Le mollet de la danseuse
2009 - Director : Lescot, Marie-Pascale
Present in collection(s): Numeridanse
Video producer : Senso films
Le mollet de la danseuse
2009 - Director : Lescot, Marie-Pascale
Present in collection(s): Numeridanse
Video producer : Senso films
Le mollet de la danseuse
This film ponders such questions as the body, dance and the traces it leaves behind, both inside and out. "l danced professionally for ten years," Marie-Pascale Lescot recounts, "then stopped completely, with no pparent regrets. But years later, âs my son took his first steps, certain questions arose: Where does dance come from? What traces does it leave inside? What makes us dance? Spiderman, French folk dance, my father, Fred Astaire, Swatch watches, and a pair of chubby calves provided some clues.. . ln a moving and slightly burlesque way, Feet on the Ground embraces dance as a gesture that transcends the boundêries of space and time." From the Hollywood musicals of Vincente Minelll to Merce Cunningham, from baroque dance to boogie, this Tilm is composed in the manner of a choreography, with connecting threads, different layers, developments, pauses and recurrent themes. ln the process, it goes beyond dance to explode myths, stereotypes and archetypes.
Source: SENSO FILMS
Lescot, Marie-Pascale
Marie-Pascale Lescot is French, born in 1959. After completing a Bachelor's Degree in French, she devoted herself to dance and trained with visiting professors from the Merce Cunningham Dance Company and choreographers Susan Buirge, Twyla Tharp, Lucinda Childs and Viola Farber. Parallel to her forays into contemporary choreography, she worked with baroque dance historian Francine Lancelot.
In 1986, she was awarded a Foreign Affairs grant to study with Merce Cunningham in New York City where she also commenced her studies of journalism. Upon her return to France, she quit dance and joined television station CANAL+ where she worked as a publicist in cinema and international relations, later shifting to free-lance positions as a writer and cinema editor. Since 2002, she has developed documentary projects for production companies and works now as a writer, a journalist, a translator and a writing workshop trainer. Completed in 2009, « Feet on the Ground" is her first film as a director.
Source: SENSO FILMS
More information
Le mollet de la danseuse
Artistic direction / Conception : Marie-Pascale Lescot
Sound : Alix Clément, Olivier Dandré
Production / Coproduction of the video work : Maryline Charrier, production Senso films distribution, Poorhouse international
Animal Kingdom, participant's words
Noé Soulier Rethinking our movements
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Vlovajobpru company
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
States of the body
Explanation of the term « State of the body » when it’s about dance.
The Dance Biennale
Improvisation
Discovery of improvisation’s specificities in dance.
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.