First performed in 2001
Choreography Robyn Orlin
Before it became a real success beyond its own borders, “We must eat our suckers with the wrappers on..." was originally conceived as a piece for a South African audience. It is a militant piece which tackles the issue of teaching citizens to use condoms during sexual intercourse. "We must eat..." was devised to be performed in all kinds of venue. The tone of this piece underlines the gravity of the subject matter that it deals with: AIDS. It is darkly humorous, tinged with hope.
chorégraphie, décor et costumes Robyn Orlin
avec Foxy Tsalaemang Riet, Makhosi Dlamini, Prince Mngomezulu, Sam Jack Mabona, Tshepo Gaborone, Phindile Ntuli, Nthabiseng Baloyi, Anna Louw, Bongani Ngenelwa, Ntombi Maqalika, Takalani Phophi, Walter Malekane, Sibusiso Ndumndum, Rodney Buyeye, Richard Manamela
directeur de tournée : Michael Maxwell
régisseur Mthokozisi Mchunu
assistante du directeur de tournée Phillippa Yaa De Villiers
réalisation Centre national de la danse
running time 64 minutes
Resource - Centre national de la danse
We must eat our suckers with the wrappers on...
Last update : November 2010
Robyn Orlin was born in 1955 in Johannesburg and obtained bursaries to study in London (London Contemporary Dance School) and then in Chicago (School of Art Institute).
Since her first performance in Johannesburg in 1980, she has attempted to redefine choreography and the art of theatre in her country and has become one of the most committed anti-apartheid choreographers. She starts from the principle that “dance is political”, and in her pieces she examines the social and cultural situation in South Africa: its influences, its history, its rifts and its disintegration. The choreography then creates “an iconoclastic dance which puts its foot in it”, a dance-chronicle of today's South African society, skilfully handling irony and derision; a dance that shamelessly stirs up references and identities, blending traditional popular culture with the radical avant-garde, a dance that is capable of breaking down the artist-audience barrier by putting the audience at the centre of the event.
Robyn Orlin came to France for the first time in April 2000 at the invitation of La Filature Scène Nationale, Mulhouse, with “Daddy, I've seen this piece six times before...”
She achieved immediate recognition: Rencontres Chorégraphiques Internationales de Seine-Saint-Denis, Montpellier Dance Festival, Théâtre de la Ville, Paris, followed by tours all over the world.
In 2004, Robyn Orlin took part in the inauguration of the Centre National de la Danse, Pantin and composed a solo for Sophiatou Kossoko as part of “Vif du Sujet”.
In 2005 she created “When I take off my skin and touch the sky with my nose, only then I can see little voices amuse themselves...”, a piece with 6 singers from the South African Opera, then, during the summer, “Hey dude... i have talent... i'm just waiting for god...,” a solo for the dancer-choreographer Vera Mantero.
From September 2005 Robyn Orlin was in residency for two years at the Centre National de la Danse, Pantin. In April 2007 her “L'Allegro, il penseroso ed il moderato” was premièred at the Paris National Opera.
Beauty remained for just a moment then returned gently to her starting position
Have you hugged, kissed and respected your brown Venus today?
Call it… kissed by the sun…better still the revenge of geography… : solo for Ibrahim Kossoko
Walking next to our shoes...
Intoxicated by strawberries and cream, we enter continents without knocking...
Dressed to kill… killed to dress…
Porgy and Bess
L'Allegro, il pensero ed il moderato
Confit de canard
When I take off my skin and touch the sky with my nose, only then can I see little voices amuse themselves
Last update : November 2010
Fattoumi, Héla et Lamoureux, Éric