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Lo fragil y lo desconicido en la metafora de un viajante

CNDC - Angers 2010

Choreographer(s) : Garcia Llorens, Miguel (Peru)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Lo fragil y lo desconicido en la metafora de un viajante

CNDC - Angers 2010

Choreographer(s) : Garcia Llorens, Miguel (Peru)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

Lo fragil y lo desconicido en la metafora de un viajante

Garcia Llorens, Miguel

Of Peruvian origin, Miguel Garcia Llorens graduated in Theater at the Catholic University of Peru (PUCP) in parallel with an acrobatic training in Lima.
He arrived in France in 2008 to follow the training of ENACR (National School of Circus Arts Rosny-sous-Bois) where he obtained the BATC (Artistic and Technical Circus).
He then joined the choreographic artist training at the CNDC (National Center of Contemporary Dance of Angers) where he worked with Ko Murobushi, Loïc Touzé, Dominique Brun, Faustin Linyekula, Jeremy Wade, Emmanuelle Huynh, Sylvain Prunenec, among others, and has a degree in Dance at Paris 8 University.


Source: Individus en mouvement

CNDC - Angers

The National Center for Contemporary Dance - CNDC - was created in 1978 at the initiative of the Ministry of Culture and the City of Angers. It followed the B.T.C. Ballet contemporary theater directed by Françoise Adret and Jacques-Albert Cartier, transferred to Nancy. Designed as a school of choreographers and the headquarters of a permanent company, it is run by Alwin Nikolais for three years.

When Viola Farber succeeded him in 1981, the school specialized in the training of dancers. Viola Farber forms a new company and inaugurates a teacher training program.

In April 1984, the management of the CNDC was entrusted to Michel Reilhac. The center still trains dancers and teachers. It no longer has a permanent company but serves as a production platform through residences. Large companies of international renown (in residence for two to three months) and younger companies (in the context of the "Summer Quarters") are then present. This is how Merce Cunningham and his company inaugurate the large Bodinier studio and that successive personalities such as Régine Chopinot, Maguy Marin, Odile Duboc, Dominique Bagouet, Mathilde Monnier and Jean-François Duroure, Edward Lock, Hervé Robbe, Philippe Decouflé, Catherine Diverrès and Bernardo Montet, Daniel Larrieu, Trisha Brown, Wim Vandekeybus ...

In April 1988 the new director, Nadia Croquet, continues to develop a policy to support creation, with a more specific openness to Europe. In January 1993, Joëlle Bouvier and Régis Obadia were named artistic directors of the CNDC, then labeled CNDC l'Esquisse.

The CNDC, which became a national choreographic center (CCN) in the 1990s, reinforces its mission as a choreographic center through the production of shows and its role as artistic advisor while continuing the training. At the same time, from 1986 to 2006, he worked with the New Theater of Angers, a national drama center, to offer a program of choreographic performances, thus increasing the audience and the readability of the dance to the public by multiplying the glances on the creation contemporary.

In February 2004, the CNDC is under the direction of the choreographer Emmanuelle Huynh, it intends to perpetuate the tradition of experimental contemporary dance and offer a school in connection with the dynamics of contemporary creation. From 2011, the CNDC School has two major courses, one leads to the National Diploma of Professional Dancer (DNSPD) and the license, the second prepares for a master.

Robert Swinston, who was appointed artistic director of the CNDC in 2012 by the Board of Directors, takes office in January 2013. Create and encourage creativity, develop the legacy of Merce Cunningham, program shows in various aesthetics, train artists autonomous, versatile and of a high level as well as fostering the emergence of new talents, this is the purpose of his project for the CNDC. Communicating to the public the foundations of a creative approach, raising awareness among young people and making the CNDC shine at the local, national and international levels are Robert Swinston's objectives for the CNDC.

The directors of the CNDC since its creation:

Alwin Nikolais (from September 1978 to July 1981)
Viola Farber (from September 1981 to July 1983)
Michel Reilhac (from March 1984 to December 1987)
Nadia Croquet (March 1988 to December 1991)
Joëlle Bouvier and Régis Obadia (from January 1993 to June 2003)
Emmanuelle Huynh (from February 2004 to December 2012)
Robert Swinston since January 2013

Lo fragil y lo desconicido en la metafora de un viajante

Choreography : Miguel Garcia Llorens

Lights : François Le Maguer

Sound : Alain Cherouvrier

Production / Coproduction of the choreographic work : CNDC (Angers)

la FAC, Formation d'Artiste Chorégraphique

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