Skip to main content
Back to search
  • Add to playlist

Ebhofolo

Maison de la Danse de Lyon 2009 - Director : Picq, Charles

Choreographer(s) : Mantsoe, Vincent (South Africa)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009

Video producer : Maison de la danse

Integral video available at Maison de la danse de Lyon

en fr

Ebhofolo

Maison de la Danse de Lyon 2009 - Director : Picq, Charles

Choreographer(s) : Mantsoe, Vincent (South Africa)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009

Video producer : Maison de la danse

Integral video available at Maison de la danse de Lyon

en fr

Ebhofolo

A great many traditional African “homes” are built in such a way that a natural space and feeling is created. Yet, the “home” is a lot more than just a living space: it reflects relationships with others like a mirror, and also relationships of living beings with the world of their ancestors. In keeping with the traditional “home”, the NDEBELE “dwelling” is built around four different structures:
The main building, the “NTLO HOLO”
1. Two secondary buildings “NTOLO E NYANE”
2. The forecourt “FORECOURT”
3. And finally, the internal space
4. “INNER SPACE”
 

In EBHOFOLO: this “Folly” (a word of Xhosa origin), the choreographer explores the accuracy of what takes place between the NTLO HOLO (the main building) and the NTOLO E NYANE (the secondary building), between the FORECOURT (outside) and the INNER SPACE (inside), just as reality can also mean dealing with the everyday “folly” of contemporary life, where we discover characters, foolishness, obstacles. The choreographer combines the philosophy of dance techniques with the notion of NDEBELE space and time, as they are shaped in their living spaces. He observes how the nature of people is linked to their art of painting, to the consideration they give to their “home”, which they inherited when they were born. The challenge for the choreographer is to express this relationship between yesterday, today and tomorrow through dance. Unlike “folly”, EBHOFOLO is embellished with colours that are directly linked to NDEBELE art, the very essence of a traditional art de vivre that is in the process of becoming extinct.


Source : Maison de la Danse - programme

DR - We are looking for the heirs of this work. Thank you to contact us if you have any information about it. numeridanse@maisondeladanse.com

Mantsoe, Vincent

Choreographer, performer and dance teacher, Vincent Sekwati Koko Mantsoe was born in 1971 in Soweto, a Johannesburg township (South Africa), in the district of Deipkoof. Raised by his mother in a family of healers (“sangomas” in Zulu), he attended ritual healing ceremonies from a very young age, when he accompanied women during their trance (his grandmother, aunt and mother) on the drums. His personal choreographic practice was initially built on street dances influenced by the first music videos, among them those of Michael Jackson, who Mantsoe would imitate, along with his childhood friend Gregory Vuyani Maqoma. Along with other friends from the township, they created a street dance group, The Joy Dancers.

During this time, when he described himself as a “punk with a perm”, Vincent Mantsoe only just survived a serious car accident thanks to his mother's care. This “rebirth” as he calls it, made him become aware of the value of his spiritual heritage. His work would consequently become an opportunity to evoke his ancestral beliefs or the voices to which he surrenders when he dances.

With the help of a scholarship, he became a hard-working student in 1989, training at the Moving into Dance Company Mophatong (MIDM), one of the first multiracial companies in South Africa, run by Sylvia Glasser, which he then joined at the end of his studies. There he studied a wide range of techniques and types of dance, Asian and Western as well as African, in South Africa and in Australia, at the Victoria College of Arts. In 1995 he took part in the 1ère rencontres chorégraphiques de l’Afrique et de l’Océan Indien (first Africa and Indian Ocean choreographic encounters) in Luanda with the company MID, and presented the piece “Gula Matari” which won the first prize. 

He became associate artistic director of the company MIDM in 1997, and created many solos and ensemble pieces there, also collaborated with other companies in South Africa (Ballet Theatre Afrikan) as well as in the United States (Dance Theatre of Harlem), in Sweden (Skanes Dans Theatre), Israel (The Inbal Dance Company), and in Canada (Collective of Black Artists).

His choreography combines traditional African dance with contemporary, Aboriginal, Asian, Indian and Balinese influences, and embraces ballet, Tai-chi and various martial arts, to forge a personal afro fusion style. A multiple prize winner, Vincent Mantsoe has an international career, particularly in Japan, in the United States and in Canada.

The demands of his international career led him to give up his responsibilities as associate director in 2001 to become artistic consultant instead; Vincent Mantsoe then founded his own company in 2005, alongside his wife, the dancer Cécile Maubert, who he met while working with the Marseilles choreographer Michel Kelemenis in 1999. Based at Saint Pont in the Auvergne region, this is how he describes the philosophy which underpins the work of the Association Noa-Cie Vincent Mantsoe: “The spirit of dance and Ancestors are the source of the work, the free mind cannot be separated from the natural force, that ultimately create a unique way of executing different forces, which can lead to the process of transformation between the past and present”.

Despite being based in France, Vincent Mantsoe is clear about his South African identity: “I'm a South African choreographer in France, not a French choreographer” [2]. The creation of “Skwatta” during the Jomba! Festival (Durban) in 2012 testifies to his roots in contemporary South African society: indeed the work is inspired by the makeshift camps which are plentiful throughout South Africa.


Sources : V. Mantsoe ; M.- C. Vernay, “Vincent Mantsoe: “Transmettre un message social de rebellion”, Libération 2 July, 1997 ; Article in the “City Press” in August 2012

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

Ebhofolo

Choreography : Vincent Sekwati Koko Mantsoe

Additionnal music : Kayhan Kalhor, Ali Akbar Modari, Tartit, Dinda Hamma Sarre

Lights : Serge Damon

Settings : Mme Ester Malhangu

Production / Coproduction of the video work : Maison de la Danse de Lyon, Charles Picq

Our videos suggestions
04:35

Les Beaux Jours

Droulers, Pierre (France)

  • Add to playlist
03:58

Bienvenue

Rebetez, Eugénie (France)

  • Add to playlist
04:27

Inlet’s 2 - 3 études

Paré, Jean-Christophe (France)

  • Add to playlist
02:58

Carmen(s)

Montalvo, José (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:46

La Valse de Vaslav

Tompkins, Mark (France)

  • Add to playlist
06:12

Ô Solitude

Yepes, Ana (France)

  • Add to playlist
02:42

Die Grüne Tisch (La Table verte, solo de la mort)

Jooss, Kurt (France)

  • Add to playlist
01:56

Tod

Gert, Valeska (France)

  • Add to playlist
05:01

Hexentanz

Wigman, Mary (France)

  • Add to playlist
01:53

Japanische Groteske

Gert, Valeska (France)

  • Add to playlist
01:31

Canaille

Gert, Valeska (France)

  • Add to playlist
04:28

Narcisse

Duncan, Isadora (France)

  • Add to playlist
04:17

Atys

Lancelot, Francine (France)

  • Add to playlist
09:30

L'après-midi d'un faune (1912)

Nijinsky, Vaslav (France)

  • Add to playlist
06:09

Le Sacre du printemps (solo de l'élue)

Nijinsky, Vaslav (France)

  • Add to playlist
03:00

Malher's Third Symphony

Neumeier, John (France)

  • Add to playlist
05:30

Folias & Jacaras

Yepes, Ana (France)

  • Add to playlist
04:07

Icons

Tompkins, Mark (France)

  • Add to playlist
Our themas suggestions

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Maison de la Danse de Lyon

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Une traversée de l’histoire des Rencontres chorégraphiques internationales de Seine-Saint-Denis, depuis le Concours de Bagnolet jusqu’aujourd’hui.  

Discover
Know more

LE FESTIVAL VAISON DANSES

Exposition virtuelle

Numeridanse.tv

LE FESTIVAL VAISON DANSES

Exposition virtuelle

Depuis plus de 20 ans, Vaison Danses accueille les plus grands noms de la danse. La scène du majestueux théâtre antique va à nouveau vibrer en juillet 2019 avec des compagnies internationales prestigieuses et des chorégraphes de renom. L’occasion pour Numeridanse de faire découvrir ce festival ! 

Discover
Know more

40 ans de rock et danse

Exposition virtuelle

Maison de la Danse de Lyon

40 ans de rock et danse

Exposition virtuelle

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus...

Et mettons-nous tous nus 

> Chanson de l’Affaire Louis Trio (1987)

Discover
Know more

Indian dances

Parcours

Anne Décoret-Ahiha

Indian dances

Parcours

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Discover
Know more

Body and conflicts

Parcours

Olivier Lefebvre

Body and conflicts

Parcours

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Discover
Know more

LES CENTRES CHORÉGRAPHIQUES NATIONAUX

Exposition virtuelle

Maison de la Danse de Lyon

LES CENTRES CHORÉGRAPHIQUES NATIONAUX

Exposition virtuelle

Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ? 

Discover
Know more

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

Parcours

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Discover
Know more

James Carlès

Exposition virtuelle

Numeridanse.tv

James Carlès

Exposition virtuelle

© Emmanuel Tussore

Discover
Know more

Danse et arts numériques

Exposition virtuelle

K. Danse - Jean-Marc Matos

Danse et arts numériques

Exposition virtuelle

Créations de spectacles, performances participatives et installations mêlant danse contemporaine et arts numériques interactifs. Une constante dialectique entre le corps vivant (vécu) et le corps visuel (donné à voir ou virtuel). Une exposition proposée par Jean-Marc Matos, chorégraphe de la compagnie K. Danse.

Discover
Know more

La compagnie Dyptik

Exposition virtuelle

Maison de la Danse de Lyon

La compagnie Dyptik

Exposition virtuelle

Découvrez la compagnie Dyptik, leur travail et leur lieu de création dans cette exposition virtuelle.

Discover
Know more

Les racines de la diversité en danse contemporaine

Exposition virtuelle

Centre chorégraphique James Carlès

Les racines de la diversité en danse contemporaine

Exposition virtuelle

La danse contemporaine désigne des courants artistiques succédant à la danse moderne. Mais il est difficile de cerner précisément cette expression, tant elle inclus différentes pratiques et esthétiques. Aujourd’hui, le mot « contemporain » intègre des danses actuelles, urbaines, théâtrales, de différentes origines géographiques ou «culturelles». Une exposition virtuelle signée par la Compagnie James Carlès Danse &Co.

Discover
Know more

Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance

Parcours

Céline Roux

Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance

Parcours

At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!  

Discover
Know more

QUDUS ONIKEKU : Se réapproprier une mémoire oubliée

Exposition virtuelle

Maison de la Danse de Lyon

QUDUS ONIKEKU : Se réapproprier une mémoire oubliée

Exposition virtuelle

Découvrez le travail du chorégraphe Qudus Onikeku à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse. 

Discover
Know more

CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices

Exposition virtuelle

Christian et François Ben Aïm

CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices

Exposition virtuelle

Avec cette exposition virtuelle et à travers la démarche du tandem  fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur  dernière pièce : FACÉTIES

Discover
Know more

Charles Picq, réalisateur en danse

Exposition virtuelle

Maison de la Danse de Lyon

Charles Picq, réalisateur en danse

Exposition virtuelle

Rencontre avec Charles Picq, réalisateur et vidéaste de la danse. 

Discover
Know more

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Black Dance

Webdoc

Julie Charrier

Black Dance

Webdoc

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.
Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more