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Correria

It all started with an encounter: between Mourad Merzouki and 11 young dancers from Rio de Janeiro at the Lyon Dance Biennial in 2006. The brasilians dancers had their roots in the favelas, and their individual stories struck a profound chord with the Company Käfig choreographer.

All of them were driven by a passion for dance and a fervent determination to make something of their lives in reaching out to others.The dancers dilute and mix without complex hip-hop, capoeira, samba, electronic music and bossa nova to bring a dance with amazing acrobatics, stuffed energy and invention...

Merzouki, Mourad

A major figure on the hip-hop scene since the early 1990s, Merzouki works at the crossroads of many different disciplines: he adds circus, martial arts, fine arts, video and live music to his exploration of hip-hop dance. Without losing sight of the roots of hip-hop movement – of its social and geographical origins – this multidisciplinary approach opens new horizons and reveals original outlooks. Since 1996, 30 creations have been performed in 700 cities and 65 countries, with more than 3,000 performances given for 1.7 million people. Since 2009, Merzouki is director of the Centre chorégraphique national de Créteil et du Val-de-Marne, where he created the festival Kalypso, a Parisian twin of his festival Karavel in the region of Lyon. In 2016, he is also appointed artistic director of Pôle en Scènes in Bron.


More information : http://ccncreteil.com/

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
  On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
      - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
      - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
      - He started «présentations de saisons» in pictures.
      - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Correira

Artistic direction / Conception : Mourad Merzouki

Choreography : Mourad Merzouki, en étroite collaboration avec les interprètes

Choreography assistance : Laurence Pérez

Interpretation : Diego Alves Dos Santos dit Dieguinho, Leonardo Alves Moreira dit Leo, Cleiton Luiz Caetano De Oliveira, Aguinaldo De Oliveira Lopes dit Anjo, Cristian Faxola Franco dit Faxola, Geovane Fidelis Da Conceição, Diego Gonçalves Do Nascimento Leitão dit White, Aldair Junior Machado Nogueira dit Al Franciss, Wanderlino Martins Neves dit Sorriso, Jose Amilton Rodrigues Junior dit Ze, Alexsandro Soares Campanha Da Silva dit Pitt

Original music : AS'N

Video conception : Charles Picq, Charles Carcopino, Réalisation du teaser Mohamed Athamna

Lights : Yoann Tivoli

Costumes : Delphine Capossela

Settings : Mourad Merzouki, Benjamin Lebreton

Other collaborations : Remerciements chaleureux à Guy Darmet, à l'origine de cette rencontre

Production / Coproduction of the choreographic work : Centre Chorégraphique National de Créteil et du Val-de-Marne / Compagnie Käfig, Espace Albert Camus de Bron

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