air and water elements. This project is presented as a palimpsest of Marius Petipa's and Ivanov's "Swan Lake", enshrouded in the magical-poetic atmosphere of Ovid's "Metamorphoses"…

Source : Website of the National Choreographic Centre, Tours www.ccntours.com

More information

Company website

Last update : September 2011

Zeriahen, Karim

From live stage images to life in images, the  director and video artist Karim Zeriahen seems to have found the  shortest way. Since the beginning of the 90s, when he worked in close  relationship with choreographer Philippe Decouflé, he learned how to put  the art of stage in motion, contemporary dance most of the time. Karim  Zeriahen then starts a fruitful collaboration with Montpellier based  choreographer Mathilde Monnier. Stop, Videlilah, day of night, short  films adapted from her stage creations. Each time, Karim Zeriahen's   camera takes over the place with movement, the body language is not  frozen but magnified. Choreographer Herman Diephuis also joins this  gallery of dancing portraits. Documentaries on figures such like Albert  Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul  Morrissey, he sets a signature, a camera always in action with  confidence.

Today the director goes further with a new  project and tracks the subtle movements of the body language beyond the  physical appearance. A collection of living portraits as unique pièces  reminding us of the master portraitists of renaissance. These living  natures consists in filming the subject in a certain amount of time,  almost still, with signs of respiration, eye blinks, as if it were  posing for a painting. They are then displayed on a flat screen with a  memory card. With this collection starting, Karim Zeriahen, with his  documentary and artist vision, interrogates himself about the virtual  world filled with images. By taking a pause, and his models with him, he  questions the way we look at things, the way we look at life.


Source: Philippe Noisette 


En savoir plus: www.karimzeriahen.com

Oscar

Choreography : Luc Petton

Interpretation : Delphine Auzène, Catherine Buffet, Roseline Fouarge, Mélanie Meireis Dos Santos, Joëlle Pay, Émilie Postal, Dominique Postel, Magalie Tourneux, Lydie Winckler, Danièle Wuatelet

Additionnal music : Sofia Goubaïdoulina
et Kronos Quartet

Other collaborations : Extrait remonté par le groupe Présences (Charleville-Mézières), responsable artistique Danièle Wuatelet, dans le cadre de Danse en amateur et répertoire (2015) - Transmission Tuomas Lahti, Céline Coessens, Cyrille Bochew

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