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Barroco

Maison de la Danse de Lyon 2008

Choreographer(s) : Duszynski, Dominique (Germany) Sammarco, Ennio (Italy)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009

Video producer : Association Woo;Maison de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Barroco

Maison de la Danse de Lyon 2008

Choreographer(s) : Duszynski, Dominique (Germany) Sammarco, Ennio (Italy)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009

Video producer : Association Woo;Maison de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Barroco

Conception and dance Dominique Duszynski, Ennio Sammarco
Composer and musician Josselin Varengo

BARROCO: a Portuguese word, used in jewellery to indicate an irregular pearl. It is the root of the word "baroque", the artistic and literary trend of the XVII century, characterized by an aesthetics of exuberance and strangeness in reaction to Lutheran bareness and severity. Barroco originates from the wish of Dominique Duszynski and Ennio Sammarco to share an artistic experience. These two interpreters havee always followed very different artistic routes which nevertheless never ceased crossing each other. Two choreographers who usually pursue their artistic research along different paths.
Together, they chose as their starting point Dave Brubeck's compositions, because of their irregular rhythm, repetitive and obstinate in character, and their sense of swing, of lightness, roundness and blitheness.
Barroco explores the principle of freedom within an extremely structured picture. With the invaluable complicity of Josselin Varengo, a musician active in Lyon and intimate with the projects of the Woos, this musical reference, so familiar, becomes perturbed, diverted. He derives from it new sound perspectives which affect the two dancing bodies. Barroco is a dialogue among three people: each of them stirs, in the two other protagonists, new sound and choreographic responses, and plays with his/her own apparition and disappearance. Barroco, a triangular form which excludes neither oneness nor doubleness, where the affirmation of the self implies the relation with the other, is a strange artistic creation. In it, the elegant nonchalance and the extreme rigour of the gestures harmonize in one breath, exultant and liberating at once, and above all necessary.
Source : Association Woo

Credits

Conception and dance Dominique Duszynski and Ennio Sammarco
Composer and musician Josselin Varengo
Production Association woo
Thanks to Summer Studio's Brussels et DCJ Werkplaatsen,
Bruxelles ; I.U.F.M., Lyon , Le Croiseur, Lyon ; CND Rhône-Alpes.

Video direction : Charles Picq
Production : Maison de la Danse

Updating : August 2011

Duszynski, Dominique

After ten years in the company of Pina Bausch, where she danced in shows legendary as "The Rite of Spring", "Kontakthof", "The 7 Deadly Sins", "Viktor", "Arlen" and many others, Dominique Duszynski continues his research work and experimentation in teaching but also in creating choreography for dancers and actors, in symbiosis with directors or alone.Along the way, she was also interpreter for JF Duroure and Pippo Delbono. She attended the film's Lament of the Empress of Pina Bausch and the films of Amos Gitai: Berlin-Jerusalem and Golem. Since 1988, she teaches contemporary dance and elements of Tanztheater across Europe. She teaches at PARTS (Brussels) since the inception of the school in 1995. In 2007, she resumed the path of the trays by creating a solo Fuga In 2008, in collaboration with E. Sammarco and J. Varengo, they create the trio Barroco. In 2009, she choreographed and dance a new solo Luz, created for the 9th Festival Voix de Femmes in Belgium.

Source : Association Woo 's website

More information

associationwoo.free.fr

 

 

Sammarco, Ennio

An Italian, with a Master’s in International Economics, he late discovered his passion for the stage. After different experiences in theatre and dance, in Italy and abroad, he focused his interest on the French contemporary dance movement, and in 1995 joined the Compagnie Maguy Marin, at the time located in Créteil. A long collaboration resulted and even today he shares his own choreographic research with his work as a performer for the Compagnie Maguy Marin (latest creation: "Salves", 2010).    

Since 2005 he has co-directed the Association Woo with Jean-Emmanuel Belot and Stéphanie Thomas, and has worked closely with other artists such as Dominique Duszynski,  Josselin Varengo and Kirstie Simson.    

A State-certified Dance Professor, he is intensely active teaching in France and abroad and is regularly involved at the CCN in Rillieux-la-Pape, the Dance House in Dublin and the Faculty of Art and Spectacle at Lyon 2.


Source : Association Woo


More information : associationwoo.free.fr

Agora, cité internationale de la danse

Agora, cité internationale de la danse

Formerly a Ursuline Convent, then a women's prison and barracks, the story of Agora, International Dance Center begins in 1990. Georges Frêche, then mayor of the city of Montpellier, granted Dominica Bagouet to establish the Choreographic Centre in this old building downtown. Since 1986, the ‘Montpellier Danse' festival has been setting  a scene in the Ursulines - now named Agora Theater - to host the festival performances. In 1994 and 2001, two successive construction phases leaded to building the National Choreographic Centre and ‘Montpellier Danse'. In 2010 the Agora, International Dance Center was born. The final phase of work has allowed for the complete restoration of the building, now devoted entirely to dance, with two rehearsal studios, a fully restored outdoor theater and the Room Béjart - a former chapel hosting conferences, movie projections, performances... The Agora, International Dance Center, brings together all aspects of choreography: creation, public reception, artists residences and hosting... which makes this Centre a unique place in Europe.

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