Style international is an original creation for the Opéra de Dijon. Designed by Arquitectonica, an American architecture firm based in Miami that constructs all round the world, for many people this building appears to be an architectural gesture, the enormity of which tends towards megalomania. 

Style international, the subtitle of which could be “The love boat is enjoying itself” plays with these spaces, makes them sweat, gently mishandles them, and has impertinent fun there.

Free and unoccupied, these places are an invitation for sliding, jumping, climbing, dripping, running and forms of bodies echoing the drawings on the walls, railings and floors. 

The “ship deck” does not lack elegance and has the old-fashioned charm of a fiction setting. Airport, ballroom, transatlantic liner, luxury hotel? To the classy pop music of Bertrand Burgalat, Style international uses ambiguity sparingly and has his silhouettes from another age dance along. The time of outrageousness. The time of the modern dream. 

Source : Cie Desprairies

More information : http://www.compagniedesprairies.com/

Following theatre and visual arts studies, she created her first production in 1998 in stone quarries of Pont-du-Gard. The site’s materials, usages and specificities are at the origin of her work. She asserts her contextual approach by applying it to a number of modern and contemporary architectures. Her choreographies are written and presented in the buildings, whose spatial, historical and human characteristics guide her dramaturgical, plastic and choreographic choices. She advocates applied dance (like “applied art”), where the body serves as a tool to measure the spaces built. Her aim is to give visibility to the movement of places.

 Her love of the gestures taken from the places she occupies has led to her interest in working gestures. She frequently associates with her creations the people she has met in these places (140 inhabitants and tradespeople from the Gratte-ciel in Villeurbanne, 192 amateurs and employees from the Opéra de Lyon). While her performances take place in public places, she develops adaptable projects, based on landscapes and agriculture or on the theme of the funfair.

 She has set up an “Atelier de création radiophonique”, a programme for the radio station France Culture and produced three films: Autour du parc at La Villeneuve in Grenoble with Louise Narboni, Cinq points de vue autorisés on Les Courtillières, with Vladimir Léon and L’Architecte de Saint-Gaudens, with Serge Bozon. She has mounted a number of projects overseas, inviting native dancers, and has written Manuel d’entraînement régulier du danseur urbain and Danser l’architecture (2017).

Source : Cie Despraires

Vladimir Léon (born 1969 in Moscow) is a director, actor and producer. He danced in "Mods", a film by Serge Bozon, directed by Julie Desprairies and co-directed a short film entitled "Cinq points de vue autorisés sur les Courtilllières » (Five Authorized Viewpoints on Les Courtilllières), as part of the City's Dance Inventory Of Pantin (France) imagined the choreographer. He is the producer of the « L’Architecte de Saint-Gaudens" (The Architect of Saint-Gardens), a film by Julie Desprairies directed by Serge Bozon, completed in 2015. He also directed "Far from the front", "Nissim dit Max", "Le Brahmane du Komintern" (The Brahmin « Les Anges de Port Bou" (the Angels of Port Bou).
He took over most of the creations of Compagnie des Prairies and co-signed with Julie Desprairies the "Petit vocabulaire danse / architecture" (2005) and the "Petit vocabulaire dansé du Center Pompidou-Metz" (2011).

Source : Compagnie des prairies 's website

More information : compagniedesprairies.com