Skip to main content
Back to search
  • Add to playlist

Ashbury Street

Maison de la Danse de Lyon 24images - Scènes d'écran 2012 - Director : Gauducheau, François

Choreographer(s) : Brumachon, Claude (France)

Present in collection(s): Maison de la Danse de Lyon , 24images - Scènes d'écran

Video producer : 24 images productions, collection scène d'écran

Integral video available at Maison de la danse de Lyon

en fr

Ashbury Street

Maison de la Danse de Lyon 24images - Scènes d'écran 2012 - Director : Gauducheau, François

Choreographer(s) : Brumachon, Claude (France)

Present in collection(s): Maison de la Danse de Lyon , 24images - Scènes d'écran

Video producer : 24 images productions, collection scène d'écran

Integral video available at Maison de la danse de Lyon

en fr

Ashbury St.

Ashbury St. is first a street in San Francisco that witnessed the birth of the hippie movement in the 1960s: it is thus a symbol. The symbol of an entire era. By taking this street as my title I plunge inside it. The street where Janis Joplin dragged her boots with the Capricorn Girls and where the Grateful Dead gave their first concerts. A whole crowd of rock icons have passed through here.

More committed and more polished, Ashbury St. requires from its interpreters another maturity, more militant, more elegant, more profound. I shall seek to flush out the paradox: Flower Power faced with the Vietnam War, the cool attitude, the violent deaths, the young men sacrificed for a nation.

Brumachon, Claude

Claude Brumachon was born in 1959, in Rouen. After attending Fine Arts where drawing directed him down the path of bodies, he took up dance at the age of seventeen with « les Ballets de la Cité » led by Catherine Atlani, he stayed there for two years.

In 1981, Claude Brumachon met Benjamin Lamarche in Paris, they immediately started a collaborative and original research. Together, they explored that new world opening up through the dancing body.

Claude Brumachon between 1980 and 1983, as for him, worked with Christine Gérard (La Pierre Fugitive), Karine Saporta and Brigitte Farges.

As they belonged to no school in particular and as they rejected none, Claude and Benjamin sealed their agreement with a first duet : Niverolles Duo du col in 1982.

With their first group, the « Rixes » company in 1984, they invented a stylized, vehement and passionate choreographic writing: a sharp and brisk gesture, a tormented tenderness. They surrounded themselves with dancers, a composer, a makeup artist and a costume designer: Founding a troupe and leading it to creation.

In four years’ time, the choreographer created ten plays with two major ones (1988): Texane (award-winning at the Bagnolet contest) and Le Piédestal des vierges which set their style to a recognizable gesture. It quickly followed on sequences of cleat-cut and sharp movements cutting the body and the space.

The choreographer carved out a reputation. In 1989, Folie came to the fore and was a great success again. That success has been repeated 7 years later in 1996, with Icare (presented at the 50th Festival d’Avignon), a solo written for Benjamin Lamarche.

Sometimes groping, sometimes rushing headlong, Claude Brumachon and Benjamin Lamarche imagine and create new worlds. There‘s never any doubt between them, doubts are about dancing, about the ways of dancing, about the continuing questioning of this moving body the mind is obsessed with.

The teaching of their dance is made through training, lessons are made as much to pass on this brand new knowledge as to refine it. Moments to unite the group under a common body language. To understand is also to make understand.

As an expression of desire – passionate – and of an overflowing sensuality to a certain point that it was sometimes described as violent, their plays are tales of the inexpressible, they are mirrors of raging inner worlds, pushed beyond their own rules. Claude Brumachon and Benjamin Lamarche have become researchers in poetic and powerful movements. They’ve been creating a dance alternately full of energy and tormented, lyric and passionate, now high-spirited and romantic and now down to earth and meaningful.

Out of Molière’s wanderings, they made with Histoire d’Argan le Visionnaire (2007) a bright and facetious show as a tribute to the artist. Out of the consumer society, they made a Festin (2004), carnal and sensual where proximity bursts out at the face of the audience. With Phobos (2007), they ventured into irrational, universal or shallow fears.

Claude and Benjamin create from the body for the body and with the body.

Their dances are as much stories of different groups that share a space to live in as they are stories of loneliness facing the world. They all are a research around an irrational gesture that calls for the precise one, necessary and full of meaning.

A gesture, heavy with an unspeakable story that changes into the very moment and, in a sometimes bitter statement, offers a view of man in his complexity.

Claude Brumachon signed more than eighty original choreographies with his own dancers, dancers from other French or foreign ballets, with schools and with children as well.

They directed the National Choreographic Centre of Nantes to the creation in 1992 to 2015. Since January 1, 2016 they continue their choreographic road with their new company SOUS LA PEAU.


Source : Brumachon-Lamarche


More information :

https://www.brumachon-lamarche.fr/

Gauducheau, François

François Gauducheau was born in Nantes. After studying Letters and spending a year as an aid worker in Africa, he moved to Paris and began documentary production at ORTF. From 1970 to 1980, he produced a number of films, including for the show “Le Jour du Seigneur": France, Africa, India, Asia: the subjects are varied with strong social and human accents. At the start of the 80s, he joined the company Vidéo 44, which produces numerous institutional films, mainly for local communities. A few years later, he created GF. Production, his own company that enables him to both direct and to explore the world of documentaries once again. In 1997, he created the Association des Producteurs Audiovisuels de Pays de la Loire and sold his company to the group Her-bak. Since then, François Gauducheau has produced numerous documentaries for television. He works with regional production companies: Pois-chiche films, 24 Images, Odysséus Productions, Plan Large, Aligal, Aber images, etc. In 2008, with a few close friends he created a non-profit company, Primavista, which does testing, recording of artistic performances and short films with its own recording and editing equipment. Since July 2010, he has been a member of the board of directors of Association Télénantes, which develops future local Nantes television programming for presentation to the CSA (Conseil supérieur de l'audiovisuel).


Source : François Gauducheau 's website


More information :

francoisgauducheau.fr

Our videos suggestions
14:59

Documentary "When the stone is skin and the skin is stone" - 2018

Alexandre, Yvann (France)

  • Add to playlist
03:10

Unknown Pleasures

Unknown Pleasures (France)

  • Add to playlist
07:17

Sans fil - Résidence au Musée des Confluences

Plassard, Denis (France)

  • Add to playlist
07:53

Boomerang - Création à la Maison

Tchouda, Bouba Landrille (France)

  • Add to playlist
03:58

Kafrine - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
02:02

Odile Duboc, une conversation chorégraphique

Duboc, Odile (France)

  • Add to playlist
02:12

Odile Duboc, une conversation chorégraphique

Duboc, Odile (France)

  • Add to playlist
02:35

ELEMENTEN I - Room

Van Acker, Cindy (France)

  • Add to playlist
26:11

Coupé Décalé

Orlin, Robyn (France)

  • Add to playlist
26:00

Brilliant Corners

Gat, Emanuel (France)

  • Add to playlist
27:19

Asobi

Ito, Kaori (Japan)

  • Add to playlist
26:00

Aringa Rossa

Senatore, Ambra (Italy)

  • Add to playlist
04:58

Participative Workshop - Fast Forward

Carvalho, Tânia (France)

  • Add to playlist
06:40

Dominique Mercy danse Pina Bausch

Obadia, Régis (Germany)

  • Add to playlist
08:28

Les Pieds sur scène

Les Pieds sur scène (France)

  • Add to playlist
06:33

La Danse aux poings de Mourad Merzouki

Merzouki, Mourad (France)

  • Add to playlist
02:46

Tant mieux, tant mieux! vu par Charles Picq

Bagouet, Dominique (France)

  • Add to playlist
02:58

Angelin Preljocaj - Centre chorégraphique national d'Aix en Provence

Preljocaj, Angelin (France)

  • Add to playlist
04:09

Autumn Fields

Farber, Viola (France)

  • Add to playlist
Our themas suggestions

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Maison de la Danse de Lyon

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Artistic Collaborations

Parcours

Centre national de la Danse

Artistic Collaborations

Parcours

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Discover
Know more

The contemporary Belgian dance

Parcours

Philippe Guisgand

The contemporary Belgian dance

Parcours

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Discover
Know more

States of the body

Parcours

Philippe Guisgand

States of the body

Parcours

Explanation of the term « State of the body » when it’s about dance.

Discover
Know more

La Fondation BNP Paribas

Exposition virtuelle

Fondation BNP Paribas

La Fondation BNP Paribas

Exposition virtuelle

Depuis sa création en 1984, la Fondation BNP Paribas soutient les arts de la scène. Attentive à la qualité de son engagement auprès de ses partenaires,  elle veille à accompagner leurs projets dans la durée.  Découvrez les engagements de la Fondation.

Discover
Know more

Dancing bodies

Parcours

Centre national de la danse

Dancing bodies

Parcours

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Discover
Know more

Improvisation

Parcours

Philippe Guisgand

Improvisation

Parcours

 Discovery of improvisation’s specificities in dance. 

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more