The Master's Tools
2017
Present in collection(s): Ballet national de Marseille
Video producer : Nérimen Hadrami (Hirvi) & Frenzy Picture
The Master's Tools
2017
Present in collection(s): Ballet national de Marseille
Video producer : Nérimen Hadrami (Hirvi) & Frenzy Picture
The Master's Tools
The Master’s Tools is a film which is based on the fresco in four performative installation paintings made
during Nuit Blanche Paris 2017.
At the centre of a choreography of vehicles – instruments of repression as well as objects of fascination –
supercharged bodies rub shoulders. While dancers indulge in jerky hard-dance movements, others bunch up
to better resist an order to disperse. Further away, a vandalised limousine is at the centre of an exceptional
kissing contest. In close proximity to this contemporary “raft of Medusa”, a ballet of washers remove the
slogan “Tomorrow has been cancelled” which was sprayed on the ground a few minutes earlier. The camera
continues to film and yet you never know which side of the screen you are on – at the heart of an event or
merely a representation of the act. In this post-internet ballet, (La)Horde examines the relationship between
humans and industry.
(La)Horde
(LA) HORDE is a collective of three artists: Marine Brutti, Jonathan Debrouwer and Arthur Harel. They work on choreographic creation. Dance is at the heart of their project,they develop choreographic pieces, films, video installations and performances.
Source: (La)Horde
More information: https://www.collectiflahorde.com
Générique The Master's Tools
Artistic direction / Conception : (LA)HORDE - Marine Brutti, Jonathan Debrouwer, Arthur Harel
Set design : Eva Albarran et Léa Canfrere & Margaux Illescas
Original music : Boe Strummer
Costumes : Lily Satine & Morgane Denzler assistantes Julia Moroge & Lydail Bailly
Other collaborations : DIRECTORS Marine Brutti / Jonathan Debrouwer / Arthur Harel DOP Crystel Fournier FIRST ASSISTANT Héloïse Lesimple Editor Edouard Mailaender Sound Boe Strummer Costumes Lily Satine & Morgane Denzler assistantes Julia Moroge & Lydail Bailly PRODUCTOR Nérimen HA et Hirvi & Frenzy Picture PRODUCTION Pauline Attal PRODUCTION Tom Burande 1st ASS CAM Pierre Assenat 2nd ASS CAM Clarence Malapert – CHEF MACHINO Jérémie Leloup – CHEF ELECTRO Muriel Olivier – ELECTRO Simon Legeay – ELECTRO Arnaud Grison – RENFORT ELEC Alice Bencteux – STEADYCAMER Sacha Naceri – CHEF OPS Yohann Henry et Paul Kusnierek - DECO Lucie Myrtille Beauvert Avec le soutien de Cité internationale des arts, Fenwick-Linde, La Gaîté Lyrique, Maison des Arts Creteil MAC Cosmetics France, Adidas, , Le Relais, TSF, Fondation BNP Paribas et Sides avec la participation de SNCF.
Production / Coproduction of the video work : Nérimen Hadrami et Hirvi & Frenzy Picture
DANCE AND DIGITAL ARTS
Yield Variations on dissuasive urban furniture
New breath : 21st century youth enters the world of dance
Noé Soulier Rethinking our movements
(LA)HORDE: RESIST TOGETHER
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Memories (ou l'oubli)
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
States of the body
Explanation of the term « State of the body » when it’s about dance.
The BNP Paribas Foundation
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Pantomimes
Presentation of Pantomimes in the different types of dance.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
EIVV 2022 Dancing with the editing
Why do I dance ?
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.