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Globule, un solo pour deux - 2011

Globule, un solo pour deux - 2011

Globule, un solo pour deux - 2011

Captation made by Philippe Devilliers at l'espace Herbauges in Les Herbiers on the 26th of may 2011.

Globule, un solo pour deux - 2011

Globule un solo pour deux | création 2011

creation for young audiences 2011

 For the first time in 20 years of creation, Y. Alexandre has created a piece for scenic spaces and specifically for young audiences. Globule, a solo for two, explores in a playful way all the systems of movement of the fish in its bowl, playing with its scales and its fins, turning in circles, and being surprised by its reflection. A little mermaid fish telling us his imaginary and fairy tales.

 A weightless body in a bullish universe, a glass sphere full of air bubbles. A space which despite its smallness leaves room for the details that abound in this room. This choreographic tale offers us an interpretation, sometimes light, liquid and mischievous, sometimes melancholy and dark when it questions domestication, artificial life and confinement ... You are immersed in Globule's jar, a solo for two.


a body that turns in circles, in weightlessness.

 no headlong rush but ...

 move forward, twirl, twirl up and down,

 seek oxygen, enjoy the silence,

 adorn themselves with luminous scales,

 invent a bubble, love each other and try chases ...

 Globule, a solo for two, swims in a space without any concern,

 no memory, no danger.

 in total dependence ...

 it could be a bubble fish that we are looking at ...

 it could be ...

 [extracts from the writing books there. alexandre / March 08]

Alexandre, Yvann

Born in La Roche-Sur-Yon in 1976, Yvann Alexandre began dancing at the Amicale Laïque du Bourg and at the Conservatory of his hometown, then in La Rochelle with Colette Milner, Christine Girard and Brigitte Asselineau. He continued his training in Montpellier with Epsedanse directed by Anne-Marie Porras and, at the same time, also trained at Montpellier CCN (National Choreographic Centre) then under the direction of Mathilde Monnier. During this period, his encounter with Christian Bourigault and other foundational teachings led him to forge the bases of his creative work and his pedagogy. At just sixteen years old, he composed his first works and went on to establish his company in Montpellier in 1993. He produced his first creations for the Hivernales in Avignon and for Montpellier Danse festival.

In addition to his creations, performed on numerous prestigious stages and festivals in France and abroad, he was also the guest of the CNSMDPs (Higher National Conservatories of Music and Dance) of Paris and Lyon, of Quebec and Montreal, as well as the National Choreographic Centre in Nancy and the Nordwest Tanzcompagnie in Germany.

He gained a reputation over these 25 seasons of creation as the representative of abstract, highly-premeditated dance, far removed from the performances and improvisations of others of his generation, and had a particular interest for movement writing.

Even today, his work addresses reflection which focuses on the very substance of dance, where the notion of plasticity gives way to the movement’s own energy, all the while remaining faithful to the idea of line, an element which has existed for him from the very beginning. His creations place movement and scenography on the same footing, like two subjects on equal terms: the plastic matter totally interacting with the body-matter.

His extremely precise body language is full of details and is structured like rather intimate calligraphy.


Source: Cie Yvann Alexandre


More information: http://www.cieyvannalexandre.com/

Devilliers, Philippe

“Videographer”, a curious word, a Métis word which has been translated for more than 20 years in Philippe Devilliers by images in which video is the medium which allows him to express his sensitivity to art and its actors: the artists. Through his teasers and making offs, his clothing for creations, he shows bodies and participates in stories. Witness and stakeholder of these imaginary realities, he has notably collaborated with cie charabia, cie non nova, gerardo jerez lecam, production Dekalage, choreographer n. béasse ... the story begins with y. alexandre and his dancers with the creation Le Corps Sombre in 06 then continued with Silences duos and Passages in 07, then Venenum Amoris in 09. He also contributed to the video creation of the project l'Autre et moi en 10, Cloud en 14 , Les Soli Noirs in 15, Les Fragments Mobiles in 2017.

Source: Cie Yvann Alexandre

Compagnie Yvann Alexandre

Créée en 1993, la Compagnie Yvann Alexandre est une compagnie professionnelle de danse contemporaine phare de la région des Pays de la Loire. Attachée depuis ses débuts aux allers-retours entre professionnels, amateurs et tout public, tout en proposant ses créations, la compagnie tisse une politique d’échanges, de rencontres et de formation. Au-delà de la simple diffusion, la compagnie mène un projet audacieux, exigeant et rayonnant à la croisée de la création, de la transmission et des territoires.


La compagnie développe ses créations, sur scène ou in situ, autant sur le territoire local qu’à l’international et les créations récentes pour la scène nationale de Sceaux, le Panama, la Tunisie ou le Centre des Monuments nationaux par exemple, témoignent de ces territoires investis. Un projet qui s’écrit ente fidélité assumée après 27 saisons chorégraphiques et nouvel élan avec des partenaires renouvelés.


Elle construit depuis 2004 un lien étroit avec le Québec, sous la forme de résidences de création, de diffusion et de développement de public et qui prendra un nouvel élan prochainement avec le lancement d’ARCHIPEL : un ensemble de partenaires culturels solidaires aux écosystèmes diversifiés et mutualisés pour un nouveau modèle de coopération culturelle.


Particulièrement attentive à l’ouverture sur l’art chorégraphique dès le plus jeune âge, la compagnie développe et construit à partir des créations des parcours multiples à destination du monde scolaire dans un projet novateur et reconnu. Des parcours conjugués, croisés et transversaux dont la Petite Université de la Danse en est le coeur.


Yvann Alexandre est un chorégraphe de lieux. Depuis ces débuts. En 2019, la compagnie prend la direction artistique du Théâtre Francine Vasse à Nantes avec un projet innovant qui démarre par la transmission pour arriver à l’oeuvre : Les Laboratoires Vivants. Un lieu pour les autres, un lieu ensemble. Pour faire oeuvre ensemble.


www.cieyvannalexandre.com

Globule, un solo pour deux - 2011

Artistic direction / Conception : Yvann Alexandre

Choreography : Yvann Alexandre

Interpretation : Hélène Maillou ou Lucile Cartreau, Guillaume Chevereau et Anne Morineau

Text : Anne Morineau D'après Les Textes La Petite Sirène - Les Contes d'Andersen

Original music : Extraits Musicaux Messes De L'homme Armé De Josquin Desprez, Agnus Dei Par A Sei Voci – Bernard Fabre-Garrus Et Bekhudi Mein Sanam Par Modh.Rafi Et Lata Mangeshkar

Lights : Olivier Blouin

Costumes : L'atelier K.eel

Sound : Christophe Sartori

Production / Coproduction of the choreographic work : Carole Lanier-Deroo

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