Skip to main content
Add video to a playlist

Title

Choreographer

The description is limited to to a length of 500 characters


Your playlists

The video has been added successfully.

The video is already in this playlist.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist The description is limited to to a length of 500 characters


Embed the video Embed the video on your website
Index
See the video
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
Information Your submission has been sent
Video information

Google Chrome Web Browser's video policy changed since version 66 : Video playlist can't be played automatically.

For the best experience of Numeridanse, we recommand you to use Mozilla Firefox.

offers

PRO Offer

Exclusively for artists/companies, directors.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support
offers

PRO Offer +

Artists, companies, organisations, production agencies, libraries and resource centres, local authorities, festivals, performance centres, arts councils and foundations, directors, associated professionals.

options:

  • Virtual exhibition tool
  • Independent management and promotion of your work
  • Unlimited number of contributor account administrators
  • Guest account creation
  • No advertising on the site or videos
  • Site available in French and English
  • HTML5 player ready
  • Unlimited bandwidth
  • Shareable private links
  • Unlimited uploads
  • Secure data storage
  • + Technical support

+ Advice and support to create video content, further training in cataloguing, browsing, researching documents and organising video content (virtual exhibitions, playlists, etc.)

advantages

Promote your video collection

Unlike more generic platforms, Numeridanse offers a platform dedicated to dance and is run by professionals – La Maison de la Danse and Centre national de la danse.
Numeridanse is an internationally renowned site used by artists, arts professionals, journalists, researchers, teachers, dance enthusiasts, etc.

advantages

Guaranteed access to an exclusive video collection

Only dance professionals can open PRO and PRO+ accounts and exhibit their content on the platform. You are contributing to the history of dance. By appearing on Numeridanse your videos are made available to everyone.

advantages

Share your account

You can create ‘guest contributor’ accounts so your staff can share the same tools as you. Their video collections are linked to your account and any upload will be submitted to you for validation.

  • Add to playlists
  • Remove from your favorites Add to your favorites

Barbe-Neige et les Sept Petits Cochons au bois dormant

Maison de la Danse de Lyon 2014

Choreographer(s) : Scozzi, Laura (Italy)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019

Video producer : Maison de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Barbe-Neige et les Sept Petits Cochons au bois dormant

Maison de la Danse de Lyon 2014

Choreographer(s) : Scozzi, Laura (Italy)

Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019

Video producer : Maison de la Danse

Integral video available at Maison de la danse de Lyon

en fr

Barbe-Neige et les sept petits cochons au bois dormant

Human beings, masters of the world? Laura Scozzi is somewhat doubtful. What if animals had their say? So, she re-wrote the story. Along the way, she asked herself other questions: what would happen if Sleeping Beauty did not wake up; if Cinderella had not found her glass slipper; if Snow White were black?  So, she started to imagine, leading her to rock the boat that is so damaging to young girls. Never-ending love, blonde princesses with blue eyes whose entire life is spent waiting for Prince Charming? Stuff and nonsense! She therefore invented a plan B: another world. There, we come across a bee killing a bear, a fairy with a malfunctioning magic wand, a dwarf being harassed by seven nymphomaniac Snow Whites. Coached by the Italian choreographer, spurred on by the trills of the great Paganini, our little good heroes deliver themselves up to a killing game, from which our childhood tales emerge groggily. A subversive, exhilarating fable somewhere between dance, mime and theatre, served up by eight hip-hop dancers.

Note of intention

“I wanted to assassinate the ‘imposed’ blueprint of romantic encounters, the worshipping of beauty, the moralising good that offers up examples of obsolete Catholic virtues and, above all, the supreme myth of the Prince Charming in every fairytale destined for young girls. I wanted to take a critical view of the childlike dreams influenced by love stories with happy endings, white horses, strong and muscular handsome princes and beautiful, thin, fragile princesses, preferably blonde with blue eyes. All these influences have, in my mind, led generations of women to identity issues, to the inexorable and interminable wait for a day that will never come, to the confrontation of the impossibility of this dream and, finally, the difficult acceptance of compromise in the face of daily life. This is a difficulty which for decades has fuelled psychoanalysts and the manufacturers of anxiolytics and/or neuroleptics. I wanted to take a contrasting look at the perfect love story and show princes and princesses who are unable to be happy, swept along by the unforeseeable and uncontrollable external factors of life. This is bound to create victims of setbacks, mood swings, the desire to commit malicious acts, lewd thoughts, impatience and powerlessness. I wanted to subvert the myths, dissect the characters, distort the key actions, and massacre the imagery of Walt Disney mass culture. Red Riding Hood, Cinderella, Tinkerbell, Snow White: all these folk tale leading ladies have, at some point, been engulfed by the media-crazed world, transforming them into commodities. As icons of the society of consumption, hostages of their own effigy, how can they become emancipated from the representations that have been assigned to them? How can they exist in another way when decked out in such an identifiable costume?  I wanted to probe other possibilities, other navigable routes. I had to manipulate rules, subvert references and stir up clichés. Like an ethnologist, I had to set about meticulously observing the stereotypes of representation in order to then begin deconstructing them. Through accumulation, repetition or inversion, the characters would cease to be the masters of their own destiny, their actions no longer part of this mass imagery. Thus liberated from the shackles of the clichés that they currently personify, the characters of folk tales can now have free rein of other spaces, taking over the stage and inviting us to consume the very ‘consumed’ story of our ‘fabulous’ culture...”

Credits

Conception and staging : Laura Scozzi
Choregraphy : Laura Scozzi 
With : Dorel Brouzeng Lacoustille, John Degois, François Lamargot, Céline Lefèvre, Sandrine Monar, Karla Pollux, Mélanie Sulmona, Jean-Charles Zambo
Artistical collaboration : Olivier Sferlazza
Music : Niccolò Paganini
Lights : Ludovic Bouaud
Costumes : Olivier Bériot
With the support of : Jérémie Hasael Massieux, Gwenaëlle Le Dantec, Sonia de Sousa, Louise Wats
Scenography : Natacha Le Guen de Kerneizon
Lights manager : Jean-Raphaël Schmitt
Set manager : Sonia Virly
Coach : Corinne Barbara
Tour manager : Mathieu Morelle
Order et production : Théâtre de Suresnes Jean Vilar 
Coproduction : Les Théâtres de la Ville de Luxembourg, Theater im Pfalzbau - Ludwigshafen

Réalisation vidéo : Fabien Plasson
Production : Maison de la Danse - 2014

Scozzi, Laura

Born in Milan in 1964, Laura Scozzi found her path in weaving together the miscellaneous. She established her own company Opinioni in Movimento in 1994, and chose to mix dance, singing and theatre together. She went on to carry out research work on emotions, entitled F.E.I.R. - Facteur Extérieur Cherche Individu en vue de Résultat (External Factor Seeking an Individual to Achieve a Result), the series began in 1995 with L’Amour (Love). She continued her route with La Peur (Fear) in 1998, La Colère (Anger) in 2002 and Le Désir, Le Dégoût (Desire, Disgust) in 2004. 


At the same time as running her company, she developed her career as an independent choreographer and created several works with hip-hop dancers for the Suresnes Cités Danse Festival. She revisited La Dolce Vita in 2001 and orchestrated Brecht/Weill’s ballet-opera Les Sept Péchés Capitaux (The Seven Deadly Sins) also in 2001. Laura Scozzi has also worked hand-in-hand with a myriad of other creators, and has imagined choreographies for operatic performances, for the theatre and the cinema: Coline Serreau, Laurent Pelly, Jean-Louis Grinda, Emmanuelle Bastet, Matthieu Poirot-Delpech and Sébastien Lifschitz. In 2008, she created her first opera production with Benvenuto Cellini by Hector Berlioz. After this, she produced Die Zauberflöte (The Magic Flute) by Wolfgang Amadeus Mozart (2009-2010). In 2014, she created Barbe-Neige et les sept petits cochons au Bois dormant with eight hip-hop dancers.


Source : Théâtre du Rond Point

Our videos suggestions
02:53

Sleeping Beauty

Bart, Jean-Guillaume (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:58

Un casse-noisette

Tchouda, Bouba Landrille (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:01

Tutu

Lafeuille, Philippe (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
09:46

Chaconne

Delaunay, Raphaëlle (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:59

Swan Lake

Swan Lake (United States)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:18

La Barbe bleue [teaser]

Kelemenis, Michel (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:12

The spectator's moment: Les Ballets Trockadero

The spectator's moment: Les Ballets Trockadero (United States)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:24

The spectator's moment: Giselle

Coralli, Jean (The spectator's moment: Giselle)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:08

The spectator's moment: Casse-Noisette

Petipa, Marius (The spectator's moment: Casse-Noisette)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:20

Hedda

Bjørnsgaard, Ingun (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:56

Giselle ou le mensonge romantique

Delente, Maryse (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:02

The Gold Rush

Chaplin, Charlie (United States)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
01:12:11

L'ogresse des archives et son chien

Ben Aïm, Christian & François (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
26:09

Amoveo, Les Sylphides, Le spectre de la rose

Millepied, Benjamin (Switzerland)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
26:40

Swan Lake

Masilo, Dada (France)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
03:02

LAC

Maillot, Jean-Christophe (Monaco)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
02:16

The Spectator's moment : Dada Masilo

Masilo, Dada (South Africa)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
08:31

Inside dance

Ádám, Fejes (Hungary)

  • Add to playlists
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la Danse de Lyon

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa

Discover
Know more

Reinterpreting works: Swan Lake, Giselle

Parcours

Anne Décoret-Ahiha

Reinterpreting works: Swan Lake, Giselle

Parcours

Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.

Discover
Know more

Body and conflicts

Parcours

Body and conflicts

Body and conflicts

Parcours

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

Céline Roux

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Discover
Know more

Hand dances

Parcours

Julie Charrier

Hand dances

Parcours

This parcours presents different video extracts in which hands are the center of the mouvement.

Discover
Know more

Dance at the crossroad of the arts

Parcours

Anne Décoret-Ahiha

Dance at the crossroad of the arts

Parcours

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Discover
Know more

The committed artist

Parcours

Anne Décoret-Ahiha

The committed artist

Parcours

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Discover
Know more

Rituals

Parcours

Anne Décoret-Ahiha

Rituals

Parcours

Discover how the notion of ritual makes sense in various dances through these extracts.

Discover
Know more

Dance and music

Parcours

Anne Décoret-Ahiha

Dance and music

Parcours

The relationship between music and choreographic works varies throught dance history.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more