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Apertaé

Apertaé

Apertaé

With Apertaé, Bernardo Montet pursues his reflection on human beings, the origins and failings of identity, and questions six dancers on their “life stories”. An exercise requiring the constant entry into the flesh of time in order to risk a genuine self-revelation. “It is their body that becomes the story of their life” Bernardo Montet points out. 

In the violence of the experience, the bodies obey a kind of rage. We think of the photographic universe of Nan Goldin who reveals secret worlds that are almost taboo. The piece starts with a song by the German group Rammstein, Stein um Stein, sung by Tal Beit-Halachmi and accompanied by the guitarist Pascal Maupeu. It talks of the sequestration of the loved one, “Stone by stone, I am going to wall you up, stone by stone, I will always stay close to you”. 

The scenographic installation imagined by Aiko Harima proposes as a playground a square of nine white blocks. It is the vision of an interior place, of an intimate space. The image of the mirror is both crude and flattering, both true and distorting. “What do we share, what is left to us, what do we want to share?” Bernardo Montet asks us. Punctuated by readings from Bataille (The Accursed Share: an Essay on General Economy), Artaud (The Theatre and its Double) and a correspondence between Harendt and Heidegger, the dancers, all of different origins (Israeli, Malagasy, Vietnamese, Greek, Moroccan and Ivorian), draw from the very substance of their experiences. 

This exploration of feelings gives the impression that the dancer is like a body that splits in two, an exposed body, a body stripped naked. Solos, duos, bodies in unison: from presence to absence, from embodiment to traces, the six dancers reveal their intimacy, vulnerability and strength. A work of bodies and of skins, these personal stories invite each of us to ask ourselves: What is left of our life when we question our memory?


Source: Nadia Chevalérias (Répétitions/April 2008)

Montet, Bernardo

Bernardo Montet is currently an associate artist with the SEcW project in Morlaix and artist-in-residence at the Théâtre Louis Aragon in Tremblay-en-France. He was director of the Centre Chorégraphique National de Tours from 2003 to the end of 2011. 

After a period spent at Maurice Béjart’s Mudra school in Brussels, he pursued his career with the choreographer Catherine Diverrès, and was joint director with her of the Centre Chorégraphique National de Rennes until 1998. From 1997 onwards, Bernardo Montet gathered around himself a team of loyal collaborators: Tal Beit Halachmi, Taoufiq Izeddiou, Dimitri Tsiapkinis and Marc Veh, with whom he composed a repertoire of some twenty works. Since Pain de Singe, a founding solo devised together with the filmmaker Téo Hernandez (1987), he has signed such works as, in 1997 Issê Timossé (with the complicity of Pierre Guyotat, author and reciter), in 1998 Beau Travail (in collaboration with Claire Denis), in 2001 Racine’s Bérénice (co-written with Frédéric Fisbach), and O.More (with Gnawa musicians) in 2002. 

In Tours, he created nine pieces: Parcours 2C (vobiscum) (with the plastic artist Gilles Touyard) in 2004, Coupédécalé with Eran Tzur for the musical composition (2005), Les batraciens s’en vont (2006) and Batracien, l’après-midi (2007), two works produced together with Lorella Abenavoli for the electroacoustic creation, Apertae (2008), Switch me off (co-written with Thomas Ferrand, 2009), God needs sacrifice (2010), Isao, a solo written for and in collaboration with the Malagasy choreographer Gaby Saranouffi, and Des Hommes, a group work in collaboration with the historian and critic Geneviève Vincent in December 2011. 

In July 2011, he was made an Officier de l'ordre des Arts et des Lettres. 

In 2012, Bernardo Montet accompanied Madeleine Louarn for the show Les Oiseaux (from Aristophanes’ Birds), while at the same time working on a duo entitled (Des)incarnat(s), with one of the actors of the Atelier Catalyse, on the notion of Vulnerable. 

All his pieces, buoyed up by demand and radicality, deal with subjects dear to his heart: colonialism, memory, identity, consciousness of the body, resistance, to name but a few. Each choreography springs up from the previous one to weave an image that is both similar and different: the bodies, in their poetical and political dimension, replay the world surrounding us. 

Bernardo Montet also develops unusual projects with children, such as ChOral (2013), Mom’arts (2011 and 2014), and in the urban space with Pas à Pas (2013), La Marche des Anges (2007), and Veiller par le geste (2008, 2010). 


More information: www.ciemawguerite.com

Apertaé

Apertaé

Apertaé

Choreography : Bernardo Montet

Interpretation : Tal Beit-Halachmi, José Luis Diez Lerma, Taoufiq Izeddiou, Bernardo Montet, Agnès Pancrassin, Marie Rasolomanana, Dimitri Tsiapkinis, Marc Veh

Set design : Aiko Harima

Text : Marc Blanchet

Original music : Pascal Maupeu

Live music : Pascal Maupeu

Settings : Serge Castelli

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