Les entretiens de la danse : karine saporta
1994 - Director : Urréa, Valérie
Choreographer(s) : Saporta, Karine (France)
Present in collection(s): Centre national de la danse , Compagnie Mathilde Monnier - Association MM
Video producer : Centre chorégraphique national de Montpellier Languedoc-Roussillon
Integral video available at CND de Pantin
Les entretiens de la danse : karine saporta
1994 - Director : Urréa, Valérie
Choreographer(s) : Saporta, Karine (France)
Present in collection(s): Centre national de la danse , Compagnie Mathilde Monnier - Association MM
Video producer : Centre chorégraphique national de Montpellier Languedoc-Roussillon
Integral video available at CND de Pantin
Entretiens de la danse : Karine Saporta (Les)
Saporta, Karine
Karine Saporta is a Chevalier de la Légion d'Honneur and an Officier des Arts et des Lettres. She founded the Association des Centre Chorégraphiques Nationaux of which she is the first President. She was elected for the second time President of the Dance Commission and Vice-President of the Société des Auteurs et Compositeurs Dramatiques (SACD - Society of Dramatic Authors and Composers) in 2004.
Right from the start, Karine Saporta defended at the highest level the artistic values responsible for her recognition and approval by the most eminent specialists as one of the leading figures of contemporary art today.
She has been welcomed in all major dance venues, in France and abroad, with very many choreographies.
At the cutting edge of research into the body and the work of emotion in the dancer, she has revealed highly personal work methods.
Improvisation and technique but also reflection on dance themes and history form the foundations of Karine Saporta’s artistic and intellectual approach.
Her art is made up of baroque or dreamlike worlds, harbouring figures of flesh and wax, of giddiness of the senses and troubled hearts, of flamboyant pictorial images.
From the Hispanic universe of the “Taureaux de Chimène” to the gothic images of “La princesse de Milan” or of the show “Le Spectre ou les Manèges du ciel”, not to mention the cinematographic form of certain productions such as “Le Bal du siècle” created at the Festival International du Film de Cannes in tribute to the centenary of cinema, or “Wild”, the choreographer shapes as much as a personal style the new forms of the performing arts.
Urréa, Valérie
Back in 1987, after having completed her studies at the Ecole nationale supérieure Louis-Lumière, Valérie Urréa began asserting her passion for visual and performing arts. Documentaries, live recordings, fictions, from 'Bruit Blanc' to 'L’Homme qui Danse', all of Valerie Urréa’s films, which are principally coproduced by ARTE, explore highly-sensitive themes such as autism, masculinity and issues concerning race, through artistic visions. Her multiple award-winning films are regularly presented in international festivals. She was guest-artist twice for the Commission Image Mouvement de la Délégation des Arts Plastiques (Image/Movement Commission of the French Visual Arts Delegation). At the same time, she was a teacher for several years at the École Supérieure des Arts Visuels (ESAV - Higher Institute for Visual Arts) in Marrakech, specializing in the relationships between images and performing arts.
Source : Valérie Urréa
Karine Saporta
Artistic direction / Conception : Geneviève Vincent
Duration : 53'
Roots of Diversity in Contemporary Dance
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.