Your playlists
The video has been added successfully.
The video is already in this playlist.
Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.
For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.
Exclusively for artists/companies, directors.
Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.
+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)
Promote your video collection
Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.
Retain ownership of your work
Video content is only available through streaming and is not downloadable As a contributor, only you have the tools to export and share your public and private content.
Guaranteed access to an exclusive video collection
Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.
2006 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Orlin, Robyn (South Africa)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
2006 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Orlin, Robyn (South Africa)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Robyn Orlin's Daddy explores politics in the arts in terms of performance empowerment and ownership of space. Six performers fight over the same space while they wait for their director to arrive for a performance. The performers wait in panic five minutes before the show, but the director has not arrived. Their waiting becomes the background against which a collage of dances are set.
The production of Daddy won the prestigious Laurence Olivier Theatre Award for Outstanding Achievement in Dance 2003.
It came third in the African and Indian Ocean Choreographic Competition and also won the Jan Fabre Award at the Bagnolet Choreographic Society.
Further information
http://theartchive.co.za/works/daddy/
Updating: December 2010
Robyn Orlin was born in 1955 in Johannesburg and obtained bursaries to study in London (London Contemporary Dance School) and then in Chicago (School of Art Institute).
Since her first performance in Johannesburg in 1980, she has attempted to redefine choreography and the art of theatre in her country and has become one of the most committed anti-apartheid choreographers. She starts from the principle that “dance is political”, and in her pieces she examines the social and cultural situation in South Africa: its influences, its history, its rifts and its disintegration. The choreography then creates “an iconoclastic dance which puts its foot in it”, a dance-chronicle of today's South African society, skilfully handling irony and derision; a dance that shamelessly stirs up references and identities, blending traditional popular culture with the radical avant-garde, a dance that is capable of breaking down the artist-audience barrier by putting the audience at the centre of the event.
Robyn Orlin came to France for the first time in April 2000 at the invitation of La Filature Scène Nationale, Mulhouse, with “Daddy, I've seen this piece six times before...”
She achieved immediate recognition: Rencontres Chorégraphiques Internationales de Seine-Saint-Denis, Montpellier Dance Festival, Théâtre de la Ville, Paris, followed by tours all over the world.
In 2004, Robyn Orlin took part in the inauguration of the Centre National de la Danse, Pantin and composed a solo for Sophiatou Kossoko as part of “Vif du Sujet”.
In 2005 she created “When I take off my skin and touch the sky with my nose, only then I can see little voices amuse themselves...”, a piece with 6 singers from the South African Opera, then, during the summer, “Hey dude... i have talent... i'm just waiting for god...,” a solo for the dancer-choreographer Vera Mantero.
From September 2005 Robyn Orlin was in residency for two years at the Centre National de la Danse, Pantin. In April 2007 her “L'Allegro, il penseroso ed il moderato” was premièred at the Paris National Opera.
Source :
Digital resource - Médiathèque du Centre national de la danse
http://mediatheque.cnd.fr/spip.php?page=mediatheque-numerique-ressource&id=PHO00003887
More information : robynorlin.com
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Choreography : Robyn Orlin
Interpretation : Gerard BESTER, Nico MOREMI, Toni MORKEL, Pule MOLEBATSI, Nelisiwe XABA, Lindiwe NDLOVU Groupe Ramses (direction : Zaza HASSAN) : Nouria HASSAN, Laetitia GUESSAS, Soraya MEBARKI, Zora GUIMONE, Isabelle KHAÏAT, Linda ZEITOUN
Set design : Robyn Orlin
Costumes : Robyn Orlin
Settings : Robyn Orlin
Technical direction : Direction plateau : Michael Maxwell - Régisseur général Thabo PULE
Digital Resource of the Centre national de la danse
http://mediatheque.cnd.fr/spip.php?page=mediatheque-numerique-ressource&id=PHO00003877
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Parcours
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.