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Amants d'un jour (Les)
1997 - Director : Lubtchansky, William
Choreographer(s) : Reynaud, Anne-Marie (France)
Present in collection(s): Ministère de la Culture , CNC - Images de la culture
Video producer : Heure d'été productions ; Qwazi Qwazi film ; Arte
Amants d'un jour (Les)
1997 - Director : Lubtchansky, William
Choreographer(s) : Reynaud, Anne-Marie (France)
Present in collection(s): Ministère de la Culture , CNC - Images de la culture
Video producer : Heure d'été productions ; Qwazi Qwazi film ; Arte
Les amants d'un jour
A woman shines another glass, while, in the distance, an embracing couple dances languidly. Hugging, rolling on the ground and then, suddenly, welcomed by a suspended bed. We are far from the interior tempo proposed by Edith Piaf, whom we easily imagine, in her black dress and hands outstretched, recounting the love story with its tragic end of this couple who kill themselves in a hotel room.
Source : Ministère de la Culture
Reynaud, Anne-Marie
Anne-Marie Reynaud (1945-2009) began dancing at Irène Popard’s school, then with Martha Graham in London, then joined Catherine May Atlani’s Ballets de la Cité in 1973 and the GRTOP (Paris Opera theatrical research group) in 1974, where she performed Carolyn Carlson’s ballets. In 1976, she founded the Four Solaire with Odile Azagury. The Nevers-based company became a National Choreographic Centre in 1989. In 1995, she was in charge of programming for the Paris region’s Île de Danse Festival and, in 1998, she became responsible for pedagogy at the CND (National Centre for Dance) until 2009.
Source : Lise Brunel, Dictionnaire de la danse (dir. de Philippe Le Moal), Larousse, 2008
Lubtchansky, William
Les amants d'un jour
Choreography : Anne-Marie Reynaud
Interpretation : Yanno Iatrides, Antonin Lambert, Céline Praden-Kanagasabai
Production / Coproduction of the choreographic work : CNC, ministère de la Culture (DMD), ministère des Affaires étrangères, Procirep
Production / Coproduction of the video work : Heure d'été productions, Qwazi Qwazi film, Arte
One dance, one song
The idea has all it takes to please: with the complicity of a director, a choreographer plays along by masterfully setting to dance a melody taken from the repertoire of French song, where, most often, poetry rhymes with humour and tenderness. While none of these dances resembles a video-clip supposed to illustrate the song, they are always an original choreographic proposal. A contemporary version of the old “chansons de geste” (French epic poems), they allow access, in just a few minutes, to the highly diversified universes of the choreographers. Take a song, its verses and its chorus, the interpreter’s tone of voice, the subject or the atmosphere evoked, and see what images, colours, figures and rhythms dance could give them.
Source : Fabienne Arvers
La compagnie Vlovajobpru
Exposition virtuelle
La compagnie Vlovajobpru
Exposition virtuelle
Découvrez le travail de la compagnie Vlovajobpru à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Danse et arts numériques
Exposition virtuelle
Danse et arts numériques
Exposition virtuelle
Créations de spectacles, performances participatives et installations mêlant danse contemporaine et arts numériques interactifs. Une constante dialectique entre le corps vivant (vécu) et le corps visuel (donné à voir ou virtuel). Une exposition proposée par Jean-Marc Matos, chorégraphe de la compagnie K. Danse.
La part des femmes, une traversée numérique
Exposition virtuelle
La part des femmes, une traversée numérique
Exposition virtuelle
Une exposition virtuelle proposée par notre contributeur VIADANSE - CCN de Belfort en Bourgogne-Franche-Comté.
Charles Picq, réalisateur en danse
Exposition virtuelle
Charles Picq, réalisateur en danse
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Black Dance
Webdoc
Black Dance
Webdoc
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Parcours
When reality breaks in
Parcours
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
Parcours
Butoh
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Parcours
States of the body
Parcours
Explanation of the term « State of the body » when it’s about dance.
Ballet pushed to the edge
Parcours
Ballet pushed to the edge
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dance in Quebec: Untamed Bodies
Parcours
Dance in Quebec: Untamed Bodies
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.