Arrhythmia ( 2008) - Contemporary Music Music: No music (in silence) Duration: 15 min
Abstract dance piece that addresses the issue the musical body . It gives read and hear the music of the body. Any choreography rests as the scores written and carried by the dancers. It is danced in silence and can be accompanied by live music . It takes a mastery of the inner pulsation of listening to self and others , a sense of phrasing choreographic and rhythmic .
James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.
Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.
Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Choreography : James Carlès
Video conception : Centre chorégraphique James Carlès
Duration : 15 minutes
Mexican Video Dance
Carolyn Carlson, a woman of many faces
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Charles Picq, dance director
Noé Soulier Rethinking our movements
40 years of dance and music
EIVV 2022 Dancing with the editing
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Discovery of improvisation’s specificities in dance.