Director: Rosie Kay
Choreographer: Rosie Kay
Director of Photography: Louis Price
Editing: Adam Kirkland-Leach
Music: Annie Mahtani
Performers: Tilly Webber, Chris Linda, Chris Vann, Michael Spenceley, Tomasz Moskal
Rosie Kay trained at London Contemporary Dance School, creating solo work while performing in Poland, France, the US and Germany, before forming Rosie Kay Dance Company in 2004. Kay has created award-winning works that include; Sluts of Possession (2013) in collaboration with the Pitt Rivers Museum, There is Hope (2012) exploring religion, 5 SOLDIERS – The Body Is The Frontline (2010-2017), and Double Points: K (2008) in collaboration with Emio Greco| PC. Site-specific works include Haining Dreaming (2013), The Great Train Dance (2011) on the Severn Valley Railway, and Ballet on the Buses (2007). Kay creates installation and dance films: 5 SOLDIERS – the film, was exhibited at The Herbert Gallery Coventry, Stadtmuseum Dresden and is in the film collection of la Médiathèque du Centre National de la Danse, Paris. Feature Film credits include choreographer for Sunshine on Leith (2013).
Awards include 1st Prize Choreography, International Solo Dance Festival Stuttgart, Award from The Queen as ‘Young Achiever of Scotland’, Bonnie Bird New Choreography Award and nominated as Best Independent Company, National Dance Awards, Critics Circle. Kay is a Fellow of the Royal Society of Artists, and an MCR of St Cross College, Oxford.
Kay was the first Leverhulme Artist in Residence to the School of Anthropology and Museum Ethnography, University of Oxford, 2013-2014, and is currently Research Associate, with papers published in Medical Humanities and a book chapter published by Oxford University Press on ‘War and Choreography’. Kay became the first associate artist of DanceXchange in 2004.
Choreography : Rosie Kay
Interpretation : Tilly Webber, Chris Linda, Chris Vann, Michael Spenceley, Tomasz Moskai
Original music : Annie Mahtani
Video conception : Réalisatrice Rosie Kay - Directeur de la photographie : Louis Price - Montage : Adam Kirkland-Leach
Käfig, portrait of a company
The Dance Biennial Défilé
40 years of dance and music
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.