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Dialogues [remontage 2018]

Extrait remonté par Hamadryade (La Chapelle-sur-Erdre, Pays de la Loire), responsable artistique Murielle La Rose, dans le cadre de Danse en amateur et répertoire (2017)


Le groupe : Hamadryade 

Le groupe est composé de membres âgés de 19 à 50 ans, tous venus d’horizons différents, que ce soit du classique ou du jazz en passant par le contemporain. Il a pour objectif la création et la présentation sur scène de pièces de danse, exercice qui se veut complémentaire aux cours techniques. 

Le projet 

Vivacité, couleur et musicalité sont des aspects de la chorégraphie qui ont tout de suite suscité l’intérêt des danseuses du groupe et ont éveillé leur envie de s’initier au langage de la danse baroque qui ne se borne pas à de simples reconstitutions de bals ou de ballets des XVIIe et XVIIIe siècles. La danse baroque est bien, aujourd’hui encore, un langage chorégraphique à part entière. Ces extraits de Dialogues le prouvent, portant un caractère extrêmement contemporain tout en utilisant un vocabulaire vieux de quatre siècles. 

Massé, Marie-Geneviève

Following a classical training with Daniel Frank and Yves Cassati, she studied contemporary dance with Aron Osbon, Sarah Sugwihara, Françoise Dupuy and Bernard Delattre.

In 1980 she fell in love with the dance she discovered through Françoise Lancelot – the baroque. She immediately joined the company “Ris et Danceries” and remained one of its principal artists until 1988, participating notably in the creation of  Atys ,  the Bal à la Cour de Louis XIV ,  La Suitte d’un Goût Etranger   with Dominique Bagouet and François Raffinot. From 1989 to 1992 she worked with François Raffinot as dancer and assistant in his company Barocco.

At the same time she taught baroque dance at the CNSM in Paris, the Conservatoire Royal in La Haye, the Sablé Academy, the Rio Academy and in the Cefedem. From 1995 to 1997 she directed the troop of dancers in the Théâtre Baroque de France.

Marie- Geneviève began choreographing in 1985 at the request of several directors and conductors, founding the company L’Eventail with Bernard Delattre. With this company, based in Sablé since 2001, granted national convention status in 2004, she has created more than thirty-five choreographies and collaborated with renowned artists.

In 2000, proposed by Didier Deschamps and Vincent Berthier de Lioncourt, she was named CHEVALIER DES ARTS ET DES LETTRES.

Following the presentation of  "Renaud et Armide | Médée et Jason"   at the Opéra Royal at Versailles and the Opéra Comique in December 2012, Marie-Geneviève created, amongst other things,  "La Sérénade Royale"  which was staged throughout the summer of 2014 in the Galerie des Glaces at Versailles.

For the past four years she has been continuing the project “De la plume à l’image" in partnership with the National Dance Centre. At the moment, she is working on three new creations:  « Les Amants Magnifiques » , « Fables à tiroir » et « Othello ou le ballet des apparences ».

She is also preparing the thirtieth anniversary of l’Éventail to be celebrated on December 12th 2015 with the Ballet des Fables at l’Entracte in Sablé-sur-Sarthe.

Source : The Company Eventail 's website

More information

compagnie-eventail.com

Centre national de la danse, Réalisation

    

Dialogues [remontage 2018]

Choreography : Marie-Geneviève Massé

Video conception : Cadrage et montage Ivan Chaumeille et Rafaël Gubitsch

Other collaborations : Extrait remonté par Hamadryade (La Chapelle-sur-Erdre, Pays de la Loire), responsable artistique Murielle La Rose, dans le cadre de Danse en amateur et répertoire (2017) - Transmission Anne-Sophie Berring, interprète de la pièce

Duration : 06:56

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